If you invest 10 million yuan to shoot a movie, and with such huge funds to shoot a movie, you must make a classic that can be reused continuously.

How to make a good movie requires a good director and a good crew.

What Xia Jun couldn't understand is why many movies in later generations must include some very mentally retarded and brainless love dialogues.

Sometimes some very serious movies require the addition of ‘x-ng’ elements to x-ng, which is as disgusting as squatting by the side while people are eating.

Some directors go to international awards all day long, but they have nothing but jokes. They really have problems with their own abilities. Logically, they don’t have to go to it anymore, but they are indomitable, and one bad movie after another doesn’t splash much water on the international scene.

On the contrary, some capable directors cannot get on the top and can only build small studios themselves. Some of them can't afford to even have small studios.

In short, there was a system problem. When China was later in life, it was not popular to go to cinemas to watch movies because movies were not popular in China. People did not have the habit of going to cinemas to watch movies in the past. When movies became popular, vcd, DVD, and computers came out, pirated CDs and online pirated movies could not bring too much money to the film industry. The market was not easy to do, resulting in the overall film market not booming.

China in this era is different. There are not many entertainment projects in this era, and there are not many entertainment options like in later generations. Therefore, watching movies is a very important entertainment project. In addition, people from all over the country have become rich and often go to the cinema to watch movies. For those intellectuals, watching movies is a must at this time. For ordinary people, movies may be a very fresh thing, so they will join in the fun. However, sometimes after the freshness, they will not be very popular, especially in some places, Mandarin is not popular, and many people cannot understand the content of the movie.

There is a characteristic of modern movies in history, that is, the Chinese people's cultural level is not high, so movies with a large number of operas in movies are the most popular. In fact, the selling point is that the protagonists of the opera are the most popular. The more m-n sings the, the more m-n tickets it is, the less m-n tickets it is cheaper. Ordinary people want to listen to operas and watch people.

Currently, Chinese movies also have this problem, but they are not as serious as they were in history, because the new force watching movies at this time became an intellectual.

Among them, the more important one is the teachers and students of the school. The students have three free movie tickets every year, and there are also some group activities to watch movies at their own expense.

Free movie tickets are money paid by the Ministry of Education, which is equivalent to supporting the film industry. This national support policy has made the market for China's film industry very broad.

However, the competition for those three free movies is getting stronger and stronger, and the support effect is getting lower and lower, because with the increase of movies, some movies that can be called classics have also begun to emerge. School free movie tickets are used to watch movies that have been filmed for a long time, and those movies that have passed a certain period of time are very cheap.

As these new generations of children develop the habit of watching movies, China's film market will become very broad in the future. As the market becomes larger and larger, more movies will be able to shoot. Adequate funds represent the prosperity of a market, and a large number of excellent film talents will inevitably be cultivated under the prosperity.

Films are related to the external dissemination of culture, so Xia Jun has made some strict regulations on the film industry rules. We must first eliminate the unspoken rules so that those capable directors and actors can reduce unnecessary obstacles.

In terms of eliminating unspoken rules, Xia Jun referred to the film system of later generations of the United States to a certain extent. Later generations of the United States used American blockbusters to continuously promote freedom and democracy to the world, and at the same time, filmed a large number of films that saved the earth and saved all mankind, and promoted the justice of Americans.

These movies can be said to be a link in the United States' external cultural expansion.

The United States has done a very successful job in disseminating foreign cultures. Many young people in countries around the world believe that everything in the United States is good.

Of course, in terms of cultural communication in the United States to the outside world, simply put it as a show of technology, movie stunts, etc., and the content of the movie is mostly made of the movies mentioned above, "democracy and freedom, save the world". Of course, there are also a group of movie models that criticize American politics, and then show how much peace-loving, how humanitarian, and how worried about the safety of the earth...

The ability of a country's films to be widely spread overseas mainly depends on a country's status in the world and its ability to perform C-O.

The United States was the world hegemon in later generations and had a large amount of international capital operations. At the same time, the Freemasonry absorbed many social operations in other countries. As long as the United States came up with a commercial operation theme, it could complete business planning very efficiently and use many advantages such as capital, connections, and voice to gain market access.

There are actually many excellent movies in later generations, which is undeniable. Many excellent movies are much better than those blockbusters in the eyes of Chinese people, but these movies basically have no market internationally. Many of the movies that can win praise internationally are those movies that cater to the themes promoted by foreigners. These movies not only have no market in China, but instead help Western countries promote something in disguise.

What kind of international film market should you attack? Most of the Chinese films in later generations are for people to watch, and they watch your movies with a condescending attitude. And you are just here to hold your feet, one is willing to beat the other and the other is willing to be beaten.

This kind of impact is an individual impact, not a group impact. The individual impact succeeds at most, so that the director and actors will become famous. In fact, the status of Chinese films in the world has not changed even a single M-O.

Whether Chinese films can be spread overseas depends on the country's operations.

At this time, China did not have too many overseas markets, but at least with the improvement of international status and the improvement of China's international power system in the world, the overseas market began to grow as my brother increased.

If China can become the world overlord in the future and support a group of relatively economically prosperous younger brothers, then it can form a radiant-aura that is the same as that of the United States in later generations.

At this time, China also established a film review system, with stricter reviews. Those that are too violent and too majestic, and those that promote crime cannot be released or released at levels. Minors cannot watch movies with too high restrictions.

China has Chinese characteristics, and China's tradition is that it is more conservative about things like **, so it is reasonable and necessary to strictly review the film.

As for what era is progressing, China has not yet opened to that level at this time, as for the opening up of the next generation, then when it comes to the next generation, China is relatively conservative at this time. If Xia Jun develops a very relaxed film review system, the social atmosphere will be immediately messed up.

This movie "The Rebirth of a Nation" has so much funding, so it is not too difficult to make a classic. If you can't reshoot it well, if there are flaws in a shot, is it enough to shoot ten times?

It only depends on how classic it can be.

The reason why many bad movies are bad is largely due to insufficient funds. Many extremely bad movies have no money to change the plot, so they can only bite the bullet and go on.

Many directors may be very talented, but if the C-O work ability is not up to standard, then this director is the failed director. Therefore, in most cases, the director tests C-O work ability more. For screenwriters, you should refer to the screenwriter’s ideas.

Most of the time the screenwriter specializes in writing plots is not worse than the director. The screenwriter specializes in his career and is devoted to the plot of the movie. The director often cannot catch up with the filming. Most of the Chinese movies in later generations are based on the director's words. The screenwriter gives a good script, but he has no right to speak during the filming. The script was changed to 1u-n by the director, and even some strange elements were imposed, such as the director saying that he should have a selling point in the relationship, so he added some stiff confessions, completely illogical love plots, and comg dramas rolling all over the ground, etc. A bad movie was released like this.

A director who can write and direct himself is a very strange director. Generally, directors cannot learn it. Learning 1u-n will only create a bunch of bad movies.

Xia Jun wrote the general direction of this film "The Rebirth of a Nation" and how to write it next is the screenwriters. Xia Jun gathered all the well-known and less-known screenwriters in China, and 90% of them were students he trained.

After the screenwriter writes the script, Xia Jun will have to read it. If there is any problem, he will write it back and re-edit it, and compile a script that satisfies Xia Jun.

As a time traveler, I have watched a lot of movies, and as an ordinary film and television audience, I have a relatively correct understanding of whether the movie is classic.

For example, those bloody plots, as there is a saying: "The first person to use hua to describe a nv person is a genius, the second person is a mediocre, and the third person is a fool."

There are basically no bloody plots in this era, so when the bloody plot is absolutely lethal, it becomes a classic. If the plagiarism works of later generations are plagiarized, they will only become bad movies.

This time we are going to shoot a film with a national and national quality. We cannot add a bloody plot at will. Even if these bloody plots are used in this era, they can become classics.

With Xia Jun's inspection and the screenwriter passed the test, it was no longer a problem for shooting. If you can't take the expected effect and reshoot it until the expected effect is achieved.

The screenwriters started writing the script with the general outline of Xia Jun n-ng. In order to shoot this movie, Xia Jun provided the screenwriters with a large amount of historical text and video materials as references.

Although the funding for this movie is a lot, it may not cost so much money if it is made.

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Chapter completed!