In the following time, in addition to communicating with Liu Jiaofa’s questions about the institute, Zhang Xingming honestly started working in Beijing and had never even been to the Spring Festival Gala. Of course, he was confident in his arrangements. He spent so much dollars and hired so many professionals. If he couldn’t even handle a party of this era, he would just buy a piece of tofu and hit him to death.

On February 5th, three days before New Year's Eve, and it was also the last rehearsal of the Spring Festival Gala. Zhang Xingming was dragged and moved to the Working System by Director Huang.

At this time, the entire workers' gymnasium had become a sea of ​​joy. The strong festive atmosphere infected everyone who was there. The stage was the most advanced in this era and had a lift. Instead of the original Spring Festival Gala, putting a few pieces of glass under it, and putting a few pots of fake plastic flowers on the side.

The background of the stage is no longer the blue phoenix glued from electric paper, but a screen, and the projection of three-guns of crt shots has appeared on the Chinese stage for the first time.

Speaking of projection technology, before the 1990s, it was always the world of Japan, including scavengers, love servants, and children. It basically monopolized the global projector market. It was not until the mid-1990s that Germany and Europe and the United States caught up and snatched up some markets in the late 1990s.

Although Germany is a teacher all over the world in terms of optical electronics, we should admire Japan. It took only a few years to learn to surpass, and then we have left the teacher far behind until now.

On the huge stage, behind the background, the teachers and staff from the Shanghai Art Film Factory were working very hard. A huge CRT three-gun projection device was placed in the center of the room, and the screen facing the opposite one was the stage background seen in the audience.

At this time, the LCD technology had not been born yet. CRT monopolizes the global projection market. In fact, TV display screens in this era are also CRT technology imaging. In fact, the imaging of CRT technology is not bad, but it is better. It is just that the machine itself is too huge and bulky, and it is also expensive. Moreover, it has three large lenses, which is too time-consuming and labor-intensive to adjust, and was finally replaced by a small single lens LCD.

The projection equipment purchased by Zhang Xingming has a self-weight of nearly 140 kilograms and more than 600,000 US dollars. It is Sony's most advanced machine at present.

The history of animated films in middle school is actually very early. In 1926, it was earlier than the United States, and at that time it was definitely quite powerful. Even before the 1950s, it surpassed foreign countries. The development of Japanese animation was still influenced by our animated films in the 1940s. Most people may not imagine that the reason why Osamu Tezuka, the creator of "Iron Arm Astro Boy", embarked on the road of animation creation was because he watched "Iron Fan Princess" released in 1941, and the later generation Miyaki Shizuka worshipped ink and wash animation.

In 1954, we had the movie "Xiaomei's Dream" which appeared in real life and animation, which was more than ten years earlier than the Americans. In 1956, "Magic Pen" was the first prize in international children's entertainment films. In 1960, the ink and painting animation was released, which amazed the whole world. "The Shepherd's Flute", "The Big Fighter", "The Little Carp Leaping the Dragon Gate", "Fisherboy", and "Peacock Princess" are all excellent works that are in a world of beauty.

Unfortunately, I didn't know why, so I suddenly stopped. Then Japan overtook and rushed in, occupying all the TV screens in China. From the late 1970s to the late 1990s, for more than 20 years, almost all the TVs played on our TVs were Japanese cartoons. These 20 years have been the process of popularizing Chinese TV from scratch. It can be said that three generations grew up watching Japanese animations.

In the late 1990s, American movies came in and occupied our big screen, until now. Those "Nezha's Sea", "Three Monks", "Black Cat Sheriff", "Laoshan Taoist", "The Legend of the Heavenly Book", "Nine Colored Deer" and so on that we miss can only exist forever in memory, and most people have never seen it.

The reason is not paid attention to.

Why is the animation of Japanese developing so fast? Just look at where Chinese animation talents have gone. And our own animation has declined sharply, starting from content to picture, and gradually no one will watch it.

Generations of people look at Japan at a young age, and when they look at the United States at a big age, how can we blame them for being unpatriotic? How can we blame them for yearning for a "better life" abroad? And what about us? This cannot be written, that cannot be photographed, and nothing can be said. The soft cultural propaganda position has always been open and no one cares.

Cixi said: I would rather be with foreign tribes than with retainers. Because foreign tribes want money and land, and retainers may endanger her rule. I can't figure out where the nation that even dares to speak is.

...

It turned out that the opening of the 86 Spring Festival Gala was a kind of firecracker pattern from that era, which cost 20 cents each, which was one of the most common patterns. After igniting the three nozzles, the flames of various colors were sprayed out, which pushed the pattern itself to rotate at high speed on the ground, and then just a few invitations, which was very lobsp; Zhang Xingming decided to open the ink animation, and brought all the animation characters that only featured classics on the Spring Festival Gala stage to celebrate the New Year and greet children in China in a lively manner. He spent more than 300,000 yuan in this opening animation alone.

Moreover, Zhang Xingming is taking advantage of this cooperation opportunity to negotiate a joint venture with Shanghai art and film studio manufacturers.

The predecessor of Shanghai Art Film Studio was the art group of Northeast Film Studio (now Changchun Film Studio). Later, it moved to Shanghai in 1950 and established the Shanghai Art Film Studio. The initial staff was the original team of the art group, a group of Northeast men. Later, some animation pioneers including the Wan brothers and other animation pioneers joined the American Film Studio. The first director was Sheng Tewei, the only Chinese who won the ASIFA Lifetime Achievement Award.

In 1986, Japan and the United States had not yet entered their heyday. Zhang Xingming thought about whether he could invest money to exchange equipment to maintain Shangmei's status in international animation, and increase his salary and benefits to retain talents who have gone far away, and rewrite the history of Chinese animation.

...

The show goes on stage one by one. This is the last rehearsal. All actors are all equipped with the show. This rehearsal will be officially recorded and used as a backup for live broadcasts to prevent the live broadcast from being interrupted in case of unexpected situations.

The clear pictures, dazzling lights, grand scenes, charming sound effects, and advanced projection background made Director Huang excitedly smoke. If this was not the rehearsal recording scene, Zhang Xingming would probably be able to rush to the stage and shout loudly.

...

In the evening, Zhang Xingming received another call: "They spoke out, and reform and opening up are the country's basic policies and will not change for a hundred years. Hong Kong Hexiang is a representative foreign-funded enterprise and has made great contributions to domestic development. Such enterprises should be protected and supported, and it is appropriate to give some policy treatment. It is very important to give them to the governor."

After putting down the phone, Zhang Xingming danced his fists excitedly and danced on the spot a few times. With this sentence as the conclusion of the incident, he could let go of his hands and feet.

Then, the work schedule for Hong Kong must be advanced, and I have to go to Eastern Europe, so I have to set it up in advance there. Zhang Xingming sat on the sofa and thought, writing a few strokes on the notebook from time to time.
Chapter completed!