Ge Yun's car accident performance made the atmosphere on the scene very awkward.

Some professional musicians blame Lin Zaishan for writing "Torment" for Ge Yun for being too difficult. This kind of work with a wide range and a high range is still possible. How can a new singer sing well? Even if a top female singer comes to sing, it may not be able to win it smoothly!

The target team did not think that Lin Zaishan wrote this song for Ge Yun intently making things difficult for Ge Yun. They knew very well that Lin Zaishan wrote this song for Ge Yun very much, and was giving Ge Yun a chance to show his face. Unfortunately, Ge Yun was not sure about it. The responsibility lies with Ge Yun himself, so Lin Zaishan cannot blame Lin Zaishan.

Ge Yun was able to control this song well during practice, and no one expected that she would have such a big problem today. If Ge Yun could not control this song at all during practice, or it would be difficult to control it, the target team would definitely suggest Lin Zaishan to change Ge Yun's song. But when Ge Yun could sing well, Ge Yun himself did not sing well, so no one could blame him.

At the moment of deciding the outcome, the target team could only pray that Lin Zaishanhui would open a side viewing the talent of Qiao Yun to bring Ge Yun to the next round.

But Ge Yun herself had no confidence to go on. She was really afraid that Lin Zaishan would say that she would continue to fight with the beyond team. If this result was the result, then she would be too embarrassed to advance in this round and would be criticized as a laughing stock and might not be able to turn over in her life.

Lin Zaishan had nothing to worry about in this round of judgment. Although Ge Yun's potential was much stronger than Zhang Fang, Ge Yun's performance in this game was really bad. The three mentors also suggested that Zhang Fang win, but Lin Zaishan did not make any trouble and directly announced that Zhang Fang would continue to move with the beyond team.

Ge Yun, who was highly anticipated, had to leave the stage of "The Voice of China" regretfully, which made the target team sigh, but no one could blame him.

After the battle between Ge Yun and Zhang Fang, the intermission time was entered.

Because Ge Yun finished singing at the end of the first half, there was a major singing accident, and this problem was directly related to her own mentality. In view of this, Lin Zaishan went to the backstage to greet several students who were about to appear in the second half during the intermission, and helped them with a simple psychological counseling and tried to help them relax. He didn't want Ge Yun's accident to happen again.

Unlike "My Song", this kind of newcomer singing competition is most likely to have problems of one kind or another. Although this is a recording and broadcast, the mistakes made by newcomers can be made through technical means such as sound revision in the later stage, if there is a relatively large singing accident on the spot, even if the sound revision is corrected, it will not be much better.

Ge Yun is a very professional singer, and she has such problems. Lin Zaishan is very worried that non-professional singers will also have big problems. The quality of their major recordings today will be greatly reduced. To put it bluntly, this may affect the ratings and overall trend of the entire "Voice of China" rematch. In any case, the core of this type of singing program attracting audiences is the quality of singers and music. If the singer performs so much, then no matter how popular the mentor is, it cannot always support high ratings.

The intermission time ended soon.

The video came to the second half.

The next set of duels beyond was a compass band composed of student amateurs against the "Little Prince of Love Songs" Li Han in Yuezhou.

The first to appear was the Compass Orchestra.

This is a youthful student band, and the music they play is a bit British. Although the skills are not very exquisite, their musical temperament is very good.

When Lin Zaishan first heard the band's works, he thought of another plane a very classic band, the Wheat Field Watcher.

Later, after learning about the backgrounds of these young people, Lin Zaishan discovered that the backgrounds of the Compass Orchestra were very similar to the Wheat Field Watcher on another plane.

The students in the Compass Orchestra were also influenced by British music, so the music they made had the characteristics of British rock.

The same is true for the other plane of the Wheat Field Watcher. The British music style of the Wheat Field Watcher is more clear than that of the Compass Orchestra. Their songs inherit the tradition of punk and ne-ave music since the mid-1970s, and have a very beautiful melody like the b-day tpop music that was emerging in the UK during the same period. The works are short and exquisite, and they do not over-the-top guitar solo, requiring all kinds of instruments and vocals to be played independently and balancedly in the same important position.

In this regard, the Wheat Field Watcher is much more professional than the compass that are both a student army group.

Mai Tian is another pretty early band. When Lin Zaishan first came into contact with domestic rock music, he paid great attention to the performance of this band.

Mai Tian's works are very diverse and have strong audibility, from hard-ores of more than 180 shots to sluggish heaves; from exciting old-fashioned punks to quiet and lyrical ballads, all of which are dabbled in.

Their name is also very literary: The Wheat Field Watcher. The name is inspired by the best-selling novel of the same name by American writer Seillinger, who is loved by these young people.

This book is another pioneer of non-mainstream culture in the 1960s. The wheat field is used in the book to symbolize the joyful land of young people. It can be hidden, playful, close to the earth, and bathe in the sun. For a teenager who loves trouble, the process of growth is troublesome. Therefore, the wheat field needs a watcher, which can be guarded to prevent it from falling into the abyss. This young man’s childishness is a true portrayal of the new generation of rock group “Wheat Field Watcher” at that time.

Like the Compass Orchestra, when the Wheat Field Watchers first formed the group, their members were also college students in science and engineering. Three of them were from the same university. The same educational background allowed the team members to have similar conceptual cognition and expression, and then they were united in music.

At the same time, their band's understanding of rock music tends to be simple and implicit, so at the beginning of its establishment, the band rejected heavy-metal and g-laced nge and determined the direction of British rock. During this time, the band met with the outbreak of the British ne-ave-o-ne-ave movement, and the band gained a good external environment and sufficient confidence.

This new cultural concept brought by the attitude of life, individual personality and educational background gives the wheat field watchman a unique spiritual outlook; a student-energetic, healthy image, free, optimistic, life-loving attitude and rational, and thinking-friendly spirit.

In the works of the Compass Orchestra, Lin Zaishan can't quite feel this obvious direction.

During the special training, Lin Zaishan used the Wheat Field Watcher on another plane as a template and told these young people in the Compass Orchestra some creative ideas.

He doesn't necessarily want these people to become the wheat field watchers of this plane, but he hopes they can become better selves.

In this round of PK competition, Lin Zaishan brought the classic work "The Wizard of Oz" to the Compass Orchestra, hoping that several young people can draw the best nutrients from the works of seniors from other worlds and strive to bear their own fruitful fruits as soon as possible.

After the adjustment of the intermission, the five boys at Compass were not affected by Ge Yun before. As soon as they appeared on stage, they brought people a sense of sunshine and vitality.

The song "The Wizard of Oz" once again sparked the warm atmosphere on the scene??

...

Hey~ Come on, come on, join us~ Our utopia~

We walked through the streets and alleys until it was golden.

We face the sun ~ walk and sing ~

...

We don't have any advice ~ we don't need new clothes ~

Forests, fields and oceans ~ let us wander ~

Our team ~ no need to be armed~

...

As soon as the compass sings sounded, the haze in front of the scene was cleared.

The atmosphere of the orchestra is more infectious than that of a solo.

Many viewers at the scene were mobilized and they happily entered the atmosphere of free wandering in the song.

Lin Zaishan knew as soon as he heard the beginning of the compass that these young people withstood the pressure and were not afraid. Their singing was very relaxed and touching. They should not have made Ge Yun’s mistakes. The singing of this song is much less difficult than "Torment". As long as it is sung, it is like a wind blowing wheat waves, and it can be easily completed in one go.

...

Hey~ Come on, come on, join us~ Our utopia~

We walked through the streets and alleys until it was golden.

Our team ~ no need to be armed~

...

We sing through every sunshine

We have a smiling face ~

Happy Hey ~

Our team is here to share this with the sun~ Come on, share this well~

We are happy!-We are hehe!

We are metaphysical~we are towards the sun~our utopia~!

...

After singing the Compass Orchestra, it created a particularly good atmosphere for the scene, so that when they left the scene, the audience stood up and applauded.

After the Compass Band’s departure, Li Han, a boy from Guangdong Province who is known as the “Little Prince of Love Songs”, appeared!

This kid is a bit crazy, and as soon as he appears, he yells: "Oh!" to motivate everyone's emotions.

He was already in the performance before the show started.

The song he wanted to sing was the Cantonese classic Andy Lau's "I Hate My Infatuation" brought to him by Lin Zaishan!

This song is an English rock adaptation, and the original work is "i-hate-my color l-or-loving-temptation" by American rock singer Joan-jett.

This is a very strong song that requires strong emotional expressions, which is Li Han's strengths.

Li Han's yelling when he appeared was just stimulating himself.

This voice made Li Han's body completely warm up. As soon as he started singing, it was like a tornado, sweeping the ears of the audience with a strong rhythm.

...

I swore to part with you last night~

If you get bored, I will talk about me again and again~

I abandoned my way through boredom~

Yesterday I had both hands holding you ~

I found that I was crying and I was jealous.

I want to separate from you and forget you as much as possible~

I complained that I was so brave that I was not ready.

I will never win if I see you again~

...

Love and hate~ It's like being trapped~

Give up you or accept fate~

The war in my heart makes me really sad ~

I didn't hate you for being righteous~ I hate me for being infatuated~!

...

Li Han's singing style is different from the Tun'er's singing style when Andy Lau sang Cantonese songs in another world, but his ostentatiousness is very consistent with the aura of this song "I Hate My Infatuated Heart", and is the type of person who wants to use the voice to hit people.

Compared to the greasy and overly loving singing style when blindly selecting, Lin Zaishan specially chose this song to make Li Han's singing harder, so that it will be more charming.

In today's performance, Li Han really made everyone's eyes lit up as soon as he opened his voice.

Li Xiaoni and others listened, their heads were vibrating while pressing the beat, and they felt very powerful.
To be continued...