Chen Yong turned his head to look at the group of children below and said, "Students, I will teach you how to draw chickens here, so you can practice it first. Now I want to draw peony flowers, but I don't have time to teach you all. If you are interested, next time I have the chance, I can also teach you how to draw peony flowers. Do you think it's good?"

The children below answered in unison: "Okay, we are all willing to learn painting with you. It would be great if you could teach us for a while."

Someone else said, "Teacher, I wish you a win! Will we learn how to draw with you in the future?"

Then, the children below began to talk, but basically all the words to wish Chen Yong a victory. Chen Yong was very grateful when he heard it, but it was not the time to interact with the children. Naturally, he had to start preparing to draw peony flowers.

Chen Yong took out four brushes, a large orchid and bamboo pen, a medium-sized bucket pen, and two small brushes. Chen Yong came to Yue Lingshan and borrowed rouge from her. This rouge was a high-end product given to Yue Lingshan by Wu Yuanzhen. Its color is pure and natural, so it is naturally a good thing.

Chen Yong washed all the other brushes used to draw chickens just now with clean water, and then put them away one by one. Only the pen, ink, paper and inkstone on the table were left, and Chen Yong also placed Yue Lingshan's rouge aside.

At this time, there is no need to teach, so it is easier to operate naturally. Chen Yong found white powder and Shuhong on Zhang Yang's shelves. In this way, the pigments were basically found. There was no way, and the yellow color was not found. He didn't know if the ancients had these things, so he was embarrassed to borrow them from Master Zhang.

Chen Yong first picked up the medium-sized bucket pen and moistened the brush in the small basin that had just changed to clean water. Then he took out a small plate, added white powder to it, and then added water to the wet bucket pen to the small plate.

Keep mixing the white powder evenly and adjusting until thin. The root of the pen is soaked in the white powder. After dipping it all with thin white powder, Chen Yong lifted the pen and looked at the viscosity of the white powder dripping down, and adjusted until it was thin.

Chen Yong first added the color of eosin and some rouge to another plate. Both colors were placed on the side of the plate. Before painting, Chen Yong wiped the bucket pen on the side of the plate until there was no water dripping.

Then use the lifting brush to dip the nib into the plate with the sour pigment, dip the tip of the pen a little bit into the color of the pen, and adjust the color of the tip to light pink. Then, after scraping the moisture of the lifting brush to no dripping water, you will start painting peonies.

Chen Yong started to draw the petals of peony flowers with the side tip of the brush lifting brush. He first drew the petals at the far end of the middle. The petals of the peony flowers are all large petals, so only with medium brush lifting brush strokes will not appear fragmented.

After drawing the petals in the middle part, the peony now looks at the distal petals, with large and distinctive petals at the proximal petals in layers, two or three layers, arranged standing with each other, but they are not regular and layered, and the petals naturally rise.

Then Chen Yong darkened the tip of the pen, which was the pink at the beginning, and then added some darker red on the tip of the pen. He began to cut each petal of the peony flower, so that the flower head would feel more layered. The large petals and the nearby layered petals should be deepened. After the petals were cut successfully, the peony flower would have begun to take shape.

But the sense of layering of the petals at this time was still not enough. Chen Yong used this tip of the lifting pen and dipped some rouge on the other side of the plate, and then debugged it slightly. After mixing well, the color began to darken again along the petals along the blank space in the middle of the peony flowers.

Rouge is obviously much redder than light pink, so the petals of the peony flower are cut more delicately. When each petal of the peony flower is added with rouge, this elegant and luxurious peony flower has already appeared on the paper, and it seems to be very beautiful at this time.

Chen Yong added a side-blooming peony next to this peony flower. In this way, the two peony flowers bloom in different directions, and the visual impact will be even stronger. After a while, two peony flowers of different shapes appeared on the rice paper.

Let’s look at the peony flowers of the two people, one is a peony flower painted in ink, and the other is painted with pigments like peony flowers. The peony flowers look really beautiful now.

That peony is beautiful, and that one is more attractive. No need to compare. Anyone will like the two peony flowers drawn by Chen Yong. Now that is the case, Chen Yong does not plan to complete the work and hand over the paper now.

At this time, Chen Yong wanted to add stamens to the center of the peony flower. Chen Yong first took out a small brush, dipped it in thick ink, and applied it to the plate. Then took out another large orchid and bamboo pen, added rouge first, then added some ink, and then added stamens to the center of the flower, so that the color of the center of the peony flower will be more distinct.

At this time, the peony flowers were basically finished painting, but the peony flowers still felt that something was missing. Chen Yong asked: "Who has the yellow color? I'll lend it to me and I want to add yellow stamens to the peony flowers, so that the layering of this peony will be clearer."

A classmate below said: "Teacher, I have a yellow color here. I don't know if it can meet your requirements? If you look at it, you can use this yellow color, so you can use it, you should be welcome."

Chen Yong walked up to the classmate, took the yellow color, then added a little to the plate, and returned it to the classmate and thanked him.

Chen Yong took the last small brush, added white powder and this classmate's yellow color, and then made it into a brighter yellow color. At first, the two dried stamens were added to the yellow color. In this way, the yellow stamens between the two peony flowers, and the yellow stamens could be considered a finished product.

When Chen Yong carefully added the two peony flowers to the stamens, his peony picture was considered to have been drawn. Because the peony flowers drawn by Zhang Yang at that time only had the head of the flower, Chen Yong did not draw the leaves and branches of the peony flowers. Strictly speaking, this is just a semi-finished product.

From an artistic perspective, the two peony flowers that Chen Yong drew at this time can only be said to be the beginning of a painting, and even one-third of the finished product has not been finished.

But at this time, the flower head of this peony flower is much better than that of Master Zhang Zhang. This difference is not a little bit. As long as people who are not blind, they will like the peony painted by Chen Yong at first glance.

This competition does not require a referee to determine it, including Zhang Yang, who already knows that he will lose. This is a competition of two painting methods. Chen Yong's color and the peony flowers he drew were more pleasing to everyone.

Moreover, the painting method is really not complicated. At least, like Xu Jin, a master like Zhang Yang, you can basically master it after seeing it once. Moreover, the students here all like this painting method because the peony flowers they draw are really good.

Zhang Yang was not guilty. He was also amazed at the peony flowers drawn by Chen Yong. He said, "This painting should only be found in heaven, how many times can you hear it in the world! Lin Pingzhi, I lost to you, I am convinced. But what color did you take out of that box? What exactly is it in that box?"

Chen Yong took the box of high-end rouge and asked Zhang Yang to take a look and said, "Master Zhang, this is a box of rouge. I don't know if you have the color I need here. When I remembered the box of rouge in my girlfriend's hand, I used it. I didn't expect that after entering the painting, the color effect was surprisingly good. It seems that even God is helping me."

Zhang Yang asked, "Lin Pingzhi, I lost this competition completely. I don't know what you need to do to be satisfied. If you really need me to kowtow to apologize to you in front of everyone, what's the point of kneeling down for you now?"

Chen Yong hurriedly bowed and said, "Master Zhang, you are really serious. I will compete with you, and it is because I am here to speak irritatingly, so that today's competition will be achieved. I was lucky enough to beat Master Zhang once, how dare you receive your great gift? Don't worry about this anymore? Just pretend that it hasn't happened."

Zhang Yang looked at Lin Pingzhi, sighed, hesitated for a moment, but still did not say what he said. He was afraid that if he spoke, what should he do if the other party disagrees with his actions? Could it be that he would let this opportunity to become famous in vain?

Non-toxicity, no husband, no gentleman! In the past few years when I was in the castle, whether it was Ye Fengchen or Shangguan Jinglu, I was very polite to myself, but I didn’t pay enough attention to it.

Why did Shangguan Hong become the boss of the literary world at the beginning, and he had to follow him? Finally, he waited for Shangguan Hong to leave the castle, but Ye Fengchen once again brought out Xu Jin as a master. Who do you think of me Zhang Yang as?

When I became famous, they didn’t know what they were doing? Why did they both have to be ahead of me at this point? It’s unbearable. Today is an opportunity! It seems that Lin Pingzhi doesn’t know how much impact his current painting method can cause to the painting world!

If I could master this technology, wouldn’t I be a master of this castle? I believe many people would be grateful to me for my whole life. No matter what, I would plan carefully before talking about it.

Zhang Yang turned around and came to Shangguan Jinglu and said, "Sir Shangguan, I am ashamed of your tribute. Today, I have no face to teach here. Please allow me to rest for a while. I need to hone my knowledge well.

When I saw Lin Pingzhi's painting method today, I think there are many advantages, and I have a higher pursuit of my creative path. So I will no longer do the teaching tasks here. I hope you can find a better teacher for these children to teach them, and please forgive me."

After saying that, Zhang Yang had turned around and left. Before Shangguan Jinglu could say anything, Zhang Yang had already left.

But this is not the time to worry about Zhang Yang leaving, because you are determined to leave. Even if you want to persuade him to change his mind, it seems impossible to get close to him. What's more, you really plan to find a good teacher for these children to teach them.

Actually, now I think about it, isn’t there a best candidate right now? I just don’t know if he is willing to take this position. In any case, I ask for some teaching for the growth of the children. Even if he doesn’t agree, I hope he can teach the children a few more days.
Chapter completed!