…

From a market perspective, movies can be divided into: large productions, medium productions, and small productions.

Large production.

The investment in this type of film is above 100 million yuan, while the expected box office in China is above 80 million yuan. They are at the top of the pyramid and are so-called "domestic blockbusters" with only three to five movies a year.

These films are basically the same in characteristics as the Hollywood "high concept" films proposed by Jasyan Wyatt: big directors, big stars, high investment, and big productions.

Due to the huge production cost, these films are all co-production films, with complex funding, and their sources cover mainland China, Hong Kong, Taiwan, Japan, South Korea and even Hollywood.

These videos themselves have the back of overseas funds, and overseas marketing factors have been taken into account when they were produced. Therefore, in addition to the box office in the mainland, they can often buy out the distribution rights of North America, Asia and other places at a higher price. In addition to the high-priced audio-visual copyrights and post-products in the mainland, they can basically have generous returns.

Made in the middle.

That is, medium-made videos, the investment of such videos is between 10 million and 50 million, and the domestic box office is between 10 million and 80 million.

There are usually less than ten movies in this range every year.

There are three situations for films in this camp: some main themes and key films; a small number of commercial art films and art films or low-cost films that take into account overseas markets; in addition, there are some commercial films focusing on special markets such as Valentine's Day.

Among the more than ten films in the second camp, most of them are Hong Kong-made films or co-productions between the mainland and Hong Kong.

Small production.

Small production can also be divided into two levels.

The first level is films with production costs below 10 million and more than 4 million, with the box office target of 1 million to 10 million, with a total of about twenty films. Among them, pure domestic films and mainland Xiangjiang co-production films (and Hong Kong films) each account for about half.

Less than ten of the twenty movies with a box office of more than five million yuan are still mainly Hong Kong films or mainland Hong Kong films, while pure domestic films are mainly concentrated below five million yuan.

The second-level film production cost is around 1.5 million to 3 million, with the largest number. This year there are about 160 such films, accounting for about 62% of the total annual production.

Some of these films were screened in theaters, but the box office output was quite meager. Some films entered the theaters so as to obtain a higher sales price for audio-visual copyright, while others were released in small scale and in regions.

The main markets of a considerable number of films are TV broadcasting and audio-visual products.

A few art films with high artistic standards can receive certain compensation and even have a slight surplus by selling copyrights from some overseas regions after winning overseas film festival awards.

Of course, some videos have not entered the circulation channel at all.

Using large productions, medium productions, and small productions as a set, "The Maze of Heart" can barely be included in medium production, but strictly speaking, "The Maze of Heart" should actually be included in small productions - the first level of small productions.

"The Princess of the Condor Heroes" is a perfect big production, and even "Forget-me-not" is the best among the productions.

Therefore, "The Maze of Heart" is not the same level as "The Princess of the City" and "Forget-me-not", at least in the eyes of outsiders.

In this case, it is not for Chen Wuji to propose that "The Maze of Heart" is not worthy of being tied to "The Princess of the City" and "Forget-me-not".

As Chen Wuji asked this question, everyone looked at Jiang Hongfei, wanting to hear what Jiang Hongfei said?

Jiang Hongfei smiled faintly, then pointed to his head and said, "First of all, if I had not given everyone the idea, "Forget-me-not" had been sacrificed and could not have many subsequent box offices. "The Princess of the City" would also be crushed by "King Kong" and it would be impossible for China Film to attack China. The position that Chinese filmmakers have worked hard for several years may be lost again."

As soon as Jiang Hongfei said this, Chen Wuji's momentum immediately weakened. The personnel involved in "Forget-me-not" smiled awkwardly, while the people in Zhongying showed contemplation.

Seeing Jiang Hongfei's words, Fan Bing pressed Chen Wuji's arrogance and then pulled the personnel related to "Forget-me-nots", and also stabilized the people in Zhongying, with their eyes full of glimpses!

Wang Leize thought to himself: "This kid really dares to speak!"

Chen Wuji really couldn't stand being ridiculed by Jiang Hongfei, a junior who had nothing. Therefore, although he knew that he had some kindness and revenge against Jiang Hongfei, he still said: "You gave us a good idea, and we should thank you, but business is business. If your movie is useless and we are bound to you, then it will be self-destructive. How can we talk about keeping the position of domestic movies?"

Jiang Hongfei smiled and said, "Director Chen will not talk about art anymore, but will he talk about interests instead?"

As soon as Jiang Hongfei said this, Chen Wuji's face turned red!

Chen Wuji is Chen Xian's cousin no matter what, and he may have a relationship in the future. Therefore, Jiang Hongfei no longer looked at Chen Wuji, but looked at others and said, "Coincidentally, I am carrying my masterpiece of "The Maze of Heart". If you are not busy, we can take a look first."

Jiang Hongfei came to Kyoto this time to invite people from his brothers to watch the movie. How could he not bring the master belt of "The Maze of Heart"?

Wang Lei brought Jiang Hongfei and Fan Bing to Huabin Manor to discuss the release of "Heart Maze", so Jiang Hongfei naturally brought the masterpiece of "Heart Maze".

If it were when Jiang Hongfei first came, it would be impossible for these big shots in the film industry to watch "The Maze of Heart".

But things have developed here, how could they not watch what kind of movie "The Maze of Heart" is?

So, everyone moved to the screening room of Huabin Manor, and Jiang Hongfei personally became a projectionist for everyone.

At the beginning of the film, a woman, wearing a white linen shirt, was wearing her body one by one, without tears or noise, making people unable to tell whether it was a dream or a reality?

Parents’ arrangements and plans are often different from those of young people. Should young people choose to comply or resist?

A corpse that cannot be confirmed, a medal representing honor, and a bracelet expressing love.

In reverse order, interlude, several seemingly different things, accidental occurrences, natural turns, but they must be linked together in the end.

The capable and orderly expression techniques and the right rhythm immediately captured the hearts of Han Sanye and others!

The most touching of this is Chen Wuji and Chen Ke, who are also directors.

Treating the true heart with sincerity drop by drop, "dongdongdongdongdong" fell into the pool, hitting their heavy hearts, and even the most common dog barking seemed to become unusual.

Less than five minutes into the beginning of the film, Chen Wuji and Chen Ke were confirmed that the person who directed the film must be a master, and this movie is definitely not a low-cost bad movie they had thought of as useless.

……
Chapter completed!