This little girl is still as afraid of taking the blame as always.

but...

The suggestion she made was really good.

The process of human growth corresponds to the changes in spring, summer, autumn and winter in all seasons.

This sounds very reasonable and can be explained logically.

Thinking about it this way...it's really OK!

Listening to Shankan's thought, Higashinoji's mind seemed to have a flash of inspiration, and many thoughts suddenly emerged.

This theme is indeed good, and it is also a painter... This makes Higashinoji even more difficult.

People and the four seasons...

Young, middle-aged, old age.

Children should have a grass-green background, with a little soft spring light and a little Japanese-style spring cherry blossoms. Children should play under the rising sun. The sun should use the most breathable zinc-white color tone.

In the middle age, it should be the background of yellow and green tones. It has become less innocent and softer than in childhood. When walking on the road, the strong summer light will also sprinkle. It will have a bit of spicy feeling when shooting on the body, which symbolizes the difficulties encountered after entering society. Therefore, the color should be bright and lasting lead white...

However, the thing about lead white is a bit toxic. Higashinoji rarely used it when he was a professional painter. He thought it would be safer to find other white paints instead.

Middle-aged people should have a yellowed background. Women who are strolling in the autumn forest should have the feeling of Volkov's "October".

Higashinoji tends to use ochre to create some rosy, soft and rejuvenating colors.

The elderly corresponds to winter, everything is deserted, the eaves are covered with snow, and there are elderly people sitting under the eaves, looking at the calm ochre tones underneath... just like the elderly people who are already in their twilight years.

But if it's just that, it's not enough.

Higashinoji touched his chin and thought.

But that's actually just a combination of people and landscape...

Although there is a meaning, overall, the overall expression method is too monotonous.

"A person's life is not just a bystander... this painting is the same... it cannot be seen from the perspective of the bystander."

"Why?"

The mountain Chiashi and Yano Ryuki were originally trying to figure out how to draw it.

Both of them couldn't help looking back at Higashinoji.

What is important is not to let the bystanders appreciate...

Instead, we need to draw a painting that everyone can substitute into!

Yes, let them experience the changes of the four seasons in the painting, the birth, old age, sickness and death of people.

If this is possible...

That is undoubtedly an excellent oil painting.

Higashinoji showed a look of "I probably understand", and he was also thinking of words that Chiaisha Yamakami and Ryuichi Yano at all.

This made the two of them confused and looked at each other.

"Thank you, Chika and YanoSang, I think what should I do."

Higashinoji smiled and thanked her, then greeted Seo Daigo, saying that he would not stay in the studio today and would go home early.

The quick movement made Seo Daigo a little stunned.

Until his back, which quickly left, disappeared, Seo Daigo looked at Yamakami and Yano in surprise.

"...Uh...I don't know what happened to Higashino."

Yano Ryuichi opened his mouth first and expressed his opinion.

Qianxia, ​​the mountain next to him, also looked confused.

What's going on?

I was discussing how to draw oil paintings just now?

Why did Higashinoji suddenly leave with a look of "Okay! I understand"?

Could this be the world of professional painters?

It's like a difficult abstract painting, I can't understand it at all.

......

After leaving Higashino Studio, Higashino did not wander around, but went straight home.

As mentioned earlier, his paintings were placed in an empty storage room in his home. The oil paintings he drew for Chihae Higashino treatment were drawn in this storage room.

This place is actually very good. There is a window on it, and the air circulation is very natural. Don’t worry about the smell of oil painting paints that will not spread and make your mind dizzy...

This is common sense.

Even if it is a little cold in winter, it is best to ventilate the oil painting place, otherwise it will easily cause sore throat and headaches.

As soon as Shi Higashino returned home, he took a look at the canvas that had been stretched out in the storage room...

This canvas was nailed by his old friends with his nail gun last night.

There is less moisture in the air in winter, and the layer of slurry I brushed on the canvas yesterday has begun to dry out.

Depending on this situation, we should be able to start construction directly tomorrow.

but...

"Before that, I'd better catch this feeling first..."

Higashinoji took out a sketchbook from the box next to him, and rustled with his pencil and drew it on it.

His painting movements were still as natural as ever, with his arms swung openly, looking very painter-like.

Just fifteen minutes later, Higashinoji had already set the general framework of the overall picture.

Higashinoji did not start painting at the stages of "young, middle-aged, and old" just as he discussed with Yamakami.

He first drew a pair of hands on the edge of the overall picture.

It was a pair of old and rough palms that could not be seen...

This was probably a pair of painter's palms, and the painter was holding a brush in his forehand.

Because these hands were really vivid, it seemed that the bystander really felt that he had become the painter in Higashinoji's paintings.

He slowly stretched out his brush, as if to fill in the blank canvas in front of him with paint.

Behind the easel is a standing cabinet filled with various certificates and honors.

Some certificates have turned yellow, symbolizing the honors he received in his prime.

Some certificates are quite new, and they should be the honors he has obtained now.

Higashinoji's details are very well made, even if it is just something drawn with a pencil, it makes people have a unique charm.

In the middle age, in the old age...

Yes.

Higashinoji wants to rely on this unique first-person experience perspective...

Let the viewer experience the world in the painting...the spring, summer, autumn and winter in the painting and the life of the painter.
Chapter completed!