For example, the production team of "Pokemon" produced by Wanhu is quite complicated.

Not only are there talents who have been dug up from first-tier Japanese animation companies, but also some masters who have not dug up from above. After a few steps of running-in with short films, we can finally produce animations that are of no less quality than those of first-tier Japanese animation companies.

People like Shangmei can basically be called artists.

In that dark era, they created very freely and had no performance appraisal tasks. As long as they didn’t touch the red line, they could freely create the cartoons they wanted to make.

Therefore, Shangmei has produced a large number of exquisite works.

Animation expressions such as ink and wash animations, which are costly, were invented and used by these artists.

However, there is a problem with doing this, that is, the output is too small.

Such a large factory can only produce short animations of dozens of episodes, two or three minutes a year, and only a few hundred minutes together, which is not enough to be stuck between teeth.

Japanese animation is the other extreme, using very fast speed and great pressure to produce animations, like making cars, constantly producing new works on the assembly line.

Although there is a yield, sometimes quality is sacrificed for the yield.

Ten thousand households make both want to make progress. Although they have not achieved a double harvest of quality and output, they at least ensure that there is output under the premise of quality.

The animation of "Pokemon" has a high rating in Japan, and the price of buying it on TV stations is not low. In addition, the sales of peripherals and games have not lost money.

The reason why we talk about Japanese animation is that at the end of the 20th century, China officially introduced the peak of Japanese animation.

A large number of Japanese animations were introduced by Chinese TV stations, dubbed and then played on TV.

Although these TV animations have strong commercial purposes.

Just like "The Messenger of Light" is an animation that sells models, just like "Four-Wheel Boy", "Four-Wheel Brothers" is Tamiya's conspiracy, and "Pokemon" is also a work that sells games.

However, as a mature commercial work, Chinese TV stations are still very happy to introduce them.

even……

There are also some copycat manufacturers to help introduce them.

Audi double diamonds are very famous.

Audi double diamond company was not a completely counterfeit manufacturer at the beginning. It had obtained the authentic manufacturing authorization of Tamingo and also introduced related production lines from Tamingo.

However, according to Tamiya's regulations, making money is too slow.

So, Audi Double Diamond introduced the cartoons themselves and started playing them themselves.

Although the clothes worn by the four-wheel drive fighter in the cartoon are two white five-pointed stars in the red and blue square frame, the same is true for Audi's double diamond layout, and the two diamonds look much more dazzling than the five-pointed stars.

Audi's double diamonds made money, so the speed of introducing cartoons was naturally faster.

In an instant, many of the products that produce deformable robot toys appeared, including four-wheel drive vehicles, gyroscopes, and yo-yo.

However, the cartoon "Pokemon" is more difficult to deal with.

Compared to those toys that can be imitated with real objects, game consoles cannot be used even if they imitate a shell.

What’s even more ridiculous is that when they saw that the ten thousand households in "Pokemon" had the same logo as the ten thousand households in China.

They also thought that the ten thousand households in China were all the same products as them, and they were all counterfeit goods.

This is embarrassing...

However, this cannot pose a problem for these smart people.

Although the game console cannot be imitated, there is something that can still be made, such as the yellow mouse's doll toy, the yellow mouse's pendant, etc.

Wanhu saw the farce come to an end before he came out to clean up the mess.

How to say it, although these pirated merchants have infringed their rights in the short term and made less money.

However, these pirates have made great efforts objectively to popularize and promote "Pokemon" in China.

In the future, when China's economy develops, we can afford cheap entertainment products such as game consoles.

At that time, the resistance to promotion of "Pokemon" will be much smaller.

What?

You ask why not ten thousand households introduce themselves.

Dear, you should know that the field of cultural media is a very special field.

Any country attaches great importance to cultural communication.

It’s like being able to make all kinds of animations in Japan to promote various video game toy products.

But in China, can even the most popular online games "Stone Age" and "Legend" animate themselves and then wait for the TV station to play during prime time?

No, no.

Although only a storm can knock down a big tree, it seems that there are not many storms, but in fact there are many storms.

The wood is outstanding in the forest and the wind will destroy it. There is no need to walk ahead of the times to attract firepower. Just wait for the melon to ripen and the peaches to ripen.

However, Takahashi is not a pessimist, he is still full of hope.

A Western reporter once interviewed an old man and asked him if he had changed China. The old man said, I just changed the North (Meow) Beijing and several places around the background.

Takahashi thinks that he is far from this old man, and that he can change smaller and more limited.

He has only made all the people in Wanhu rich now.

Oh, of course.

Wanhu headquarters and various branches are located around the places where they are located, and they are also getting rich little by little.

However, apart from that, there are not many things Takahashi can do.

Of course, the foundation of Wanhu is also in electronic games.

As the leader of Wanhu, Takahashi still plays one to two hours of games every day.

However, playing games has become a task, and it is not as happy as an ordinary player.

In his eyes, the game that looks very interesting to ordinary players is just one element after another stacked.

A good factor stacking is a fun game. A poor factor stacking is a bad game.

Although Takahashi felt a little tired, he had to stop playing. Because he didn't play, he didn't know what the game in this era looked like.

Probably anyone will have such a burnout period.

I don’t want to do anything, I’m very confused, and I feel that nothing I do will not cause much change.

Takahashi knew that he had indeed changed the fate of many people, but he was wondering whether the changes he had made were really as great as he imagined?

Will those children who have won awards in their own competitions and spend the time they spend on the game doing other things, will they gain greater benefits?
Chapter completed!