Everyone looked at Master Zhang Yang and Master Zhang together, but no one expected that he, an old man, would make such a request at this time after so long. Although Feng Yuqiu could not speak, his eyes at Zhang Yang had begun to be aggressive.

Xiaolinzi is his third brother. From the beginning to the end, you, Master Zhang, are suppressing people with power. The three of us were just passing by. I took Lin Pingzhi and Yue Lingshan to see the atmosphere of this school. Unexpectedly, this teacher would completely ruin my good mood!

At first, if you don’t know, it’s fine, at most it can represent some problems with your own quality. But after Shangguan Jinglu and Master Xu Jin came together, you also saw the relationship between me and Xiandi Lin. After dinner, you still want Lin Pingzhi to compete with you to paint. This is obviously not giving me face?

Shangguan Jinglu was even more surprised. After he came to this school, what he said was not obvious? Did Master Zhang Yang live to be a dog? Why did he come here together? Isn’t he just afraid that Zhang Yang will do his own way and delay these students?

It would be better if it were those who practice martial arts. They would only learn some cultural courses to cultivate their sentiments and cultivate their character. And these dozen people obviously wanted to learn a technique and make plans for their future life. No one would eat, drink and enjoy themselves in this castle for the rest of their lives.

It would be fine if they made contributions to the castle, but those who did not make contributions are actually more sensitive. They are unwilling to make people see that they can survive by relying on the castle. They want to be able to go out and do something in the future, and then feed back the castle and make some contributions to more people like them.

It is possible that others don’t understand these people. Shangguan Jinglu is now trying to understand the ideological trends of individuals in the castle every day. Can he still not understand?

After hearing Master Xu Jin's suggestion, he came to this school with Master Xu, just to see how Zhang Yang taught. He was really afraid that Master Zhang would delay the future of these children.

It’s better for those who practice martial arts to delay some cultural courses. In the future, these twenty people must rely on their own knowledge to survive. So every day now is very precious to them, and it’s really impossible to afford to waste.

I didn't expect that something went wrong this time was the children. If they couldn't learn real skills, the road ahead would be more and more difficult.

It’s not that the castle is unwilling to save their food, clothing, housing and transportation, but that they may be mediocre and slowly despise themselves. In mild cases, they may give up on themselves, and in severe cases, they may harm society...

No matter what, just forget it before you discover these problems in time. Now that you have discovered them, you must correct them in time. The key is to see what they are suitable for learning, what they like, and what they can learn, which is the fundamental solution to the problem.

Shangguan Jinglu found that he had to do more and more things. In his position, he had to prepare for each of us's future opportunities, rather than ignore it. Can the young man brought by the storm and autumn have any way to change all this? He is also extremely looking forward to it at this time...

Chen Yong looked at Zhang Yang and said, "Master Zhang, do you really think I can't beat you? If you never want to innovate, you may have been on the road to becoming a master for the rest of your life. This master who is respected is just the words of others flattering you. Isn't you clear whether your own knowledge is worthy of being called a master?"

Zhang Yang is most afraid of others using the words of a master, because few people in the castle are truly willing to call him a master. He will be happy when he hears he is called a master, otherwise he will be extremely depressed this day! Today, he is now being squeezed by someone who deserves to be called a master, and he is even more indignant!

Zhang Yang said: "You kid, you are so arrogant that I am not worthy of calling him a master? Let's talk about it, what's wrong with my peony? This was painted in two days after I painted the peony flowers in my mind. These students witnessed it, and they also learned to draw this peony with me!

You have also seen the paintings they learned from me before. How did I work hard in the past two months? They started learning to draw chickens and have gradually gotten started with Chinese painting. Not everyone has the talent to become a master. The key is whether he is willing to devote his life to learning and creation!"

Chen Yong picked up the painting of the classmate in front of him and said, "Master Zhang, have you ever checked the paintings of your own students for them? No matter who you want to become a master, you must go deep into life and experience the true meaning of the painting you created with your heart!

Classmate, come to see, your chick is fine, don’t you feel any minor errors in the position of your mouth and head? Look at your chick’s claws. If the chick looks like you’ve drawn, can it really stand up?

Drawing is like being a human being, whether it is a chicken, a swallow, or a magpies. As long as it is a living thing, you must draw their spirit, rather than create it for the sake of creation! In that way, your paintings will always be just graffiti, and you will never be a master!

Since your teacher Zhang Yang repeatedly asked me to give you a lecture, I will start teaching you with this chick? I will teach you how to draw and how to draw every work well in an easy-to-understand way.

Don’t think that no one appreciates your paintings because of your limited knowledge. As long as you create every work, you must complete it with your heart and give the painting a soul, so that someone will always like them.

Otherwise, you don’t have to devote yourself to it. How can you let others like this work without a soul? You must think clearly about the scenery in the scroll and draw your own things. This is painting! Otherwise, it can only be called graffiti!"

The students below applauded Chen Yong together, including Master Xu Jin on the stage, who secretly cheered for this young man’s words! At least these words have already inspired these dozens of students to become masters, rather than thinking that they can only become masters after decades of tempering!

Chen Yong walked to the Eight Immortals table and said, "Master Zhang Yang, can I borrow your table to give these students a simple lesson? I know that my level is limited, and my current level of painting is still not the title of master. But I will teach these children with all my heart, so that these children have the opportunity to become masters is the purpose of my teaching!"

Chen Yong's words once again won rounds of applause, including Master Xu Jin and Xu on the stage cheering for this young man! This is the modesty that a role model should have, rather than showing that he is superior from the beginning, so that students can look up to him and show that he is knowledgeable.

Zhang Yang saw Chen Yong coming to him and knew that he was going to paint, so he naturally did not hesitate to lend him these things. So he said, "Little kid, you come to teach at my invitation. So in this room, my rice paper, pen, ink, paper and ink, etc. are all available for you to use. Let's watch your lecture together, please start the lecture, the young gentleman."

Zhang Yang doesn’t believe that a child can tell any profound truth. It is even more difficult to draw. Being able to draw well and being able to explain it are two different concepts.

I have been teaching for so long, and I am not sure to tell everyone what I have to do to understand. You are a child who is still talking about teaching here with shameless words? This is what makes you laugh!

Chen Yong first took out three brushes, one big white cloud, one wolf's hair pen, and one crab claw. Chen Yong took a inkstone and started grinding the ink. After grinding the ink, Chen Yong took out two small plates, one for the brush, one for the color of the ink, and the other for the small basin of half a basin of clean water.

Chen Yong said: "Students, you have all seen little chickens. If you want to draw a good chicken, you must have an understanding of the little chickens. I believe everyone has seen the little chickens. The little chickens are furry, and the size is about the size of a fist.

Chicks can be divided into three parts. The first part is the head of the chick, the second part is the torso of the chick, and the third part is the legs of the chick.

The head part is the forehead, with a cockscomb, and a mouth and eyes downwards. The chicken has a very small cockscomb on the forehead. The cockscomb is on the forehead, and it is definitely not on the top of the head, nor on the pillow, or the back of the head. The mouth should be lowered a little, and it should not be drawn in the middle, and the eyes should be slightly closer to the mouth."

As he spoke, Chen Yong drew a schematic diagram of the chicken's head on a piece of rice paper. Chen Yong asked the students to come directly and sit in front of him so that they could see how they draw with their strokes and how they could see their chick's diagram at close range.

Chen Yong continued to say: "The torso is like an egg, with its back on top and its two wings on both sides. The chicken's wings have a small head, so we draw three strokes on each side of each wing, and the three strokes on this wing are painted in thick ink."

As he spoke, Chen Yong drew two wings of the chick on the schematic diagram, and specially drew three strokes with thick ink at the tip of the wings. Then Chen Yong also marked the chicken's chest, abdomen and buttocks one by one. The chicken's thighs and calves were added below.

Chen Yong said: "Look, the thighs are facing backwards, the calves are forwards, the color of the thighs is the same as the torso, and the calves are painted in thick ink. The chickens are divided into four toes, three toes facing forwards, and one toe facing backwards."

As he spoke, Chen Yong added the four toes of the chick on the schematic diagram, and a chick appeared on the paper. Chen Yong handed the chick's diagram to the students to watch. Zhang Yang looked at the chick's diagram next to him, and smiled on his face.

He thought to himself, is this considered a painting? If a chick is painted on paper like you, it will be so ugly. I want to see, what is the use of explaining these to these students! Who hasn't seen a chick? You can still use it to repeat it here? Isn't this a supplement?

Chen Yong said: "Students have all seen the schematic diagram of the chick. I believe you have a deeper impression of the chick's shape. Now when you see me painting, we first dip a small pen in thick ink and apply it on the edge of the plate, and then dip the big white clouds in water, and gradually adjust the ink.

This ink mixing is to slowly adjust the thick ink on the edge of the plate, and then dip the thick ink on the tip of the pen. In this way, you start painting the chicks. Because the big white clouds are very watery at this time, it will feel furry when painting the chicks. It is just that because the moisture is too large, it is easy to spread on the rice paper, so you can use waste rice paper to absorb water."

As he spoke, Chen Yong directly drew a chick on rice paper.

Chen Yong said while drawing: "One stroke nodding means hiding the tip. The forehead should be round and must not have pointed. Two or three strokes with wings are like big eight characters behind the forehead. First click near and then far. Four or five strokes with small eight characters on the buttocks, go forward, and don't leave too much blank space in the middle."

Chen Yong drew four of these Wubi patterns on rice paper in succession. The distances and distances vary from one another. Except for starting to press them down with waste rice paper to absorb water, the other three did not need to be operated like this.

Then Chen Yong started to adjust the light ink again, which means adding water to the big white clouds, adjusting the light ink, and starting to draw the chest and abdomen of the chick.

Chen Yong drew a stroke from the bottom of the chicken's head and another stroke from the buttocks, with the two strokes connected, leaving no blank space between the chicken's wings. Then he drew two strokes backwards, which made the chick's thighs, thighs and chest abdomen unified ink.

Then Chen Yong picked up a small pen dipped in thick ink and began to draw the chicken's calves, with the calves forward, the three toes of the claws forward, and the one toe backward. The middle toe is long, and the direction of the chicken is determined, and the other two toes are short. The calves should be low near and the calves should be high in the distance so that the chick can be more natural.

Then draw the mouth, then click the eyes, and three strokes of the small wings, so that the chick will appear on the paper. Then Chen Yong added the other three chicks with four toes and mouth and eye wings. In this way, the four chicks have different postures, and the four chicks are sparse and dense, echoing, and complementing each other.

At this point, everyone thought that Chen Yong's chick had been drawn. The four chicks were simple to draw, but they were very well formed and could be mastered quickly by anyone. It was indeed a good way to teach. Zhang Yang felt a little nervous, and Master Xu Jin showed joy on his face, and the child could teach him!

At this time, Chen Yong took the cinnabar again, mixed a little on the plate, and used a small crab claw pen to light the cinnabar. In this way, a cockscomb was added to the forehead of each chicken, and the chicken was completely formed. Each chicken was ink black, white and gray, and with a bright cinnabar cockscomb, the furry chickens seemed to be alive and appeared on the paper!

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