Jona knew very little about the value of porcelain. She just looked at it like a big, beautiful one. She tried her best to look through it. After looking through it for a long time, she paid attention to the patterns on the porcelain pieces. Although there were many patterns on the red porcelain, yellow porcelain and celadon, most of them were flowers, birds, insects and fish. Jona was so aesthetically exhausted that she no longer felt strange.

When she occasionally picked up a piece of white porcelain, she felt that this white porcelain was crystal clear and elegant compared to the other three types, simple and flawless, and looked more perfect and noble. Moreover, there were many characters on it, and the characters in the patterns were vivid, vivid and lifelike. When Jona saw it, she was even more happy and couldn't put it down.

Lao Huang and Zhang Can knew that each piece was a priceless treasure, so the idea was different. Lao Huang was still kneeling there at this time, holding the pieces of fragments in his hand, looking at the sky empty, muttering: "God has eyes, my ancestors have spirits. Today, let this peerless treasure be seen again... We must not let our ancestors down, we must carry forward this peerless treasure and pass it on to the world..." As he said that, he couldn't help but burst into tears and cried.

However, Zhang Can held these kinds of porcelain pieces in his hands one by one, carefully analyzing their wonders piece by piece. The four-color porcelain pieces of blue, red, yellow and white have their own wonders. The green ones seem to drip out of it. The red ones are as red as the sunset reflects blood, the yellow ones are like dragon robe, and the white ones are as white as fat as snow. What makes Zhang Can fascinated the most is the porcelain pieces that look like brown and black, but also as if they are as emperors as they are, without the world. Zhang Can called it "Emperor porcelain"

When Zhang Can was fascinated by the porcelain piece in his hand, he was so surprised that Jona's scream scared him and quickly looked at Jona.

It turned out that Jona found a piece of white porcelain fragment in the pile of porcelain, less than half a palm-sized size, but there were two figure patterns on it. Jona was curious and thought of putting together the pieces like porcelain plates intact and looking at the complete pattern on it. After all, the girl was careful and the person who threw the porcelain piece didn't work very hard. After a while, Jona actually found a complete porcelain plate. After looking at the picture on it, Jona couldn't help but exclaim.

Zhang Can went over and saw that there were about twenty characters on the porcelain plate, all of which were vivid and lifelike, and the characters' expressions were even more vivid. Zhang Can quickly found the first picture.

There were two men and women. The man was holding the woman, the woman was erecting a big belly, leaning on a cane in the hazy forest of the tree canopy. In the picture, the man was handsome and elegant, and the woman was beautiful and dignified.

Zhang Can couldn't help but think of the clear words on the cave wall: "I avoided the war and took my wife He's porcelain to escape into the deep mountains. When I encountered heavy fog, I felt like I was blind..." It seems that this man named Chai not only carved words on the cave wall, but also thought of using their experience as a narrative subject to incorporate it into porcelain art paintings. This is like a comic strip, which not only can explain things clearly, but also adds the profound meaning of porcelain art paintings, which complement each other.

The second picture is naturally "Fortunately met the old immortal, I was able to..." Zhang Can saw that sentence and almost couldn't help but scream. On the picture, there were more than just a "old immortal," which was a group. Zhang Can counted it briefly, and there were no less than ten who appeared on the picture clearly!

Although every "old immortal" in the picture has a large beard, they have two thin tentacles facing the sky and upwards on their heads! What is this? Are they two braids tied by the "old immortal"? Zhang Can thought, this should not be. Even if an old "old immortal suddenly became childlike and tied two braids to play with, there was no reason for the ten behind him to go crazy alone. Back then, although men had long hair, there was no reason for them to be 70 years old and eighty-year-old, and they even tied braids with children. Besides, this style of hairstyle was not popular in that era.

In the cave room, Zhang Can had a premonition that the three words "old immortal" contain a secret that no one can unravel. Now it seems that it is indeed a prophecy.

In fact, deep in Zhang Can's heart, he had an idea, that this "old immortal man" is definitely not a creature from the earth, but he would not say it. Once such words are said, it will inevitably lead to a vast "re-education". Although Lao Huang is still kneeling over there and crying, once he is led to academic problems, Zhang Can can almost guarantee that Lao Huang will wipe away his tears and face the difficulties.

Forget it, instead of squirting the sauna and saying that those useless things are better to calm down and carefully study the gorgeous porcelain in front of you. It is much more real.

In the third picture, the man and the woman both kneeled in front of a "old immortal man", as if they were thanking each other. Behind the "old immortal man" was a colorful auspicious cloud, and there were a row of neat light spots in the auspicious clouds. The colorful auspicious clouds were elegant and lively, and the neat light spots seemed to float out of the sky with the auspicious clouds.

Zhang Can saw this and became more determined to his idea, but if he had it in the eyes of Jonah or Lao Huang, he would never see it like this. Perhaps, they would think that it was just a problem when burning porcelain paintings, or deliberately tapping such a row of light spots when painting to set off the elegant and lively auspicious clouds, or that row of light spots. The painters at that time saw the stars in the sky and deliberately added them.

In short, no one will admit that it is a spaceship, a flying saucer, an UFO, a porthole in the eyes of people. Anyway, no one can see it with their own eyes. As for the light spots drawn on the porcelain plate, if one hundred people see it, there will be at least ninety-nine statements, which may not be true.

But the man and woman in the painting only kneeled down and worshiped one "old immortal man". Where did the dozen or so go? Zhang Shen looked at the picture behind and never appeared as many old immortal man as in the second picture. It was obvious that after the man and woman met them again, he never saw him again.

The man and woman kneeling in front of the "old immortal" were holding something in their hands, but it was too small. Zhang Can quietly used his perspective to see that what they were holding might be due to the limitations of the painter. In Zhang Can's opinion, it was just a dot of ink.

It seemed that the two people who were kneeling and worshipping were just like those who were apprenticing to the disciples. Zhang Can couldn't help but think that this was "... the immortal man gave the porcelain burning,..." Since it was given the two people's porcelain burning skills, the etiquette of apprenticing to the disciples was indispensable. Therefore, the two people should have wine, tea, etc. in their hands, which were dedicated to the "old immortal man" as a gift to the disciple.

In the fourth picture, the "old fairy man" sat next to a stone pier, half-squinted his eyes, waving a palm fan in one hand, and holding a small cup of things in the other hand, which should be drinking tea and tasting wine, and looking free and content. At this time, the man was bare-handed and sweating profusely working hard by a fire. The woman was also helping with the help of a two or three-year-old child, naughtyly tinkering with the mud on the ground.

Jona is a girl's house. When he saw this cute and cute child, although he was only on a small piece of porcelain, his painting skills were exquisite and he showed the child's naughty and innocentness at a glance. Jona naturally showed a unique look of women.

Zhang Can thought that it was indeed passed on to them the technique of burning porcelain. He was the master of others, and he naturally did his best, even if he eliminated the good fortune, and was supervising and professoring on the side, so that he would not mislead his children.

But when Zhang Can saw the two pictures behind him, he suddenly felt unbearable. No wonder Jona screamed. In the fifth picture, the man, who didn't know what was going on, actually held a wooden stick and raised it high. The "old fairy man" was lying on the ground, as if he was fainting, and there was a pool of bloody red under him. The woman and the child were kneeling aside, as if begging for mercy.

The sixth picture shows the woman covering her face and crying. The man held the child in both hands and threw it into the fire. In the last picture, it was obvious that the man left the woman alone and left alone. The picture was really dark and the sun and the moon were gone. The woman was alone, staying next to the fire and continuing to work alone, but the fire also became dark and dull.

Seeing this, Jona couldn't help but feel a little sore in her nose. She carried Zhang Can and quietly wiped a few tears on her face. After all, the things described on the disk screen were too miserable and the tiger was poisonous. The man in this screen not only killed the master, but also threw his own son into the fire. This was too tragic and terrible.

Zhang Can's mood suddenly became heavy. Judging from the three pictures behind, this man is really not a thing. Killing his master, destroying his son, and abandoning his wife. This is a heinous thing in any case. He will die more than anything else. He will abandon him by both man and god, and the world will not tolerate him.

Zhang Can was not a person with a tough heart. At this time, a hazy mist appeared in his eyes. Why didn’t such a person be born now? He was sentenced to death, and he was handcuffed and tied to Lao Huang’s side, so that Lao Huang could use his skills to the fullest, and he would not be afraid that he would not bow his head and confess his guilt.

"It seems that this man returned to the world after learning the craftsmanship. It is very likely that he would bring his skills to the world...". At some point, Lao Huang no longer knelt down on the ground, but came to Zhang Can and Jona. However, after reading these paintings, what he thought of was not the same as Zhang Can and the others.

"You two don't have to worry about the ancients anymore. Thousands of years have passed. In that evil feudal society, the tragedy of sacrifices to kilns, burying them for their children, and even eating them for children is not one or two. Feudalism harms people..."

"But I have also heard of such a thing. It is said that even in feudal society, people like this were punished by heaven. Just like there was an emperor in history who knew that he was cursed and died of heaven...."

Zhang Can was in a bad mood and didn't want to listen to Lao Huang's nagging anymore. After all, at this time, in this environment, no one would feel good when seeing such a miserable scene. Zhang Can is not a god, he is also a normal person, and has seven emotions and six desires. Although he is also experiencing a disaster of life and death, he still feels unbearable when he sees other people's unfortunate experiences.

Zhang Can was silent for a while and suddenly interrupted Lao Huang: "Old Huang, what should you do about the matter here?" Zhang Can understood his meaning very clearly. Since he came here and encountered such a Qibao, he would like to tell you Lao Huang and see what your attitude is. You can't take it all out, and you can't take it out. It's necessary to take one or two pieces to commemorate it.

"Haha," Lao Huang smiled and said, "I'm just about to talk about this. Since you raised your head, I'll talk about my thoughts. Anyway, there are so many people, and I can't take them out alone. Besides, the country is not bad for this. Let's take them back. We will each choose one that we like and take them back. First, it's a souvenir, and secondly, it's a good idea to "research and research". However, I have a requirement that we will never allow the things we have in our hands to be allowed to be overseas, so that our descendants will pass down from generation to generation, forever..."

Zhang Can smiled faintly and said, "This, Mr. Huang, don't worry, I can swear that the things I brought out here will never let it wander in a foreign land, otherwise..."

Before Zhang Can finished speaking, Jona said, "Uncle Huang, don't worry, even if it is broken, it will be broken on the land of China." Jona's voice was sonorous, and she looked like she would rather die than surrender, but she was still glorious even though she died, which won the praise of Lao Huang.

In this way, Lao Huang found a fiery red porcelain plate. Although the porcelain plate collapsed and had a big gap in his finger, it was still one of the rare top-quality products in this pile of broken porcelain. Fortunately, the person who threw the porcelain plate did not break it, otherwise Lao Huang would have to work harder.

Jona was originally reluctant to leave the white porcelain plate with a painting on it, but whenever she saw it, she felt a deep feeling of sadness, so she turned out a sky blue bowl from the pile of broken porcelain, which was considered complete.
Chapter completed!