Not talking about money anymore, it's too vulgar!

In fact, after "The Hidden" became popular, Jiang Wei immediately asked Zhang Jiayi to film "Borrow a Gun"...

It is also a spy war drama. "Borrowing a Gun" is like "Landing a Gun". The original authors are Long Yi, and the screenwriters are also Mr. Lin Lisheng. The production team basically continues "Landing a Gun".

This drama sold at a sky-high price—the first round of four satellite TV stations sold at a price of 2.6 million yuan per episode. That was last year, the general TV series purchased at a price of about 1 million yuan per episode...

The exclusive broadcast rights sold in "Thousand Mountains and Snow" are only 1.8 million per episode...

However, the reputation of "Borrowing Gun" includes far less influence than "Luxing"...

It is not even as good as another spy war drama "The Cliff" starring Zhang Jiayi.

The reason is that Jiang Wei pays too much attention to the sense of reality and life, and films spy war scenes too much, without any sense of tension...

A spy war drama, it’s very nervous to hear the name, and it’s too lifelike, so it’s called anti-type.

Anti-genre dramas are usually not very recognized by the audience.

Unless it is logically smooth, for example, "My Leader My Group"...

Originally, the failure of "Borrowing a Gun" made Jiang Wei very frustrated. He was silent for several years, and then he tinkered with "Hunting Ground"...

This time it's different. The original work of "Sun and Floating" is very famous...

By the way, when it comes to "The Ups and Floods", there was a small accident and the screenwriter has been replaced!

Bao Jingjing, who was originally looking for, was also happy to take over the screenwriter task and wrote a version to Jiang Wei. She was forced to quit the screenwriter by Jiang Wei's series of questions...

It's normal, she has no workplace experience at all.

She doesn't understand anything about professionalism in the workplace!

I still found Lin Lisheng to adapt.

Bao Jingjing is suitable for creating light comedy. It is difficult for her works to be particularly profound and profound, but it doesn’t matter. If you are serious and calm, you can just let other styles of screenwriters do it. Her language habits make it difficult for the characters she writes to say those philosophical lines, but she has her own characteristics, the kind of humorous and funny that harms others but not yourself, and is unique to the Chinese language art...

"Actually, it is better for you to not let Jingjing be a screenwriter. Jingjing has never experienced workplace life..."

“…Do you have any thoughts on “The Ups and Floods”?”

Shen Changlin shook his head: "I read the original work several years ago, and I forgot the plot, but I know that in the years when "Sun and Float" was published, workplace novels, especially IT sales novels, were the hottest times, and there were really not too many such novels on the market. Teacher Cui Manli's original work can stand out among so many competitors, and there must be reasons for its uniqueness, but you have to control the uniqueness yourself!"

Jiang Wei said: "I think it is a state-owned enterprise reform!"

"Then you have to pay attention to the size..."

"Don't worry, you and Teacher Xue and I have been through the battlefield for a long time..."

Shen Changlin really wanted to say, "What do I have to worry about? This drama has nothing to do with me."

"Then I wish "Up and Float" success!"

...

After the dinner, Xue Xiaolu stood at the entrance of the hotel, one by one, and sent people to the bus. When Shen Changlin arrived, she stopped her and had something to talk about.

"I discussed it with Teacher Jiang Wei and decided to add an undercover character to "The Things in the Palm", otherwise it would be difficult to pass the trial!"

"Will that affect the plot?"

"There will definitely be an impact... but the creator certainly does not want to write something that is banned and then hyped. The work must first have the opportunity to communicate with the public, and only then can it be truly formed by reaching communication!"

"I understand... Thank you for your hard work!"

"No," Xue Xiaolu smiled, and then said, "I have never thanked you for asking me to be the director of "33 Days of Broken Love"..."

Chen Changlin can't stand this kind of thing the most...

To be honest, in "33 Days of Love Break", director Xue Xiaolu only received a director's salary of 200,000 yuan. Although the company added 2 million yuan red envelopes, the money is not worth mentioning compared to the company's profits.

He always feels that he is quite sorry for Director Xue.

"No, I want to thank Teacher Xue..."

Xue Xiaolu smiled and said, "Do you feel sorry for me? Want to give some compensation?"

"...No, the version of "33 Days of Love Break" was developed after the movie was successful. As the director of the movie, of course you should leave it to you to dominate."

"You are talented and capable, but you don't look like a capitalist at all."

"I'm not a capitalist yet?"

What is a capitalist?

According to Lao Ma, employees are deprived of surplus value...

"33 Days of Love Break", the company's net profit exceeded 80 million. As the biggest contributor behind the scenes, Xue Xiaolu only received 3 million yuan and failed to get...

Even if Teacher Xue’s BJ Jiawen Filmography is included, the profit will not exceed 5 million…

Isn't this called exploitation?

"Can't you film "33 Days of Love Break"?"

Before Chen Changlin could explain what the 'female director's delicate mentality', Xue Xiaolu asked and answered: "This play is a very pure text advantage script, without any technical content. If you can shoot "Embroidered Chun Dao", I don't believe that you can't film "33 Days of Love Break".

You said so, how else can I answer?

"Remember, I owe you, you don't owe me!"

"No, Teacher Xue, I think we are mutually beneficial..."

Xue Xiaolu sighed: "...If you weren't my student, I wouldn't bother with you! You have so many adaptations in your hands, do you have to cooperate with each one like me?"

"…That's not. Although the company has many adaptations, most of them are TV series, and there are still very few suitable movies."

Chen Changlin continued: "There are many copyrights we are not planning to develop, and we will cooperate with other companies in the form of the copyright owner."

"Just have a plan..."

...

Xue Xiaolu is Chen Changlin's teacher, in the Department of Beijing Film Academy Literature. Chen Changlin used to listen to the audience when he was in school.

This relationship is so Xue Xiaolu would say a few words.

After changing to other bosses, Teacher Xue doesn't care about these things at all, and may even feel that he has taken less.

It’s still easy for one’s own people to talk to, so when I first entered Beijing Film Academy, it was really the greatest wealth left to him by the original body.

The mainland entertainment industry is really spanning the mainland entertainment industry. The actors may not be as good as the Central Academy of Drama next door, but the people behind the scenes, directors, and photography are definitely the awesome people in Beijing.

Only Jiang Wen can beat the Central Academy of Drama.

However, Chen Changlin does lack the feeling of a capitalist.

He is an ordinary person. Although he has nearly a year of experience, his personality is still closer to normal people than businessmen.

The idea of ​​businessmen is to make more money, while normal people are to make movies better.

From a business perspective, this mentality is very bad, but the domestic business environment is not very normal.

Especially the film and television drama market...

Normally, will an artist commit an accident and all the dramas she has participated in will be removed from the shelves?

I'll pull it back, this is the environment. I cook oil in the fire in the last second, and the flowers are in the brocade, and the next second, I become a sinner!

This mentality is pretty good, there is no need to change...
Chapter completed!