There is no need for any clever and profound adjective to describe it.

This "Winter and Spring" by Higashinoji gives Hiroshima Kishima and Fumita Kageyama the feeling that it is very simple and beautiful.

Whether it is composition or the use of pigments, they feel very comfortable when they look at it.

Yes.

Just very comfortable.

Don't think it's easy to achieve this.

You should know that although Hiroshima and Fumita Kageyama are not powerful oil painters.

But as a viewer who appreciates oil paintings, he is still very qualified.

After all, one of the two is the president of the New Century Art Association and the other is the vice president.

If you have seen many works of professional painters, you can feel any inconsistency at the first time.

For example, the color adjustment is darker and it feels a bit bloated, and the color purity is high and the overall color is not very harmonious...

They can both feel this subtle place directly.

It's like admiring a beautiful woman on the street.

As I looked at it, I already had my own set of standards in my heart.

Hiroshima and Fumita Kageyama are those kind of beauties that they have seen too many, and they already have their own scoring mechanisms.

Of course, ordinary people cannot attract their attention.

This "Winter and Spring" gives them the first impression of intuitiveness, which is a very good work that gives them nine points when they first look at it.

So Kageyama Fumita and Kimijima Nakaki abandoned the regret that they thought Higashinoji was painting landscape paintings and looked at them seriously.

At this level, landscape paintings are also very outstanding.

not to mention...

"Teacher Higashino is not painting landscapes."

Looking at the old palms drawn by Higashinoji, blue veins appear on them, and the brush is slightly trembling...

Hiroki Kishima was stunned.

The work is called "Winter and Spring", and they thought it was a landscape painting.

After a closer look, I found out that Higashinoji's theme...

It is actually somewhat similar to Evergrande Onuma Kok.

It also expresses the feeling of a person's life rotation through the change of seasons.

but...

Kageyama Fumita next to him couldn't help but wipe his eyes, his voice a little incredible: "Why do I think... Teacher Higashino's painting is better than Ei Onuma Kaede?"

Yes.

Fumita Kaeda thinks this painting is much better than Evergrande Onumagata.

This is a very inexplicable feeling.

He hadn't seen it himself, but he just looked at the outline and felt this way in his heart.

He couldn't help but shake his head, feeling that he was thinking too much.

Indeed, it was beyond his expectations that Higashinoji could draw such an excellent work. There was no problem with saying "Higashinoji is indeed a genius."

With his painting alone and borrowing his reputation as a cartoonist among the younger generation, it may change the situation of the Four Seasons Exhibition of the New Century Art Association.

But it is better than Evergrande Eunuch...this is a bit exaggerated.

Onuma Kaede Eiang is a painter who has been famous in recent years.

I want to compare Higashinoji's works with him... This is a bit too difficult.

"But it is actually enough for Mr. Higashino to do this."

Yingshan Futa murmured to himself.

That's right, with this painting, he also confirmed that Higashinoji is indeed excellent enough and is really a genius.

He was correct and looked at the canvas carefully.

A cool background like fog wraps the entire canvas.

It was like the white fog in the woods in the early morning...it seemed to be slightly shining with a light blue cold air.

Given the impression of being ‘cold’.

It's like red gives people a kind of passion, passion, and hot impression.

But at the same time, the color of Higashinoji is different from that.

It should give people a feeling of coldness, but it is not the same.

There is also a faint warm color hidden under the background of the cool tones.

Cold and warm.

This should have been an incompatible color.

But under the color purity and appropriate ratio, the two are extremely harmonious on the canvas.

"This color tuning skills..."

Yingshan Futa was a little surprised.

Isn’t Higashinoji a manga author? Although I know that oil painting has some foundation, this technique is too sophisticated.

I feel that I can't get it without 10 or 20 years of skill.

He also didn't know that Higashinoji had practiced oil painting for 10 or 20 years in his previous life.

At that time, I even took on a lot of other jobs.

Put aside the background color, from the overall perspective.

This painting roughly depicts a scene where a painter paints in winter in the studio.

It was a terrifying cold winter outside, and everything was wrapped in the vast and lifeless white.

Those old palms seem to indicate that the painter's life is about to end...

A feeling of decay and decline arose in Yingshan Wenta's heart.

But this feeling was soon

The lights in the studio were slightly yellow, which made a lot of harmonization, and the whole picture gradually felt a touch of warmth.

At the same time, the old palm stretched forward...

This first-person perspective makes Kyoyama too inexplicably feel.

It's as if everything in the oil painting has become three-dimensional.

And he is the old painter who holds the brush in oil paintings.

This feeling is very wonderful.

It makes Yingshan Wenta feel a sense of confusion.

The world in the painting...the old age, like a mountain, is sweeping over.

Wrinkles seemed to have appeared on his face, and his palms seemed to have become the same as the old painter in the painting.

This scared Yingshanfuta so much that he jumped up and couldn't help but touch his face.

Fortunately... there are no wrinkles.

He is still him... the middle-aged and promising Fumita Kyoyama.

Kageyama Fumi was so angry that he couldn't help but take a look at Higashinoji's paintings...

Just look at the painting... Why do you still have hallucinations when you look at it?

Coincidentally.

Kageyama Fumito was shocked, and the next to him was almost the same as Hiroshima Kishima.

The old and helpless feeling in the oil painting also made him feel shocked.

When he realized it, he couldn't help but praise Higashiji.

Awesome! Really awesome!

This is a great painting!

It was beyond his expectations!

He and Kyoyama Fumita were really misleading.

Higashinoji is really a genius in comics and oil painting!
To be continued...