After a while, Yu Chi first reacted: "Dad, it's not right, why do you doubt me? You know, the key to the hiding is in your hands. Even if I want to take Baiye to see the painting, I have to go through your permission."

"That's the reason."

Yu Hao nodded and said, "The problem is, you can copy it for him to see."

“…”

Yu Chi was silent for a while before saying in a faint voice: "Do you think I have this ability?"

“That’s right.”

Yu Hao thought about it and was a little confused: "It's strange that this is the case. Could it be that there are really eighty-seven immortal scrolls in the world?"

In his private collection, there is a picture of Chaoyuan Immortal Staff.

Well, fake.

According to his and his friends' research, the pattern should be a copy of the painting in the Ming Dynasty. A painter saw a copy of the work and then drew it again based on his impression.

Therefore, the paintings are not of high quality and many details are unattractive.

This is why he collected pictures and was unfair to the public.

In fact, it is not only him, but in fact there are many people who have many good things on hand, but they are never made public because of confidentiality.

Or, there is no need to be made public.

In this world, due to the deviation of the timeline, although many things were destroyed by war, more treasures have been passed down. A volume of fake works is only the value of reference. It is not entirely true that it is worth mentioning how much attention it is.

Yu Hao is hidden in the inventory, and some people know that he has a scroll, but his friends undoubtedly pay more attention to his works than fakes.

"Go and bring the painting."

Yu Hao ordered and handed the key to Yu Chi.

After a while, Yu Chi carried a long brocade box to the living room. He opened the box and there were thick scrolls inside.

When you spread this scroll, it is a long scroll, a picture of the immortal staff of the Yuan Dynasty. The reason why this scroll is a fake is because the level of the picture is too rough.

The characters' clothes and facial features are outlined, and the lines are very rough.

It can be said that there are too many failures.

This is also why Yu Hao pressed the scroll at the bottom of the box.

However, if you think about it carefully, there are actually deep reasons. Yu Hao is a master of Chinese painting, but his best attitude is freehand painting.

The picture in front of me is a plain and plain copy.

The so-called powder book, in jargon, is a manuscript of ancient paintings that are made of powder and loaded. In today's terms, it is a draft.

Only after writing the manuscript can you copy it and draw it on the wall.

This kind of manuscript has become very cherished and valued after it has been passed down in later generations.

But it also depends on the situation. For example, for a master freehand painter like Yu Hao, the Chaoyuan Immortal Staff Picture is really not very good.

It’s not that the imitation of imitation is not very good, but in fact, for Yu Hao, even if the original is placed in front of him, he still commented like this.

This is normal, too.

In the original time and space, some people have a high evaluation of the Chaoyuan Immortal Staff Picture, thinking that this is a masterpiece that is unprecedented, but some people have mediocre comments, thinking that the things are very average.

After all, aesthetics can be said to vary from person to person. Some people do not appreciate the scribble patterns and think that this kind of painting is not artistic and is very normal. On the contrary, some people think that the scribble techniques are superb, wonderful and very reasonable.

Of course, not liking or appreciating does not mean that there is prejudice.

At least Yu Hao knew that Baidian's works naturally had its value. Especially when it comes to the inheritance of painting saints like Wu Daozi, it is even more meaningful.

"I must have never seen this painting of white leaves."

Yu Chi pondered: "So are there any other versions on the market? Perhaps as he said, there is the so-called Eighty-Seven Immortals Scroll..."

"This is not the point." Yu Hao shook his head.

Yu Chi was stunned for a moment and suddenly understood: "Dad, are you trying to make sure that the mural in the photo really came from Bai Ye's hand?"

Yu Hao stopped talking, he picked up the photos and compared the picture.

Actually, there is no need to say more, this is a clear thing. The murals in the photo have smooth lines and elegant clothes, full of dynamic feeling.

Judging from the strokes and techniques, this is a very high level. There is no way to use a clumsy picture scroll, and it is comparable to it.

This is what made Yu Hao surprised.

You should know that oil painting techniques and Chinese painting techniques are impossible to integrate. Most of the concepts that can be learned are perspective and layout. It is basically impossible to present long and smooth lines like Chinese painting in oil painting.

The reason is very simple. The paints of oil paintings need to be blended with turpentine oil and appear sticky. So if you carefully observe some oil paintings, you can find that the brushstrokes of the pictures are very short.

I am not an oil painter, I don’t want to draw long strokes, but I am restricted and cannot grow at all.

Any famous master who has such a stroke, a length of tens of centimeters, is worthy of great book and is recorded in the history of painting, and is admired, studied and praised by future generations.

If you get used to the rhythm of oil painting and learn Chinese painting in turn, you will naturally be easily restricted and will not be able to adapt to the techniques. This habit will be difficult to change for a while.

Unless you have great perseverance and spend a few years of diligent research to correct your behavior, you can change it.

The problem is that Bai Ye can also be regarded as rising under everyone's noses. His experience and his life have long been repeatedly pondered. Logically speaking, he shouldn't have the time and energy to specialize in oil painting while also practicing Chinese painting.

After all, painting art is not architecture, sculpture, etc. It is enough to have inspiration and creativity, and the requirements for techniques are not high.

Painting is not just about talent, but also requires long-term practice. If you don’t hold a pen for a day, you may become unfamiliar and unsteady in painting.

Baiye, do you have this time?

When I was in private contact, I never saw him learn Chinese painting techniques.

Yu Chi had a similar question in his heart. He pondered for a moment and immediately suggested: "Dad, otherwise, let's go over and observe with your own eyes?"

Anyway, China Sea is not far from Hangzhou, so you can set off at any time.

"good."

Yu Hao agreed.

If Baiye was in a small temple, the murals he drew were oil paintings. No matter how outstanding the oil painting was, he would definitely not be interested. However, the other party created Chinese paintings. Even if it was a white painting that he didn't appreciate very much, he was interested and planned to find out.

They left as soon as they said that, and the two called the driver and set off immediately.

Two or three hours later, they arrived at the destination. They did not disturb others and planned to contact Baiye again at the small temple. However, when they arrived at the place, they were surprised to find that there were also a group of people in front of the temple, including familiar faces.

"What's going on..."

Yu Chi was stunned and stunned: "Everyone is here."

"Appointed."

Yu Hao was stunned, his eyes slightly turned, and his wise light also revealed. He was meaningful and reminded: "Don't forget that in the art field of this land, Chinese painting is the mainstream and has attracted much attention..."
Chapter completed!