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Chapter Fourteen New Year's Paintings IV

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Sigh and sigh and sigh.

A strange sound suddenly sounded in the room.

Everyone looked at each other: What's the sound?

Ye Xian looked down and looked at it. Dunzi squatted on the ground and stared at the New Year pictures on the wall. It was her drooling sound.

"You want to eat, you want to eat!"

She pointed at the New Year painting and shouted.

Dunzi was probably really greedy. He was shopping for a day and only ate peanuts. He was stingy and stingy, Ye Jian didn't buy her some snacks. In Chen Feiyang's words, his mouth faded out of the birds.

When she shouted, the fish stopped flapping. With a clang, the kitchen knife in the fat doll fell down and fell to the ground. The fat doll sat back into the big wooden basin, holding a bloody big carp head in her hand.

Everything seemed to be stagnant and calmed down instantly.

Director Jin was so scared that he couldn't speak.

Chen Feiyang was a vixen after all. He sniffed, plucked his courage to walk to the wall, reached out and touched the painting: "Oh my god, there's nothing, Lao Ping shouted, what happened just now?"

Dunzi sat on the ground by himself, kicking his chubby short legs, covering his eyes with his hands, and cried: "I want to eat, I want to eat!"

"What are you eating? I don't know where this monster comes from. You may give birth to a little fairy when you eat it."

Ye Xian deliberately scared Dunzi.

When the child heard this, he immediately put down his fat little hand covering his eyes, without a single tear at the corner of his eyes, and it turned out that he was pretending to be crying.

Chen Feiyang sighed: "How did you learn bad things?"

The atmosphere eased a little, and Director Jin asked breathlessly, "Then... what the hell is it?"

Chen Feiyang said: "God knows what it is, so it's better to burn it in one go."

Dunzi clapped his hands and said, "Okay, okay, eat roasted fish."

Ye Xian held the oil lamp in one hand, and groped on the painting bit by bit with the other hand. During this period, Director Jin stared at her movements and couldn't help but sip her teeth: I just saw such a strange scene, and now I was watching Ye Xian touching the painting. The light of the oil lamp shone on her face, and the light and darkness were uncertain. Chen Feiyang, who was standing on the side, also had an unclear expression. The shadows of the two people were twisting on the wall. Why is this more scary the more you look at it?

Director Jin was a little scared and took two steps back, trying to get closer to the door.

"Are you leaving?" Dunzi's voice rang behind him.

When did this little girl run behind her?

Director Jin turned around, and the little girl also looked up at him, spreading her arms to ask him to hug him: "I want to go see the fish."

The child is so cute that he is so cute that Director Jin can't help but bend down to pick her up and walk to the edge of the New Year painting.

"There is something wrong with this paper." Ye Xian looked back at Director Jin.

Director Jin was stunned: "There is something wrong with the paper? What's the problem?"

"Chen Feiyang, go and pour the basin of water."

Ye Xian ordered.

This time, Chen Feiyang did not take a laziness, so he ran to the back room quickly and scooped a large basin of water into a large copper basin with a scoop.

Ye Xian took off the New Year painting, and Director Jin took a step back with Dunzi in his arms. He was still scared, afraid that the fat baby on the painting would jump down again and then slash him.

The painting was placed in the basin by leaves, and the color on it gradually faded, and a layer of oil flowers floated from the water, and then the fat doll on the painting fell down.

Dunzi pointed to the basin and shouted, "Doll, the doll has fallen."

Ye Xian took out the doll in one hand and it turned out to be a piece of paper as thin as a cicada's wing. The fat doll was actually completely pasted instead of drawing it.

The piece of paper is very flexible. Ye Xian held it in his hand and rubbed it a few times, unfolded it and returned to its original state. Chen Feiyang came over, pulled it hard for a few times, and exclaimed: "Emma, ​​God, this is not paper, why is it so skinny!"

Ye Xian heard from him that it looked like a skin, and directly sent the paper to the oil lamp mouth. He slapped it and burned it. A little wet thing oozed out. Ye Xian twisted the burned ashes with his hands, put it under his nose and smelled it: "It's indeed skin, a smell of burning skin."

The smell of burnt skin?

Chen Feiyang picked up the picture, rubbed it hard for a few times, and roasted it from afar with the light of the oil lamp. Then he suddenly stuck out his tongue and licked it. Dunzi asked nervously: "Is it delicious?"

Ye Xianze looked at him quietly and asked, "Is it a human being again?"

Chen Feiyang nodded: "This piece of paper is human skin, very thin and tender human skin, like..." He stretched out his hand and pointed at Dunzi, "It looks like Dunzi." Dunzi shrank his neck, not knowing what he looked like.

But Ye Xian and Director Jin understood it. What he meant was that this human skin was from a child like Dunzi. It was very thin and tender, and could be pasted on paper and put into one and not discovered.

This fat baby is as big as an adult's two slaps. Can the owner of that skin be able to remove such a large piece of human skin?

Director Jin had gone from shock to anger, and his fear was wiped out, and he shouted angrily: "What a bastard, you're doing this unethical thing that makes you smoke and have no piyan! Such a big piece of skin will make you diarrhea for most of the child."

Ye Xian put the skin aside and said, "Looking at this way, the painting shop is very suspicious."

She thought little by little about the details of the fight that day.

At that time, the person's appearance was indistinguishable. The only person who had seen this person died again. Even if he was not dead, it was useless, because Boss Meng said that the person had different appearances every time he went to find him. This shows that the person must be proficient in disguise. People who use this technique can change their appearance at will, even their height and posture can be concealed by shoes, clothes, and even standing and walking posture.

Now the enemy is in the dark, but Ye Xian and the others are in the bright spot.

Ye Xian felt that he had never failed like this, and sat down with his eyebrows rubbed his face and sighed, "I can't be sure if the owner of the painting shop is that person."

Director Jin thought for a while: "I will go to that store tomorrow to buy a New Year picture."

Ye Xian pointed at Chen Feiyang and said, "You go tomorrow and buy a few more."

Chen Feiyang reached out and Ye Xian glared at him: "Sanqi, we will compensate you together at that time."

While talking, the picture placed on the table suddenly moved again. The fat doll stood up and walked around the table, then walked down the legs of the table.

Chen Feiyang reached out and pressed the picture. The fat baby's little arm like lotus root waved a few times, and his little fat legs kept kicking and hitting him.

Chen Feiyang shouted: "Oh, this little monster is quite energetic."

"If such a fat baby is holding a knife but a poisonous needle, wouldn't it be very harmful?"

Ye Xian looked at the fat doll's tapping action and said quietly.

Yes, this picture is just the thickness of a piece of paper, thin, and can enter through any gap in the door and window. Since it can chop fish with a kitchen knife, it can also use poison needles to stab people. Thinking about it this way, this thing is so terrible that it makes people feel cold all over.

The family of Zhanggui Meng and the family of Zhanggui Meng died in the detention center were likely to be caused by such similar things. Paper people went in directly through the crack of the door and retreated after killing them. This is really a must-have weapon for killing and stealing.

Director Jin feels more and more scared the more he thinks. Mobile phone users please browse m. Read for a better reading experience.
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