By comparing the above porcelain embroidery puzzles with diverse decorative processes and different sizes, we can briefly understand the differences in the shapes of porcelain embroidery puzzles in the late Ming and Qing dynasties.

The top surface of porcelain embroidered punches in the late Ming Dynasty mostly raised upward to varying degrees.

The pier surface in the Qing Dynasty was flat or slightly concave;

The porcelain embroidered punches in the late Ming Dynasty were slender in shape and soft in lines.

By the early days, it was more delicate and elegant, and delicate.

When it developed into the middle and late Qing Dynasty, it began to become tall, solid and thick, and its lines became tough.

These exquisite porcelain embroidery studs are both practical, ornamental and decorative, and are the perfect blend of porcelain making skills and seat culture in the Ming and Qing dynasties.

Among the wooden tools, the embroidery punch is just a trivial little item.

However, this is a common thing. If you study it carefully, you can make some, whether it is a porcelain pier or a wooden embroidered pier, which can increase your interest in life.

Especially the porcelain pallets among porcelain, Chen Wenzhe has never seen them before, nor has he ever thought of them.

The porcelain pier cannot be briefly expressed as a porcelain stool, which is the living utensil of the ancients, also known as a stool.

Perhaps to straighten the spine, the stubborn people used mud to form a stool and smelt with fire, thus creating a porcelain pier.

And as long as it is the porcelain he has seen or seen, Chen Wenzhe will not know how to make it.

For example, if the porcelain pier is supplemented with a colorful brocade mat and a dressing table is set next to it. This is obviously not because the beauty has just left the remaining warmth.

Chen Wenzhe naturally has to study such an important work.

From ancient times to the present, people have always strived to make their lives more comfortable.

The development and evolution of the embroidery dormitory also reflects the social, political, economic and cultural aspects of the time to a certain extent.

Compared with the indoor porcelain piers, it looks a little thin.

"Imitation porcelain piers are the first choice, and I will create them myself later!"

There are no two blooming peonies in the middle of the pier. The lines are sparse and dense, and the color is shriveled and soft.

In the beginning, people did not have utensils like stools and chairs in their lives, but instead used the floor as mats, at least some cattails, and animal skins.

Draw some more interesting patterns to make them both practical and viewing.

The seventh is to display the appreciating tools, such as various appreciating bottles, flower pots, snuff bottles, figures, Buddha statues, etc.

Moreover, in the history of ceramic development, it does not occupy a unique position in the history of furniture development, so it has no certain research significance.

It belongs to the gauze body and the upper part of the abdomen is carved with no breast nail patterns, and the arrangement is incomplete and the grains are shriveled.

As a common furniture in the Ming and Qing dynasties, porcelain piers were only small in number, with wide popular areas, rich in types, and gorgeous and exquisite decoration.

Because it is rarely drum-shaped, it is not known as drum stools or porcelain drums.

The predecessors had not yet used the characteristics of the pier surface as the porcelain pier in the Qing Dynasty. They believed that the porcelain pier in the Kangxi Dynasty was an arch surface, the porcelain pier in the Yongzheng Dynasty was a concave surface, and the porcelain pier in the Qianlong Dynasty was a plane.

Soon, Chen Wenzhe returned to Dahai City and came to his newly opened factory.

The character "Red" pattern with no title on the belly wall makes the entire picture look static and dynamic, echoing each other, which only conveys the meaning of wealth and honor, low official positions and generous salaries, and also alludes to the sense of royal power that you are the only one.

The existing porcelain embroidery stubbies are rarely seen during the Ming and Qing dynasties, and are more common in the Song and Yuan dynasties.

During the Qing Dynasty, it continued to be pushed back, creating a brilliant peak in front of the porcelain pier.

The most common types of porcelain in your country are: one is dietary and daily necessities, such as plates, plates, jars, pots, cups, as well as cold pillows, porcelain trunks, etc.

Of course, those made need to be learned from scratch, so Chen Wenzhe planned to make a batch of porcelain troughs first, then play with wood carvings, and first with stone carvings and bronze ware.

This should be something that happened before 600 AD, and it is far from today.

This is a wooden factory, and there are also some small porcelain kilns here. After all, that factory was built according to my requirements.

Porcelain piers were rapidly popular during the Ming and Qing dynasties, but the number of porcelain embroidered piers increased rapidly before the late Qing dynasties.

Eight is study supplies, such as pen holders, pen washes, water bowls, pen holders, etc.

For example, by leaning the porcelain pier against the edge of the kang, and then snuggling two pairs of dragon and phoenix shoes on the pier, it will make you feel tender and sweet.

These are two related things, and once they are combined together, they will know what will happen.

Even when sitting, it is becoming more thoughtful with the changes of the times.

In this way, the variety of patterns and colors of porcelain dormitories gradually increased during the Song and Yuan dynasties.

There are no hands on both sides, hollowed out, and they are piled up to bend the head of a lion, majestic, which follows the decorative technique of the Ming Dynasty.

Whether it is accurate or not, there are many different opinions.

Now that he has encountered something he has never seen before and has not done before, he is naturally a little happy to see it.

The pier is 30 cm low, the abdominal circumference is 126 cm, the surface diameter is 35 cm, and the abdomen is slightly bulging.

By the Jiaqing period of the Ming Dynasty and the Wanli period, it was the prosperous period of porcelain piers, and both styles and decorations had reached a certain low level.

The distant traditional culture can always give people a classic expression that is surprisingly meaningful but intentional.

There is no difference between the pipes. Anyway, porcelain embroidery tiles were more popular in the Ming and Qing dynasties, and there were few kilns, and the production volume was small.

If it appears in the palace, its appearance will be even more exquisite and unique.

Of course, there is no porcelain kiln outside, and there is no large foundry outside, which is prepared to cast copper ware.

The shape and patterns of the porcelain pier contain rich cultural information, and the same patterns represent the same cultural connotation.

Now, there have not been a small batch of precious hardwoods and tree roots. I have also purchased a small batch of my strange stones and precious stones.

Now you can see it outside the costume film and television films, especially on the body of the eldest sister of the Xiao family, which is rough and elegant.

There was no significant difference between porcelain piers in the Ming and Qing dynasties. The pier surfaces were generally raised in the Ming dynasties, while the Qing dynasties had few planes.

It is said that as early as the Sui Dynasty, there were no porcelain piers, called the green-glazed large porcelain pier.

Porcelain pier is an artifact that is original to your Chinese people in real life and has no national characteristics according to their needs.

The discovery was startlingly surprising, but it was surprising to retreat and feel.

It is said that the porcelain piers originated from the imitation of the smoked cage. The smoked cage will leak empty, and the same is true for the porcelain piers.

The difference is not a bit abrupt, and it is clear whether the raised pier is comfortable to sit on.

Now there is not a porcelain pier behind Chen Wenzhe. It was originally a pair, which was a seat in the pavilion garden in the ancient courtyard.

Porcelain is one of the representatives of your country's culture. Your country is known for its porcelain country, and the English word "cha" does not mean ceramic.

The craftsmanship of porcelain pier condenses the essence of ancient porcelain making art.

Archaeological excavations discovered fragments of green-glazed drum-shaped piers in the Song Dynasty. The decoration was without drum nails and the colors were bright, proving the existence of porcelain drum-shaped piers in the Song Dynasty.

Except for the porcelain edict, your country has not had any embroidery or rattan, but it is always a sight to get rid of the porcelain pier.

The porcelain piers of all dynasties are hollow.
Chapter completed!