Entering 1997, "Huan Zhu Ge Ge" was first filmed and aired on CCTV eight.

This youth idol drama dressed in ancient costumes has an ups and downs story, a humorous plot, and a relaxed and enjoyable rhythm. Therefore, it has become very popular since it was released and became a huge hit.

In terms of impact, it is no worse than "Prime Minister Liu Luoguo", "Desire", and "The Story of the Editorial Department" a few years ago. Therefore, the main actors such as Qin Hailu, Jiang Qinqin, Jin Qiaoqiao, Huang Xiaoming, Guo Xiaodong, Zu Feng, etc., all became hits

And red.

From an unknown student before, she has now become a popular star. Especially Qin Hailu, the little swallow she plays is smart, loyal, cheerful and has no scheming, so she is the most popular among the audience.

In addition, other actors also benefited a lot.

For example, Zhang Tielin, who played the role of the emperor, was popular in the 1980s and even went to Hong Kong to film movies, but he was never popular and could only play small supporting roles.

Over the years, his popularity has gradually declined, and he has almost disappeared. But now this movie "Huan Zhu Ge Ge" has directly made his popularity soar, and he has become a popular star again.

Zhu Lin, who plays the role of the concubine, has lost a lot of popularity because he didn't do much filming in the past two years. Although he is still well-known, he is no longer popular.

This "Huan Zhuge Ge" has made her famous again. But for her, it doesn't matter whether she is popular or not.

After all, she has tasted the taste of being famous, which makes her no longer obsessed with false fame. Nowadays, when she has a movie, she shoots it, and when she doesn't, she lives a small life at home. She has no worries about food and clothing, and lives a comfortable life, which is actually very good.

…

After "Huan Zhu Ge Ge", "Legend of Liulichang" directed by Ouyang Fenqiang and Zhang Guoli was launched in CCTV's Feitian Theater.

This TV series also achieved good ratings.

First of all, the script is solid, the story is compact and tortuous, the plot has ups and downs, and the characters are vivid and vivid. The acting skills of Feng Yuanzheng, Xing Minshan, Zhang Guoli, Wu Yue, etc. are also solid, so the quality of the series is very high and it is naturally popular.

In the late 1990s, the craze for collecting antiques gradually emerged. "Legend of Liulichang" is about antiques and cultural relics, and it closely follows the current hot spots, so it is naturally attractive.

Therefore, this TV series received good ratings and allowed Ouyang Fenqiang to truly establish himself in the directing world.

…

It's a good start in 1997, and good things come in pairs. For Kirin Pictures, it's certainly worth celebrating.

Three years after its establishment, it has achieved remarkable results, giving Xiang Nan the confidence to recruit more troops.

He plans to expand the scale, hire another group of directors, and sign a group of actors to increase production.

It is best to make five or six movies and a dozen TV series a year. Only in this way can we capture the maximum profit.

Recruiting people is not an easy task for others. After all, you know people well but don’t know their hearts. Some people just have beautiful resumes, but in fact they are useless as soon as they are used.

For example, those outdated directors from Hong Kong and Taiwan, if you look at their previous resumes, they are all gorgeous. They have all produced smash hits and hugely influential works. But if you ask them to film, most of them will be rubbish.

Can't sell at the box office.

But for Xiang Nan, hiring people is much easier.

Which director is more capable and which actor has greater potential is unclear to others, but he understands it very well.

Therefore, he is always sure when he takes action.

Successively, Kang Honglei ("Soldier Assault", "My Commander My Regiment", "The Passionate Years"), Kong Sheng ("Crossing Guandong", "Dajiang Dahe", "Parental Love"), Mao Weining ("The Silent Oath")

", "Plum Blossom Files", "Ordinary World"), Gao Xixi ("The Sky of History", "Happiness Like a Flower", "Sweet Honey") and other well-known directors gathered together.

As for actors, he has signed Xu Zheng, Sun Honglei, Huang Xiaoming, Yu Hewei, Huang Zhizhong, Zhang Jiayi, Liu Ye, Duan Yihong, etc.

These are the top artists in the mainland film and television drama industry in the next 20 to 30 years, and they are worth cultivating.

As for female stars, Xiang Nan didn't sign too many, only Jiang Qinqin, Qin Hailu, Zhang Ziyi, Jiang Wenli, Zhu Yuanyuan and a few others.

On the one hand, unlike male stars, the shelf life of female stars is generally shorter.

Actors like Yu Hewei, Zhang Jiayi, and Huang Zhizhong can still play leading roles in their fifties, and they can still act in romantic dramas in their forties and fifties, starring opposite young actresses who are twenty or thirty years their junior without any embarrassment.

But once an actress reaches the age of thirty-five, she basically has to take two paths. Either she quits the industry, gets married, and returns to her family. Or she gives up her position and becomes a supporting actor. This phenomenon is very common in Hollywood.

On the one hand, most of the highlights of female stars were after 2010. Because with the rise of the Internet at that time, the audience's attention began to be scattered and no longer attached to a TV screen.

The only loyal viewers of TV were the old people and girls who loved to follow dramas. So anti-war dramas and dramas with female protagonists began to become popular. It was only then that the value of female stars began to be reflected.

Nowadays, TV dramas generally feature male protagonists. That’s why Xiang Nan focuses on signing male stars.

…

After signing the director and actors, Xiang Nan immediately began to distribute the script and prepare for filming.

The one given to Kang Honglei was "Years of Burning Passion", the one given to Kong Sheng was also a Republic of China drama "Qianmenlouzi Jiuzhangjiu", the one given to Mao Weining was the "Silence of Oath", and the one given to Gao Xixi was a suspense drama

"Flowers Are Not Flowers", for Ouyang Fenqiang is the youth drama "Surrender to the Innocent Girl", for Zhang Guoli is the "Kangxi Private Interview", for Zhao Baogang is the "Never Rest in Peace"...

Some of these scripts were written by Xiang Nan himself, and some were collected by him from outside.

Now, with the reform of the film and television industry, it has opened its arms to private capital, and a large amount of capital has poured into the market, making the film and television market more and more prosperous, and naturally attracting more and more talents to join.

Among them, there are many such as Zou Jingzhi, Shi Zhongshan ("The Military Song is Loud", "Happiness is Like a Flower"), and commentaries ("The Sun Also Rises", "If You Have Something to Say", "The Japs Are Coming")

Talent.

Most of them were writers before, writing poetry, novels, and essays. Later, as the book market slumped and the film and television drama market boomed, they also began to transition to writing scripts.

Because they have skills, talent, and life, the scripts they write are of good quality.

Of course, there are also many who are fooling people. After all, no matter which industry, as long as there is money to be made and there are bargains to be found, there will inevitably be people who fish in troubled waters.

Fortunately, Xiang Nan's eyes are not in vain. He can still tell which script is good and which script is bad. Therefore, the scripts he can like are basically good scripts.

No matter how bad things are, Xiang Nan still holds a lot of IPs in his hands. Kirin Pictures can survive by just relying on itself.

…
Chapter completed!