Chen Yong smiled and said, "Master Zhang, how do I teach my classmates how to draw chickens? Students, you can experiment with this method now to see if you have mastered it. Then let everyone see the work, and we will correct it one by one."

These children began to paint seriously. Zhang Yang felt even more unfair. How could a child have such a high teaching level? He was really crying without tears.

What Zhang Yang didn't know was that Chen Yong's teaching method was the best learning textbook that Uncle Chen Yong found for Chen Yong. This contemporary master's painting method is easy to learn and easy to use, and it is really a rare and good thing.

Unexpectedly, Chen Yong did not learn to become an art master, but his experience of learning painting came in handy at this time. Chen Yong had all the memories of Lin Pingzhi, so he naturally learned the painting skills of the Ming Dynasty. He had a foundation in modern painting and also learned to draw chickens, flowers, birds and peonies. In addition, he had the cheating artifact of super memory, which was just right to learn and sell.

The painting methods that did not bring colors into Chinese paintings at this time in the Ming Dynasty were mainly pure ink colors, and the differences between various flowers, birds and animals were created through the depth of ink colors. Therefore, Chen Yong made a cockscomb for the chickens, which became the highlight of this painting, which made Xu Jin and Zhang Yang stunned.

Chen Yong looked at the chicken pictures drawn by the children for a while, and he pointed out the shortcomings of each child. The most common mistake of these children is that the chicks cannot be drawn, and it is too single and rigid.

Also, if the chicken is not well-controlled, the center of gravity is wrong, and it is easy to fall. In the end, the ink color changes are unclear, and the difference in black, white and gray is not truly reflected. Chen Yong demonstrated the way of drawing the chicken again.

Then Chen Yong focused on the "one head and multiple body drawing method" of the chick. "This head and multiple body" means to determine the chick's head in one direction. Chen Yong pointed eight identical chick's heads in one breath. Then he began to draw the chick's body corresponding to the eight directions.

After a while, eight chicken heads in the same direction, the bodies of chickens corresponding to different directions also appeared in front of everyone. Chicken bodies in various directions naturally had to be equipped with thighs, calves and claws in the right direction. This time, the students were amazed and their impression of this way of drawing chickens was even more profound.

Chen Yong said: "'One head and multiple body techniques' means changing with the neck of the chick as the axis. The advantage of this change is that you can combine with reality as soon as possible and master the real changes of the chick.

There are not only "one head and a lot of body" to draw chickens, but also "one head and a lot of body". As long as you can master these two methods, you can make various changes. Draw chickens of different shapes." As he said that, Chen Yong picked up and took out paper and pen and started to demonstrate.

Then Chen Yong drew eight identical large and small eight characters in one breath.

Chen Yong said: "This is actually to determine the body of the chick first, and then add a head in different directions to the body. For example, those who look forward, those who look up, those who look back, those who look back, and those who bow, etc., etc., etc.." As he said that, Chen Yong added eight heads of chickens with different shapes in different directions.

Then Chen Yong began to adjust the light ink and add the chick's body and thighs.

Chen Yong said: "When the big white cloud brush is wet, the torso part is slightly yin and watery, but it cannot spread too much. If the moisture is too large, you need to add rice paper to control the moisture. Because the angles are different, the direction of each chick's claws must be different."

Speaking of drawing the claws and calves of the chicks, Chen Yong naturally changed into a small wolf hair brush and started drawing with thick ink.

Chen Yong said: "The chest and abdomen, light ink on the thighs, calves, four toes, mouth, and the tip of the chick's wings must be painted in thick ink. The directions of the claws, calves and thighs, and whether the chicks can lift their legs must be based on the actions that the chicks can make under the overall shape of the chicks at this time and the actions that the chicks can make.

The center of gravity, direction and angle are all considered. No matter how you change, you must master the center of gravity of the chicken when drawing a chicken. What is the center of gravity? You can experience it yourself."

Chen Yong continued: "If you have both feet standing, the center of gravity must be above both feet. If you want to lift one leg up, the center of gravity must be on the foot that is on the ground." As he said that, Chen Yong also made a golden rooster stand alone.

Then, Chen Yong took out another brush, used the brush as the center line, and placed it on the bodies of the chicks he had just painted.

Chen Yong said: "As long as the legs are opened, the center of gravity must be between the legs, which coincides with the head and neck of the chick. When the center of gravity falls on one leg, the other leg of the chick can be lifted up. Then look at the paintings I have drawn, no matter which chick is painting according to this rule."

Chen Yong then took the negative examples drawn by his classmates just now. When those who look not very harmonious, Chen Yong uses a brush as the center of gravity. When comparing this, there is a problem with the center of gravity without exception.

Chen Yong said: "Students have discovered that when drawing chicken legs, you must master the center of gravity. There is a saying that 'There are easy to draw chickens in other places, but the legs are difficult to draw', but you only need to observe and practice more, and each of you can master the key step of adding chicken legs."

When Chen Yong finished saying these words, thunderous applause rang out below! No matter the dozen students below, including Master Xu Jinxu who was present, and his two sons Xu Yong and Xu Liang, they all applauded and cheered Chen Yong.

After Chen Yong's lecture, even if someone has no foundation in drawing, he can pick up a brush to practice according to the method he said, and draw this chicken picture. When the students practice again, the chickens in their pens really begin to become different in shape.

Chen Yong brought the pictures of the chicks that the classmates only drew now. In addition to a few, they were a little disharmonious. However, with his guidance, the students improved it, and soon the chicks they drew became harmonious.

Chen Yong took the chicken pictures drawn by these dozen classmates and handed them to Master Zhang Yang and said, "Master Zhang, you see, I taught these chicken patterns that the students painted. I have passed the test? Here are some comparisons with what they learned some time ago. Do you like that more?"

Zhang Yang's face became a little gloomy. There was no way. The difference between the chickens he drew before and after was visible to everyone. Each of these dozen students has made great progress. Chen Yong only took half a class to teach the students to draw chickens. Who taught the class well? Isn't that clear at a glance?

But Zhang Yang was very dissatisfied. He thought to himself: "Good you Lin Pingzhi, you dare to bully me with Master Xu Jin and Xu at this time. But you actually only won half of it. Have you forgotten what our bet was?"

Zhang Yang picked up these chick pictures and put them aside without even looking at them.

Zhang Yang said: "Lin Pingzhi, have you forgotten? Our bet is that you have to draw a peony flower in class, not this chick picture! Even if you teach these children how to draw a chick, at most you have won half of the bet.

But the most critical half, the real bet between us is that the peony you want to draw in this class is better than my peony flower! So it is too early to say that you have won me.

And the time for this class has been half gone. I don’t believe it. You can draw peonies in such a short time and look better than what I paint! It is even more difficult to really win me today.

At most, you win what I said at the beginning. Your method of teaching to draw chickens is indeed better than mine, I admit it. But this method is worth learning from. When I teach next time, I will use your method to teach to draw chickens. I believe my students will be better than you teach!”

At this time, the people on and off the stage looked at each other, and no one expected that Master Zhang Yang would say such things at this time. Not only did the students in the stage seriously doubt his teaching level, but Shangguan Jinglu had already made up his mind secretly.

After this, I will change the teacher to these more than a dozen students. He cannot let these more than a dozen students mislead their children again. The teacher's character is not good and his teaching level is not good. The child who needs to learn real theoretical knowledge will be delayed.

Not to mention how everyone on the stage was feeling when they stepped down, but Zhang Yang's words were not wrong, because he did say that Chen Yong would draw a peony flower in front of everyone, and compare it with his peony to see who painted the peony flower to look good.

Although he mentioned the teaching issue before, he can choose to forget it. The teaching issue is now a secondary contradiction, and the main contradiction is now the comparison of peony flowers. Of course, if Chen Yong painted the peony flowers first, it is indeed better than Zhang Yang, he could change his words. The main contradiction is the teaching method, and the competition of peony flowers does not count.

Chen Yong looked at Zhang Yang and said, "Master Zhang, are you sure you want to bet with me on the painting of peonies in this class? If you hadn't started to be aggressive and asked me to kowtow to you and admit my mistake, I wouldn't have been calculating about this matter with you.

If you give up on the bet now, I, Lin Pingzhi, can think that nothing has happened before, and we both have no water in the wells, what do you think? But if you really have to bet on this peony with me, Master Zhang, if you lose, there is really no room for maneuver.”

Zhang Yang said to himself: "Boy, you have already made me unable to get out of Taiwan. If you kowtow to me directly at first, you wouldn't have made such a fuss. Now that I am like this, can I still have any choice? If I don't defeat you, it will be my shame for Zhang Yang today!

Giving up this peony bet means that I have surrendered and surrendered now? How can this be? As long as you can't draw a very creative peony in such a short time, who would say that you are good at me?

So what if you really know how to draw peonies? I don’t believe it. In such a short time, the peonies you draw will really look better than what I paint! Besides, I want to compare who is better and who is not good in the two paintings, and it is not something that everyone sitting can evaluate.”

Zhang Yang said: "The bet has been made, and I will not cancel it no matter what. Unless you kowtow to me now and admit your mistake, you will wait for the loss of the game and when your face is ruined, kowtow to me and admit your mistake and bow your head and surrender!"

Chen Yong said: "Master Zhang, since you are going to bet with me about this peony painting, I will convince you that you lose. I am really sorry. I am now preparing to draw this peony flower. Now I still need to borrow your pen, ink, paper and inkstone to use. What do you think?"

Zhang Yang pretended to be generous and said: "It's still the same as the beginning. You can use the things in this room. I, Zhang Yang, Master Zhang, will not be the despicable villain. Lin Pingzhi, our bet has officially begun. I want to see how you painted this peony in this half class!"

I foresee who will win and lose the peony bet between Chen Yong and Master Zhang Yang. Can Chen Yong be unique in such a short time and draw a peony that convinces Zhang Yang to lose. Please listen to the next breakdown!
Chapter completed!