Chapter 1735 Preview (1)

Some very talented directors will shoot with their own artistic style at the beginning. But Bo Yan is different. Although he hopes to shoot more literary, the company is now in the forum: it requires money.

He can't shoot at this time any strange thoughts he has in his mind. The best thing is to take a better script and shoot according to this script, and honestly tell the story smoothly and tell it in a casual manner.

Thoughtfulness, artistry, and whether it can be passed down through the ages are important. But at this moment, bread is more important. If he shoots exactly as he thinks in his mind, the public may not be able to accept it. Even if he wins the prize in the end, he will lose money if the box office is lost.

But he was definitely not willing to take a "documentary" with only a photo of the cat and a tiger. The original work of "Sunrise" is actually a bit low-key, a degenerate heroine who cannot turn back, a corrupt society that cannot be redeemed, some people who should not die miserably, people with conscience have no strength to change, and those without conscience are still having the final carnival.

Such stories are not as bloody as "Thunderstorm" or as crazy as "Wilderness". It's better to make art films. If you want to move closer to commercial films, you can only slightly modify your character design. Some conflicts have to be set a little more intense. Especially when it is released on Valentine's Day, it must be praised for your feelings.

In addition to making certain modifications to the protagonist's character, he also uses the mirror to use light and dark, colors, flowers, and costumes to create different moods of the protagonist, and is intense, lazy, desperate and ridiculed. He never explained the time on TV. Time was told in addition to the sound of bells, radio broadcasts, and light and shadow. He did not write any explanatory things and presented them in the language of the lens.

The audience who watched these details may not be able to realize them for the first time, but they can subtly feel that time is advancing and the protagonist's mood is changing.

However, most of the people who are here are senior industry insiders, there are also journalists with tricky angles, and some movie enthusiasts. They should have a better grasp of mirrors, light and darkness, colors, and light and shadow than ordinary audiences. But even if they do not realize these techniques, the movie will silently tell a simple and easy-to-understand story.

He stood on the stage and asked everyone to ask: "Are there any questions? You can express your opinions."

He just finished speaking, and laughed: "I know that there are many preview venues that have been invited to come, not to let you give me suggestions. It is to let you say good things, go back and write a few better comments to attract audiences. Even if the filming is bad, try to make everyone praise it. In fact, standing here, I probably know what everyone will say. Whether you have talent or ideas, you will know at the movie. This is my first time filming, so don't ask for more fancy things. Just want to write the story in its original form and logically well. Please give me suggestions for the rest."

At the scene, there was a pause for several seconds, and then there was applause.

How to say, there is something that looks good or not, the audience has eyes to see clearly. How much effort the director has spent, whether it was a cheat or a filming with care, and how the actors are, it is simply clear at a glance.

This is a very complete work. The script is the original work of Mr. Cao. The character setting has been changed but not changed significantly, and the tone is still there. The story is also a good story, unlike some big directors who want to play with the stream of consciousness. From the very beginning, Bo Yan told you that he is telling you stories and details can flow out from the story.

After watching it for the first time, I met again after a long separation, things changed, and life experiences rose and fell. But after watching it, I thought about any scene inside, and it seemed that I could savor the taste. Especially with the addition of Easter eggs, the heroine who was originally bound to die seemed to have the possibility of surviving again.

After Bo Yan said that, the discussion below became intense, for example, if you asked him: "Why do you need to modify your character?"

Although he also admitted that after changing the relationship between the male and female protagonists to a deeper and purer, love does account for more weight and stimulates the eyes. In the end, when the two separated, it also stimulates the eyes.

Bo Yan replied: "It's just a little artistic creation. If you copy the original book word by word, it's no different from watching a drama."

Some people criticized him for his low-mindedness. Although there were original plots, it was love again, which seemed to be low-tempered. Although the Yunjing was innovative, the whole film did not have particularly impressive thoughts. In other words, those thoughts were all from Cao Yu, the original book, not from him.

Bo Yanxiao: "I definitely can't compare with Mr. Cao. I admit that I have increased the love drama and made some modifications to make business choices. I hope I won't take away the original tone."

Some people raised some inappropriate rhythms in his story. Although some modifications were made, the rhythm of the first half of the hour was a little lengthy, after all, it was adapted from a drama.

Bo Yan nodded humbly: "It's true, I need to strengthen my sense of rhythm in this place."

He was indeed laying the groundwork in the early stage, explaining the background of all the characters and the origin of the story in the first thirty minutes. From thirty minutes later, everyone gathered together, and then increased the explosive points bit by bit. In the last half hour, the fate of the major characters reached a climax. The early stage was indeed a little slower.

Some sensitive film critics also noticed the camera, light, shadow and color inside. The simplest and easiest thing to discover is that the heroine is in a different mood, and the flowers she put in the room are different from the clothes she wears.

Bo Yan also nodded honestly: "When writing the original book, some plots were not intuitively presented except for dialogue. I asked the heroine to change into different clothes, which was indeed to express her mood. But now it seems a little bit extravagant."

Bo Yan said "adding to the point of being a snake", which means that Xia Siyu played it...it's really great.

In the trailer released a few days ago, some Xia Siyu looked like she was wearing a cheongsam, but she basically did not match the plot. There were only one or two simple shots. Although it was already amazing enough, it looked like she was living with the plot.

She lived in that old house in a very conscientious manner. The supplies, furnishings, clothing and her breathing seemed to be integrated with the old building.

She is like a person who lived in that era, brilliant, vivid, and decadent.

Just as Zhang Ailing said, a gorgeous robe covered with lice.

At the beginning, the film critic did not comment on Xia Siyu because Bo Yan did not ask them to praise him, but just asked them to give more opinions.

(End of this chapter)
Chapter completed!