Meng Chuan wrote the "Entry of the World" in thick ink in the center of the whole painting. Monsters were densely popping out of the world's entrance and spreading in all directions.

He slowly drew, just drawing a rough outline of the phantom.

Then he focused on drawing one of the monsters on the edge spreading from all directions. It was a mantis monster. The mantis monster was painted extremely carefully because it was the monster that was the most impressive when he was hunted by monsters when he was six years old.

...

When Meng Chuan was painting, the translucent villain began to shine with spiritual light in the space between his eyebrows. Over the years, this is the second time that the translucent villain in his eyebrows has changed since "The Appearance of All Ages".

...

Meng Chuan was immersed in painting. He mainly painted the mantis monster and the family of three chased by the mantis monster.

The father ran on his back with his child, while the mother rushed towards the mantis monster with her sword.

Meng Chuan painted this picture alone for more than two hours seriously. This is just a corner of this huge painting.

When I stopped writing, Meng Chuan discovered the changes in the space between my eyebrows.

"The villain in the space between my eyebrows actually shines slightly?" Meng Chuan was surprised, but gradually the spiritual light was weakening.

"The appearance of this eyebrow space is really related to my painting." Meng Chuan was surprised. When he was sixteen years old, he drew the painting "The Appearance of All living beings", which was also his most peak painting in many years. The night after painting, he discovered the eyebrow space and possessed the power of his soul. But at that time he was not sure that it was related to painting.

I'm afraid it's just a coincidence.

But this time, the strong emotions in the painting were no less than those of the scene of the villain in the space between his eyebrows, which made him completely sure.

It's related to painting!

"I have never heard that painting will produce mysterious soul power?" Meng Chuan thought for a long time, but still couldn't figure it out, "Forget it, when you enter Yuanchu Mountain, you must find out."

At least now it seems that the power of the soul is very helpful to me.

*******

From this day on, Meng Chuan completely integrated the strong emotions in his heart into the painting. This painting also took a long time, ranging from one hour to two or three hours a day.

It took more than six months before Meng Chuan finally finished painting.

This is a set of paintings, divided into three paintings.

The first one is one and six feet long.

In the center of the scroll is the entrance to the world with dense monsters coming out and spreading around.

Monsters chased and killed everywhere.

There are scenes where parents want to protect their children, but they are all pierced by the sharp tail of monsters.

There are scenes of corpses all over the ground.

There is a child standing there crying, and the old man faces the monster scene.

There are also scenes where fathers run with their children on their backs and mothers hold swords to resist monsters...

Meng Chuan painted thirty-eight scenes, each of which clearly painted the appearance of monsters and people, which were scenes he had experienced or seen with his own eyes. Every time he painted... it made the "flame" in his heart even more intense.

...

Then the periphery.

A little further away from the monsters, the disciples of Taoist temples on the road, vendors on the street, and ordinary pedestrians were all panicked.

...

The outermost.

There is Yuyang Palace, and three gods and demons are waiting for battle.

There are also other places.

In the Taoist temple, all the weak disciples entered the tunnel, while the stronger disciples were either determined or nervously looking at the monsters in the distance. Under the leadership of the dean's teaching and others, these young men prepared to fight together under the leadership of some retired adults.

Ordinary residential buildings, restaurants and other bustling places, gods and demon families... without exception, weak people such as women, children, elderly and weak are queuing up to enter the tunnel.

And those who are strong, regardless of gender, old and young, will face each other side by side.

...

The Chinese sun has just emerged from the edge, which obviously shows that the demon clan invasion was in the early morning.

This is just the first painting.

The second painting is one or eight feet long.

It's much more cruel and bloody.

The core area invaded by monsters in the center of the picture is a corpse, both men, women, young and old, and some teenagers wearing Taoist robes.

But in all directions, there are battles everywhere.

One human warrior held a shield to resist the monster, and another human warrior shot arrows from a distance.

One human race had a pierced abdomen, but he still hugged the monster tightly. Another companion cut the monster's head with a knife.

The human race set up a trap and successfully killed the monsters. However, other monsters rushed over next to them.

A father and son join forces to deal with the monsters.

Disabled veterans are dealing with monsters.

...

All the tragic scenes were all seen by Meng Chuan with his own eyes, and they were very common for Dongning Mansion to be invaded by the demon race. He just drew out these things in his memory one by one. The determination in the eyes of those who died with the monsters, but his companions continued to fight in pain...

"What are they trying so hard?" Meng Chuan was once confused.

But in the process of his painting.

When he draws out the living people, he understands.

They are for hope.

For the relatives who care about the most in my heart, there is still hope. I can still see the sun rise.

They need to fight and set a way out for their families.

...

The Taoist temple was also fighting, and the demon clan entered the Lieyang Fortress. A veteran, soldiers and young boys were crazily resisting. He built a wall with his life to protect the weaker junior brothers and sisters who were hiding in the tunnel.

...

The gods and demons were also fighting, with elders rushing in front to resist the monsters, and the young juniors and young men were fighting. A bald old man rushed in front, but his chest was pierced through by tentacles, but he still killed a monster with one knife.

...

Yuyang Palace is also fighting. A god and demon has fallen, and a female god and demon has struggled to support it. Only one male god and demon is still fighting against four demon kings.

They only have one god and demon left with enough combat power, but they are still fighting.

It's also for hope.

...

The sun in this painting rose a little higher.

The whole painting was fighting everywhere, and Meng Chuan painted this painting for three months.

*******

The third picture is one and six feet long.

The entire battlefield situation reversed, and people from all directions began to attack the monsters, and the monsters began to flee in panic.

All the monsters are running away.

They will also be afraid, be embarrassed, and be killed one by one.

They rushed towards the central "Entry of the World", which was where they came from and now they were where they escaped.

And the periphery.

In Yuyang Palace, a sword light descended from the sky and killed the demon king, and the other demon kings also fled in a panic.

In the Taoist temple, everyone was treating those seriously injured companions, including adults and teenagers.

There were also people who died in battle, both men, women, young and old, who died in battle, either very young, beautiful, or very old, but they all fell down. There were also many people crying on the side.

Every place.

Ordinary houses, restaurants, teahouses, gods and demon families, etc., have begun to treat the injured and restrain the bodies of the dead.

Although I was defeated, I didn’t feel joy in the whole painting, but I felt the ‘war spirit’, a stronger fighting spirit! The hero is dead, but the living people will continue to move forward and continue to fight, never stopping.

In the east of the city, the sun rises even higher.

The whole painting is also brighter in color, as if it was illuminated by the sun.

...
Chapter completed!