The hands gently undulate on the keys, which was a weak music near the end of the whole song. In the performance of Toroevsky just now, the treatment of this part was very plain, just simply lowering the strength and playing it. But the same melody, at this moment, shone a completely different brilliance in Chu Yang's hands!

The right hand is completely firmly attached to the keys. The excessiveness between each chord and chord is extremely tight, without a gap. The "sweep" effect deliberately dealt with is just right to express the hesitation, helplessness, and sadness.

The continuous arpeggio of the left hand continued, but it was playing with a weaker force than the right hand, creating a low and uneasy atmosphere, as if it was accumulating strength for the next full burst.

This weak music can be said to have completely expressed Chu Yang's understanding of this "Revolutionary Etude". Anyone who truly understands the piano knows that it is not difficult to play simply strong, but the difficult thing is to play weak sounds well. Strong sounds are easy to control, and weak sounds are difficult to control, especially for example, such as those with internal meanings, and when they are weak, it is even more difficult to show the accumulated sense of power.

Just now, Toroevsky's performance simply reduced the strength according to the notes on the music score, and it can be said that he only achieved a "likeness". But at this moment, Chu Yang's performance undoubtedly grasped the essence of this weak music!

The right hand gently rises and falls on the keys, always maintaining slight movements, and even the wrists are always parallel to the keys. No matter from any angle, Chu Yang's technical movements are perfectly unmatched. If it is practiced in a fixed position of five fingers or uniform scale running, it is not uncommon to maintain such technical movements. Many professional piano students can do it. But don't forget that at this moment, Chu Yang's right hand touches the keys at least three keys every time! In such a complex melody, he can still achieve such a hand shape, and the frame is not distorted at all, which shows how powerful finger flexibility is needed!

The fingertips gently touched the keys, sank, and then raised them, accompanied by the slightly ups and downs of hesitation. It seemed that the movements of the entire hand were filled with a sad mood.

Tang Hong watched Chu Yang's performance without blinking. The appreciation in her eyes became stronger and stronger. She had never expected that just a temporary test could enjoy such a wonderful performance! It is no exaggeration to say that watching Chu Yang play the song "Revolution" up close gives her a double enjoyment of hearing and vision. It is no less than the concerts of famous pianists she has participated in before!

Seeing this weak music full of painful and struggling emotions approaching the end, Tang Hong's heart also raised to her throat. Next was the strongest explosion in the whole song, and it was also the phrase at the end of the whole song, which was the explosion after this depressing melody!

Chu Yang's eyes, which had been slightly closed, suddenly opened, and the sad expression on his face disappeared, replaced by a look of determination and courage!

The right hand, which had been quietly sticking to the keys, suddenly shook, and five fingers exerted force together, the weight of the entire arm poured in, and burst out instantly!

A strong ninth chord suddenly sounded, smashing a quiet melody in front of it to pieces!

This strong and huge contrast has a strong auditory impact on people, which is not something that can be appreciated on the spot, but is absolutely impossible to understand. It can be said that this change between weak and strong has interpreted the spirit and taste of "Revolutionary Etude" to the extreme!

The hands suddenly squashed and went down from the high pitch area of ​​the piano keys. A long arpeggio was played at the same time, without the support of the pedal, it still made a huge, transparent sound full of metal tone!

The tone of Yamaha's piano is soft and crisp, but the two-handed arpeggio at the end of Chu Yang's section is hard to play a heavy, big-sized golden sword-like feeling on this Yamaha small triangle, which shows how strong each of its sound is!

"Dong, dong! dongdong!" Several extremely short and strong chords instantly clamped the entire song, and in an extremely disharmonious chord, the whole song ended!

The extremely strong sense of incompleteness brings a strange experience to the audience, as if the fierce struggle is far from beginning, leaving people with unlimited imagination space!

"Hu~~~" Chu Yang breathed a sigh of relief and lifted his hands from the keys.

His face showed a look of satisfaction. Just now, this song "Revolutionary Etude" was already super-level in terms of performance. The success of emotions before the performance allowed him to accurately grasp the essence of this song and touched the state of mind when he created this song. This state of playing with heart and emotion is a state that many performers can encounter but are hard to come by!

Tang Hong seemed to be fascinated by the sound. Until the end of Chu Yang's song, she still sat quietly on the chair, as if she was savoring the artistic conception contained in the song just now!

Toroevsky's face became very ugly. It was obvious that Chu Yang's performance in this "Revolutionary Etude" just now was extremely outstanding. Compared with his performance, it was obviously not at the same level!

If Tang Hong was an outsider, it would be good to say that he could find some slanderous problems and belittle Chu Yang's performance. Unfortunately, Mr. Tang was a big expert. When the two of them discussed music together on weekdays, Tang Hong's understanding of famous foreign pianists and some well-known piano works, even a professional person who was a professional!

Looking at Chu Yang in front of the piano, Toroevsky's eyes were obvious. Obviously, he felt that at a young age like Chu Yang, he must have carefully prepared the "Revolutionary Etude" in advance. Why did he prepare this song carefully? Obviously, he also studied Tang Hong's preferences and was specifically used to wait for today's competition!

"Damn Chinese boy!" Toroevsky cursed in his heart.

Chu Yang Youran got up from the piano, walked to Tang Hong, and coughed gently, reminding the woman who was distracted that her performance was over.

"Oh?" Tang Hong, who came to her senses, looked at Chu Yang who had already walked in front of her, and a look of astonishment suddenly appeared on her face.

But then, the look of astonishment turned into a smile, with a smile with a clear sense of appreciation.

"I didn't expect that you were so young that you could actually play this song "Revolutionary Etude" like this!" Tang Hong said, turning around and looking at Toroevsky, and sincerely said: "Teacher Toroevsky, how do you think this young man plays?"

"This~~" Listening to Tang Hong's words, although he knew that she was forcing her to express his opinion, Toroevsky still said reluctantly: "It played very well."

He did not directly say which of the two people played better, but just used the sentence "good" to describe Chu Yang's performance. As a proud foreign teacher, such an evaluation is already the limit he can make.

"Yes, it's really good." Tang Hong said this and paused for a moment and said, "Okay, next is the second song. The song just now was too heavy. How about let's change a simpler song this time?"

Although Tang Hong spoke to the two people in an inquiring tone, both of them knew that this was just a kind of respect she expressed to the two people. Today's competition decided who would stay and be a piano teacher for her child, so what kind of questions should be decided by her naturally.

"Just play Shi Jin's "Piano Song of the Night"." Tang Hong said the second song gently. Unexpectedly, this time it was particularly simple.

Shi Jin, a pianist born in the 1980s, conquered countless fans who love pop pianos with his simple and beautiful melody and sincere and simple emotions. Although his fame is not as big as the pop piano prince Richard Clayderman, the "Night Pianist" series is undoubtedly comparable to the pop piano series Richard Clayderman series!

"Piano Song of the Night"?!

When they heard the topic Tang Hong said, Toroevsky and Chu Yang were both stunned. From "Revolutionary Etudes" to "Piano of the Night", the span of these two songs is too big!

One is a famous concert-level piano etude, while the other is a popular piano piece. One is a difficult song that requires professional level to be mastered, and the other is only 599 to be played easily. This difficulty, one classical and one popular makes both of them a little stunned.

Tang Hong chose this song on a whim. In her opinion, although there are difficulties and eases in piano music, even if it is a simple song, it is not easy to play well and taste. Although the "Piano Music of the Night" series is simple, it is as the saying goes, "It is easy to sing small songs, but it is difficult to sing well." To play Shi Jin's simple, sincere and natural taste, it also requires considerable skill. If the previous song "Revolutionary Etude" tests the skills of these two pianists, then the latter song tests the attitude of the two people towards music.

"If there is no problem, let's start, Mr. Toroevsky, or should you come first?" Tang Hong looked at Toroevsky and said with a smile.

"Of course, Don, which piece do you want to listen to in this series?" Toroevsky quickly adjusted his emotions and asked quickly.

"The Piano Song of the Night" is a series of works, which are sorted out and put together, probably to be close to more than 40 songs. Toroevsky's question was also showing his familiarity with this series. Although he was stolen by Chu Yang in the previous session, he still hopes to make it back in this session and restore Tang Hong's impression of him!

"Just the fifth song, my taste is more popular." Tang Hong said with a smile, indicating that Toroevsky could start.
Chapter completed!