Reisan Ishikawa stopped and didn't want to teach this young man who suddenly spoke and commented casually. After all, anyone has the right to evaluate his works.

But you are a bit too much compared to you. Is it because you are a bit bullying?

This review is really

Reisan Ishikawa stopped silently, just trying to listen to what else was amazing about this young man.

Sure enough, after a while, the girl beside the young man found another good painting. This time the target was not the president of the Aomori New Century Art Association, but instead he was a well-known professional painter. The other person has a much better painting skills than the president of the branch association here.

Then

Reisan Ishikawa heard the girl ask curiously again: "As, what do you think of this painting?"

"This painting is pretty good, although it's still a bit flawed."

Some flaws?

Can even a well-known professional painter satisfy you?

Reisan Ishikawa glanced at the paintings in front of the young man and the girl.

The theme of this painting is ‘Whale Fall’, which is the painter’s thoughts on life and death.

I glanced at the expression on the young man's face and found that when he said this, he was actually very pertinent and had no intention of looking down on the other person. It seemed that it was from his original intention.

This discovery made Reisan Ishikawa feel a little confused.

Does this young man really think this painting is just considered "good"?

Just as Reisan Ishikawa was thinking, the young man next to him expressed the reason why he thought the painting was average: "The theme of this painting is mainly the process of 'whale falling'."

"The so-called 'whale fall' is actually when the whale dies, its huge body will form a small ecosystem to provide nutrition to marine organisms. Through these nutrients, countless marine organisms will survive. The transformation between life and death is very attractive."

"It's just that this author is too obsessed with showing off his skills. The colors are a bit brighter, which leads to the overall composition being gorgeous and monotonous, and it is impossible to form a contrast between life and death."

The young man pointed at the painting.

Reisan Ishikawa looked in the direction of his finger.

Then I realized that this is true.

The overall picture is too bright. The dark whale death process is covered by the bright color blocks around it, which is highlighted, but what about death?

The main body is clearly the process of the whale's death

I have to say that Reisan Ishikawa thought this young man made a lot of sense, at least he didn't seem to be what someone without art skills could say.

Then the girl pulled the young man to read several paintings. Reisan Ishikawa, who was curious, pretended to be nothing. He followed the way and wanted to listen to the young man's comments on other works again.

Impression painting, landscape painting, and classical painting. This young man has read a lot of paintings, but basically they are just 'also', 'average' and 'a good' evaluation.

And these reviews are still very good. Some paintings, such young man with a pretty appearance, didn't even comment on the comments, but just laughed happily, with his expression like an elder seeing a junior who had just learned to draw, waving his brush clumsyly.

The most important thing is that Reisan Ishikawa could not hear a trace of arrogance from the tone of this young man, nor could he hear the meaning of belittle these works.

It seems that these works are indeed of ‘average’ and ‘good’ quality in the eyes of this young man.

This is a bit speechless to make Reisan Ishikawa a little bit speechless.

He could only look at his back and his side face, and he was a little surprised.

Could it be that the young man in front of him is a famous painter?

Otherwise, why would the vision be so high?

Reisan Ishikawa frowned. Although he felt familiar, he still couldn't think of who the young man in front of him was.

It feels too abrupt to say hello to others.

Just as Reisan Ishikawa was thinking, a familiar voice suddenly came from behind: "Is it Brother Ishikawa?"

"Ah, it's President Yonekura." Reizo Ishikawa turned around and saw the visitor clearly, then greeted him with a smile.

At this time, behind Reisan Ishikawa was a thin and gentle middle-aged man standing.

This middle-aged man is named Sadao Yonekura. He is the president of the Aomori New Century Art Association. He is similar to Reisan Ishikawa and is also passionate about art activities. Although he is only a semi-professional painter, he is also working hard to produce works.

However, the fundamental thing about art depends on talent. Sadao Yonekura is obviously lacking in this talent. Even if he practices diligently, he can only say that his achievements are very few.

The oil painting from the art museum that Higashinoji just commented is a work by Sadao Yonekura to be more precise, it should be considered his proud work, otherwise it would not have been hanged directly.

However, it was the complacent work that received no over-rated reviews.

Sadao Yonekura obviously didn't know what Ishikawa Reisan was thinking. He had just met several members and just came to the art museum to check the situation, but he ran into Reisan Ishikawa.

So he smiled and said hello: "What did Brother Ishikawa look at just now?"

Sadao Yonekura was a little curious.

Just now, Reizo Ishikawa was obviously paying attention to other people, and his vision was not on the painting at all.

He followed Ishikawa Reisan's gaze, and then he stopped the young man and the girl who were still talking in a low voice: "That's it."

"Uh" Ishikawa Reisan saw that he had noticed the young men and seemed to know each other, so he asked curiously: "Is he an acquaintance of President Yonekura?"

After asking this, Reisan Ishikawa felt a little relieved.

It turns out that it is a Yonekura Sadao's acquaintance, no wonder he just commented so directly and harshly in this art gallery.

"No, at most I know the other party, and the other party probably has no impression of me." Sadao Yonekura laughed.

"Hmm?" Yonekura Sadao's words made Reisan Ishikawa a little unexpected.

"Yes, if I read it correctly, it should be Teacher Higashino." Sadao Yonekura explained with a smile.

"Teacher Higashino?"

Reisan Ishikawa thought for a while and couldn't find the name from the ranks of professional painters in his impression, but he quickly reacted: "After a while, President Higashino Teacher Yonekura is talking about the teacher Higashinoji, the Minister of Science Award of the Ministry of Culture and Technology this year?"

"Um."

So that's it

He is the winner of the Minister of Science Award of the Ministry of Literature and Culture.

Reisan Ishikawa suddenly felt relieved.

No wonder I just started to evaluate it directly. Indeed, the winners who won the Minister of Science Award of the Ministry of Literature and Culture will think that it is "generally" and "not bad" in this art gallery where most of them are works by amateurs.

Besides, Reisan Ishikawa has also heard that Higashinoji himself has high artistic attainments and won the Tokyo Youth Double Painting Appreciation, but he was able to debut as a professional painter, but because of his career in comics, he was slowed down.

But later, Higashinoji directly won the Japanese art creation bounty jointly organized by the five major art academies, and there is absolutely no problem saying that he is a professional painter.

The mascot he designed, Kumamoto, is now even more popular in Japan.

"It turns out it's Teacher Higashino." Reizo Ishikawa nodded and did not tell the other party about Higashino's comments on Sadao Yonekura's paintings just now.

After all, Ishikawa Reisan still knows this kind of human nature.

But if he doesn't say it, it doesn't mean that Sadao Yonekura doesn't ask.

"Speaking of this, was Brother Ishikawa just watching Teacher Higashino just now? How about it? His impression of these works in our art gallery?"

"Uh" Ishikawa Rinzo opened his mouth. Sadao Yonekura and he were old friends. He also knew that this old friend was quite content with this art museum. After all, it was rare that painters could hold art exhibitions from time to time.

But Higashinoji's comment just now

You can't just bring out the original words, right?

Especially the sentence Higashinoji said when he looked at Sadao Yonekura's painting, "Are you bullying me compared to him?" is absolutely lethal.

It will definitely hit Sadao Yonekura, his old friend.

So Ishikawa Reisan decided to give Higashiji a little a little 'art processing'.

"Teacher Higashino thinks this art museum is pretty good. Overall, it's pretty good. I just think that the members' paintings are too many, and the quality is a bit uneven." Reisan Ishikawa said to Sadao Yonekura with a smile.

This evaluation can be said to be regular and very pertinent.

But this made Sadao Yonekura still a little unsatisfied.

He could only sigh: "It turns out that Teacher Higashino looks at this museum like this. I still think it is well managed. But it is OK. At least Teacher Higashino recognizes this museum."

"Uh" Reisan Ishikawa could only smile with her.

There was no way, he had tried his best to choose, but he didn't expect that Sadao Yonekura was still a little dissatisfied.

"Let's go up and say hello to Teacher Higashino?" Sadao Yonekura asked again.

"Ah? Say hello?" Reizo Ishikawa was stunned.

"Haha, you may not know, brother Ishikawa, but two days ago, the Tokyo association called, saying that Teacher Higashino might come to visit recently, and asked me to try my best to bring him to the association."

Sadao Yonekura replied with a smile.

Kageyama Fumiya had greeted the branch in Aomori Prefecture too early, and when he met Higashinoji, he tried to bring him into the club.

This is a work task. Since he encounters it now, he will certainly not give in. In addition, he is also interested in painting and wants to get to know Higashinoji.

"So that's it." Reisan Ishikawa said that how could Higashinoji in Tokyo suddenly come to the small art museum in Aomori Prefecture? It turned out that the New Century Art Association was the driving force behind it.

The two of them discussed in a low voice over there, their eyes swept to Higashinoshi from time to time.

Although this is in an art gallery and they have to keep quiet, they deliberately suppressed their voices, but they can only notice it when they look at it so straightforwardly.
To be continued...