Enjing did not go to the big theater, but bought a late ticket in a small roadside theater with only two screening halls. But even so, facing a considerable attendance rate, she had to admit that the movie was so popular. . The fastest update and to be honest, this made her involuntarily think of the previous movie "Those Years"... The same hot scenes and the same title of first love for the people, she couldn't help but think about it.

However, time flies, and it is just a lot of imagination.

In this way, Eun-jeong tried hard to calm down and went to the front desk to buy a single theater package, which is the so-called popcorn and coke. Then she entered the venue early with a mask. Now she was about to concentrate and take a serious look at the "message" conveyed to herself by someone in Park So-yeon's mouth.

On the other side, somewhere on the south bank of the Han River, with the release of signal lights, two luxury sports cars quickly drove down from a bridge in one of the 31 Han River Bridges in Seoul, but did not disappear into the main road of Gangnam full of traffic. Instead, they turned around and drove into the common parking lot on the Han River... At this point in the evening, the vehicles and personnel here were very sparse, and the night and shimmering Han River, as well as the river embankment in the distance, the pedestrians who came out for a walk after dinner were natural cover for honest communication.

"Why did you park your car here?" The door of the latter car was pushed open, and Sun Ye-jin, wearing a white casual knitted sweater, walked out of the car with a little puzzled and a little excited. "Didn't you say you want to see your friend?"

"Oni." Yuri, who was still wearing the suit on the set, opened the car door and walked out of a car in front, looking helpless. "The company just called and said that there were paparazzi blocking downstairs there."

"Oh." Sun Ye-jin was slightly stunned. "Your company's connections and level are nothing to say..."

"And, I think we have to have a good talk..."

"What are you talking about?" Sun Ye-jin walked forward to Yuri, leaned over the door of the sports car with both hands, and then stared at the other person's eyes with interest and asked. "Actually, I'm going to have a good talk with you."

"Oni, I am not good at rejecting." Yuri hugged her arms and barely supported her strength. "But I don't want to convey some incorrect signal to you because of this..."

"What is right or wrong in this world?" Son Ye-jin certainly understood what Yuri said. In fact, she was prepared for a long time, but she didn't care. "Yuri, you don't have to let other people's inherent ideas affect yourself. After a long time, you will understand that a woman, in this complex, merciless and dirty entertainment circle, needs to maintain herself, and to maintain herself first, she must maintain her ideological independence... What do you think?"

Yuri was a little confused for a moment because she felt that the other person's words seemed very logical.

Just when Krystal and Hyomin and Sunny were playing games with great enthusiasm; just when Kim Jong-ming returned to the company to sign; just when Sika, who was in Southeast Asia, was unhappy because of her birthday by Kim Jong-ming; just when Baker was napping alone at home; just when Chorong accompanied Eun-di and others to go back to the dormitory to pick her feet; just when Yuri didn't know how to reject others again... In the cinema, the movie had already begun for five minutes, and Eun-jing, who was staring at the big screen, was already a little lost. Even the popcorn in her hand was sprinkled, making the empty seat next door mess.

Fortunately, most of the people around him were couples, so a little attention outside the movie was also on his boyfriend and girlfriend. Only a middle-aged woman watching the movie alone glanced at her, but it was not too much.

Eun-jing's thought at this time was actually very simple, that is, Park So-yeon didn't lie... There are indeed some things in this movie that I can understand:

The beginning of the movie is very cliché. After ten years of separation, my first love was exhausted and suddenly came to the hero and wanted the other party to build a house for him.

Then the question follows, why do you need to build a house, why do you need to build a house with a male protagonist, and why do you need to find a male protagonist after ten years?

Eun-jing vaguely noticed a trace of malice from this beginning, a trace of malice from Kim Jong-ming. He pointed his mind as if he had expected it. However, using this movie to build a home court of his own here, he could only let him Kim Jong-ming speak and let him Kim Jong-ming explain, but he could only listen passively.

The instinctive stubbornness in her heart almost made her want to stand up and leave immediately, but the subtle interaction between the heroine played by Kim Tae-hee and the hero played by Kim Jong-ming still kept her.

Very interesting interaction. Ten years later, the heroine who was prepared was ready pretending to ask generously. Are you doing well over the years? But the hero actually pretended not to know the other person in a vague way... A sentence of "Who are you?" made the other person feel aggrieved to death. After the hero suddenly realized the recognition, the heroine could only ask angrily, "How could you forget me?"

It was this sentence that made Enjing feel unstoppable. She understood this mentality very much... Even if she broke up, even if she had a long time apart, even if she had their own lives, how could you forget me? How could you ignore me?

And when Enjing came here, she was looking for the answer to this question.

However, as Park Cho-yoon, who plays the male lead now, appears, and Eun-jeong's sense of substitution, urgency and depression become stronger, the picture on the big screen suddenly turns as Ji Yeon, who is wearing a plaid skirt, runs back ten years ago.

Ji Yeon... Eun-jeong has to admit that Ji Yeon's appearance allowed her to calm down and sit quietly in the theater to feel the pure sunshine and beauty.

The story of first love is handled very well, with each reflection.

Of course, the story is completely different. Eun-jing asked herself that there were no tall, rich and handsome seniors in the story of Kim Jong-ming, nor did there beauties of the Han family who were eager to counterattack. In fact, Kim Jong-ming himself was like a tall, rich and handsome man, and he was also the most arrogant person among the people around him.

However, just a similar beauty and sunshine is enough.

Because to be honest, the movie about first love is roughly like this, and you can't expect much, because no matter whether it is the bright and funny feeling of "Those Years" or the soothing sunshine of this movie, it is something that the audience needs to taste by themselves. It can create a sense of substitution or aftertaste, that is a masterpiece, and if it cannot be produced, it can only be like this.

And let me ask you, watching Kim Jong-ming appear in the movie, where does Eun-jing need a sense of inclusion?!

Of course, when you go back to the movie, if you want more viewers to feel, you must be more attentive in the movie, and this movie also has its own highlights.

First of all, the line of architecture... The past is not only engraved in the heart, but also leaves traces of buildings that can resist time. This brilliant and refreshing setting makes people feel strange and touching. Whether it is the small footprints in the cement pool representing the relationship between father and daughter, the height line of the school wall for growth, and the old courtyard where all the beauty is located, it makes people feel inexplicably moved.

Secondly, there are beautiful and clean pictures, brief makeup, clear footprints, black reefs and blue sea, and seemingly casual but unique clothes, all add a sense of purity to the movie.

However, the most amazing thing is the actors.

Among them, Kim Soo-hyun and Kim Jong-ming have similar backs, but one is dull and green, and the other is mature and soothing; while Ji-yeon's beautiful and tender face combined with Kim Tae-hee's gentle and beautiful feeling makes people feel even more numb; in addition, the supporting roles that should be there, whether they are the best friends who make random ideas, the tall, rich and handsome guy who is not bad, or the mother who takes on the family independently, all seem distinctive.

In fact, I recalled carefully that when the movie was first aired, many people were indeed praising the casting of this movie because the matter on Tara had not yet begun. Enjing also read some comments... The general meaning is that the choices of the four protagonists of the movie have reached a certain extent.

Among them, the two male protagonists have great acting skills. Kim Jong-ming needs no more. It is said that several of the outstanding performances even make people suspect that the soon-to-be-sang Art Awards will allow him to occupy two candidates for actors, one "The Furnace" and the other "Introduction to Architecture". The media used surprise to describe Kim Soo-hyun's appearance, saying that he created the male protagonist's dullness, shyness, indifference and forbearance when he was young, but this kind of personality flaw unexpectedly made most viewers feel substituted, because when he was really young, most people had various personality flaws in the face of love.

As for the heroine, her face is a certain degree of excellence. To be precise, her appearance is a certain degree of excellence. Kim Tae-hee and Ji-yeon really make people have nothing to say. When they appear, they are so beautiful that they are suffocating. More importantly, the eyes and faces that are vaguely similar except for a hint of wrinkles really make people convinced.

But Eun-jing just had a little recognition of these. The things that immerse other audiences in the movies could only calm her down and she was willing to continue watching for the time being... She was still waiting for the answer Kim Jong-ming gave her.

Of course, Kim Jong-ming didn't let Eun-jing wait for more. Just when the young couple gradually got better and began to fall in love in the movie, they started to fall in love, and on the other hand, the male and female protagonists ten years later finally began to face that problem.

On Jeju Island, the male and female protagonists took advantage of the opportunity to build a house and had more and more contacts with each other. Faced with the question and temptation that both sides were vague, the two finally became completely impatient.

A night market stall, a few barbecue, a bowl of spicy soup, and a few bottles of soju, the two of them finally broke their faces.

Looking at Kim Jong-ming's face in the movie, to be honest, Enjing felt that this scene seemed so familiar that she could not be more familiar, because she had already imagined it many times in her mind.

If one day there is such an opportunity, with the help of alcohol, will I lose control of my emotions and vent my vent to the other party like the heroine? If it were now, I would probably explain the fatigue of life in the past two years and the despair in the things that just passed. And if it were earlier, I might have put my chest up and spoke sternly about my achievements in the past two years, how hard I worked, but I have achieved such results, concerts, albums, one, and the status in the circle... Of course, the latter scene looks a bit ridiculous now, that's all.

As expected, after such a tantrum, the movie returns to the previous timeline, telling the story of the first love and the worry. The male protagonist takes advantage of the heroine's sneering kiss when she fell asleep (this is Jiyeon's first kiss on the screen, and Eun-jeong is deeply impressed by this because she kissed the other person several times in advance before the kiss scene), and the inadvertent damage to the hero's sensitive self-esteem of the heroine. She laughed at the male protagonist's copycat sweatshirt in the car of the tall, rich and handsome senior.

Seeing this, Enjing suddenly sighed... Some things are completely different in form, but the essence inside is the same. Looking back, the other party suddenly came to his dormitory during the call, and then lowered his head and kissed him forcibly. Is that different from the sweetness of secretly kissing in the movie? Because that time, I felt a complete sense of peace of mind and mutual possession, right?

However, during that period, because of the existence of the other person for a while and his competitive personality, some things may not be understood or thought that they had not happened, but they must have actually existed and hurt each other's immature personality and psychology.

Of course, Enjing remembers clearly what the other party hurts his self-esteem. He despised his ideals, mocked his ambitions, and believed that Tara and his life would never be comparable to Shao Shi... The other party definitely did not notice this at that time, but he didn't know how much harm it had caused to his sensitive self. But on the other hand, when people are not mature enough, they will always be easily hurt because of their respective sensitivity and personality defects. If the other party inadvertently hurts him, then he has never done anything that hurts the other party or makes it unbearable, but is just temporarily covered by passionate love and sweetness?

Thinking of this, Enjing was a little confused... For a long time, just like the heroine in the movie, she never felt that she had hurt the other person before. She occasionally comforted herself from the so-called fair perspective, but she felt that due to the disagreement of the personality and philosophy of both parties, the two gradually felt that the relationship was a bit struggling and even burdened. But in fact, a simple and simple truth, if you don’t stab each other first, how could you feel that your personality was inconsistent?

Is this the message that Sister Zhaoyan refers to? Enjing was a little confused because she felt that it was not enough instinctively, which at most made her less angry and farther away from being relieved.

Besides, this movie was made by Kim Jong-ming. He probably had noticed this weakness in his personality and psychology for a long time, and then he specially asked the heroine played by Ji Yeon to take on some responsibilities in this first love, so that he could instinctively reflect on himself who had a sense of substitution... That guy was so smart, shameless and indifferent, maybe he designed it like this.

But as the plot deepened, the plot suddenly changed, and the tall, rich and handsome senior finally attacked the heroine... He maliciously poured the young heroine with wine and then prepared to attack. As for the male protagonist who was mentally suspicious and sensitive, he completely gave up after seeing this scene because he was too sensitive and did not notice the heroine's rejection of the senior. In short, no matter what the truth is, the male protagonist's reaction has already sentenced to death for this first love.

Most people can actually detect this from the heroine's later reactions and some details. It is a very sigh-worthy misunderstanding, so the screening room is full of sighs... But Enjing was unexpectedly panicked. Of course, she didn't care about this kind of bloody plot. She has acted in so many movies and TV series. After all, she is also a person with some experience in film and television dramas. So of course she knew that this was a plot designed to arouse greater resonance, because for most male audiences, tall, rich, handsome seniors and other seniors are common. This actually has nothing to do with Enjing, and she wouldn't be angry because some viewers who couldn't understand for a while were whispering to the heroine's words "green tea bitch"... the plot.

What Eun-jing really cares about is that Kim Jong-ming actually admitted that no matter what happened at the beginning, it was actually a misunderstanding with a mature attitude!

Compared to himself who was still petty and even angry after two years, the other party clearly conveyed a signal from the movie... He was really willing to let go of the past sensitivity and hurt, and the incidents caused by immature personality.

But why? Eun Jing, who was panicked, couldn't help but want to ask, why could she let go? She just tempted herself to reflect on herself, wanting to admit that the hurts were mutual, why did she admit that the hurts were meaningless when she turned around?

Don't have to wait too long. Time flies in the movie, and ten years later. In the screening hall, only a few minutes are left. The male and female protagonists face other people in their lives. The male protagonist has his own girlfriend, a mother who has always supported her behind her back, and the female protagonist has a father who has always loved him but now needs to take care of him.

Of course, there is also the beachfront villa that has finally been built.

In short, the two of them sorted out their own things and finally had a face-to-face showdown.

At this time, the male protagonist, who was not relieved from the perspective of God, wanted to ask: "Why do you still come to me after so long?"

And what the heroine wants to ask is: "How can you ignore yourself?"

It seems to be an opposition, but this is actually a problem. En Jing knows it very well. This is a regret for both parties about the unfulfilled first love, and it really means the same.

And this question was also what Eun-jing wanted to ask, and she answered the other party very urgently... because she knew that Kim Jong-ming had an answer that he was willing to let go.

In the movie, a couple asked this question face to face after ten years of first love. They may be more emotional, but they feel more indifferent.

In reality, a couple asked this question through a movie after two years, which may be more urgent and profound, but fortunately, there is no need to be embarrassed, no courage, and no need to worry about the consequences.

"Because...because, you are my first love."

It doesn’t matter the role, and Kim Tae-hee, who was choked, said that on behalf of Eun-jing. It doesn’t matter the perspective, director Kim Jong-ming also answered Eun-jing through the actor’s mouth.

Eun-jing felt a little mixed with feelings... She finally believed that Kim Jong-ming understood what she was thinking, and he was willing to say to herself what she had always wanted! In order to be able to say such a sentence, he built his own beach villa. In the movie, the villa corresponds to the dilapidated courtyard, which was where the hero and heroine formed a relationship.

In reality, this villa is the movie, because it corresponds to the past "Those Years", which is also the place where the male and female protagonists once formed a relationship.

The only regret is that Kim Tae-hee's performance is a bit bad. At least in Eun-jeong's opinion, the other party's performance is too exaggerated. This sentence can be said by myself! Of course, it is said by myself now... Unfortunately, it is a little late.

The movie comes to the end. As Eun-jeong expected, the male protagonist and his fiancée left together. From that moment on, the other party's heroine was Park Chu-rong.

However, the heroine received a gift from the other party in the beach house built by the hero.

Open the curtains, outside the huge glass window, the screen was covered with blue sea. The heroine sat in front of the window and saw the former token, an outdated D player and a D.

"Give a past d and listen to our love at that time..."

It is said that this is a song that Kim Jong-ming made a special trip to China and found a female director she had worked with.

ps: There is also a book friend group of 457160898, please add it.

This movie was originally planned to be written for Kim Jong-ming and Eun-jing in the book... It's just that time is too fast, too hasty...
Chapter completed!