There were more than a dozen trucks parked in the open space at the foot of the mountain, and dozens of villagers and crew members were transporting huge lamps, shade cloths, and bulky generators under the truck.

Zhao Fei held the horn and shouted, "Be careful! These lights are very expensive, each one costs hundreds of thousands of yuan, so don't fall down!" A man who looked like a township cadre next to him also shouted, "Be careful, don't break the equipment!"

After the meeting, Zhao Fei quickly contacted the film and television equipment companies in Luoyang and Zhengzhou to inquire about the lighting situation. Luoyang does not have 18kW dyssels, and Zhengzhou has 180 million dyssels, but most of them are domestic, and only one has Alai's dyssels. Zhao Fei asked the Zhengzhou company to send Alai lights over, and then quickly contacted the film and television equipment rental companies in Zhongchao and Beiping City, and asked them to send a batch of 18kW and 24kW Alai lights over.

Why do we have to use 18 kilowatts and 240 million dysfunction lamps? Because the brightness of the dysfunction lamps is high, and the color temperature of the dysfunction lamps is 5,600, which is the color temperature of the sun at noon. The crew often use dysfunction lamps to simulate sunlight. As for why we must use high-power dysfunction lamps such as 18 kilowatts and 24 kilowatts, one is that the lamp is bright enough, and the other is that the lamp can be pulled far away. This not only allows the light to cover a large area, but also allows the light to be more parallel and the light received in various places is more uniform.

While Zhao Fei contacted the lamps, the producers of the crew were also contacting the generator. However, the generator did not have requirements for the brand like the lamps, and could only use a certain brand. The crew quickly contacted the machinery company, and the other party quickly sent the generator to the crew.

After the lamps and generators arrived at the crew, the biggest problem was how to transport these bulky equipment to a mountain that was hundreds of meters high. The 24-kilowatt dysprosium lamp was very large, with the lamp tube being about 1 meter 4 high and the weight was about 140 kilograms. It was almost impossible for a person to carry such a heavy lamp on it, and it required two or three people to carry it. The generator was even heavier. A 100-kilowatt engine weighed several hundred kilograms, which required seven or eight people to carry it. The crew usually used generators to film, and drove it directly to the set during filming, but now the generator cannot be driven up, so they can only carry the generator to the mountain, which is very difficult.

In order to move these bulky lamps and generators to the mountain, the filming office collected dozens of young and middle-aged people from nearby villages, and 67 people were sent to the crew. Even so, everyone was busy until the evening before transporting all the equipment to the mountain.

Zhao Fei sat on the ground and gasped, saying, "It's not easy! It feels like he's fighting!"

These equipment are very expensive. A 24-kilowatt Alaidi lamp costs nearly 1 million, and all the equipment is nearly 20 million, which is very unsafe to put on the mountain. For this reason, most of the police in the Maoping Town Police Station where Laoshupo Village is located were sent to guard the equipment, and the entire mountain was surrounded. It can be said that one step is three steps and one whistle is five steps.

In addition, considering that the local climate is dry, the use of these lamps will bring high temperatures. In order to avoid causing fires, the county fire squadron specially sent a team of firefighters to stand by on the mountain to deal with emergencies.

While Zhao Fei was busy moving equipment with the lighting team, Zhang Ran was also rehearsing with the crew's actors and extras in Laoshupo Village on the opposite mountain. Because the shots to be shot next are long shots, which tests the cooperation of the actors and various departments of the crew. If a place does not cooperate well, it needs to be replayed repeatedly until everyone can cooperate skillfully. In this way, the actors can complete the performance proficiently until the filming officially starts, and there is no need to reshoot it again and again.

The drone operator replied: "It's ready!"

The scene record aimed the board at the floating drone, and the number of scenes started to be reported on the cameras preparing the drone: "Hello, Sun!", the 8th scene, the 1st mirror, the 1st shooting!"

Zhang Ran shouted: "The camera is turned on!"

The camera assistant replied: "Power is on!"

Zhang Ran shouted again: "Play the board!"

The scene record kicked off the board with a "bang" and quickly exited the performance area.

Zhang Ran shouted: "The extras walk around!"

Zhou Xiaoxi at point a clapping his hands hard and shouted at the actors and extras on the scene: "Everyone moves, everyone moves! Don't laugh, don't laugh!" As Zhou Xiaoxi shouted, the actors and extras at point a began to walk.

"Preparation" Zhang Ran stared at the monitor and dragged a long tail note. This tail note is very important for large-scene scheduling, just like the countdown before the satellite rocket ignites. If a problem is found, you can call a stop in time to make adjustments.
Chapter completed!