The Hengdian streets, landmarks, bright lights under the night, hawkers selling maps on the street, and littered warblers who solicit business on the street... With the brisk music created by Akun, these pictures immediately brought the audience in the cinema into the real Hengdian nightlife.

"cool!"

Ye Lin sighed lightly, her eyes shining, full of yearning.

For a white-collar worker like her who sits in the office every day and is used to living at the two points and one line of home and company, this urban scenery that is very different from Nanyang is very attractive. In particular, the director's rhythm is well grasped and does not procrastinate. Just a few shots outline the social outlook of Hengdian from large to small.

The music gradually faded, and the alarm sounded, and the picture turned to a pair of thighs. It was plump and slender, and the light was just right. It was a bit slutty, extremely textured, and looked very beautiful.

Kang Junan did have a way of photographing women. He easily discovered Zhu Qian’s biggest advantage - beautiful legs, and used his lens to amplify this beauty, which was breathtaking. After seeing it, Duan also adopted his plan and decided not to show his face, starting from the legs, showing the character of Qi Wei, and having a prestigious effect.

It seems that the effect is good now - many men in the cinema have their eyes straightened.

Next, the heroine Qi Wei officially made a debut.

She found that the landlord was urging the rent downstairs, so she quickly went back to the room and took out a box from the toilet tank to pay the rent, but found that there was only one piece of money left in the box. In the end, she had to climb out of the window and climb down the stairs on the exterior wall.

In just a few short shots, there is no line, but it has already shown that the heroine's wild charm is completely different from the strong, gentle and kind traditional women in previous romance films.

Then the camera moved with Qi Wei and came to the bar.

Qi Wei found her roommate Wang Ning in the bar and confirmed that Wang Ning took all the money in the toilet tank, and had already bought all the money, so she would not come back. After Qi Wei got angry, she had no choice but to leave the bar with Wang Ning.

As soon as he left the bar, Wang Ning started arguing with another woman in exposed clothes.

"...Qi Wei and I work here. We have served many big stars. We are old-fashioned. This is our territory, all the way there, it's all. You'd better leave here..."

Ye Lin frowned.

From Qi Wei's appearance just now to now, she always feels something is wrong. Now, listening to Wang Ning's words on the screen, she feels something is even more wrong, and she has some guesses in her heart.

Wang Ning drove away the woman in exposed clothes, chatted with Qi Wei for a few words, a convertible came from a distance, and the passengers in the passenger passenger whistled at them and shouted "Girls!"

Wang Ning, who was already listless, suddenly became energetic and responded enthusiastically while stroking his hand on the street.

As the car approached, the man in the passenger seat continued to shout: "Today is my birthday, how about free service!"

Wang Ning compared the middle finger, "Dream!"

The car passed by.

Wow!

It seemed like a small plane was passing by low above Hall 1, and there was a buzzing sound in the hall.

The heroine looks like a prostitute? Most of the audience didn't expect this setting to be so shocked.

The director is really brave. He dared to set the heroine as a prostitute when filming a romantic movie. Isn’t he afraid that the audience can’t stand it, so he just left the scene and refused to watch it or refused to buy tickets at all? In fact, someone already wants to leave the scene. This is the man in his thirties sitting on Ye Lin’s left hand.

His traditional concept made him unable to accept that the heroine of a movie was a prostitute, so his butt had left his seat and left directly.

Some other people also wanted to leave, but they were not as decisive as this person. At the same time, because they bought all the tickets, they continued to watch them in a mood of not being able to read them for nothing, but there was always a thorn in their hearts.

Of course, there is another person who performs completely differently, like Ye Lin - she is now staring at the screen with her eyes glowing, whispering to herself: "It's interesting..."

There are also films where prostitutes are used as heroines, but this kind of subject is generally heavy and is only suitable for filming some black dramas to discuss social and human nature issues. She has never seen anyone use this character setting to film urban love light comedy.

This director is too brave.

However, it has to be said that the director Duane is not just "lucky" as the media said - from the opening to the present picture, this director has a good level. Whether it is day or night, the light on the screen is very good, the picture is full of vitality, texture, and the rhythm is relaxed and orderly. The whole story is told without any rush or slowness, without any trace of fireworks or deliberateness, and the taste is very positive.

But Ye Lin soon had no time to think about these technical things.

During the chat between Qi Wei and Wang Ning, Fang Bolun drove his subordinate's sports car by, but he turned off the engine because he was not familiar with the sports car and stopped on the side of the road. Seeing this scene, Wang Ning encouraged Qi Wei to come forward and make a fortune. Qi Wei took off his coat amid Wang Ning's exaggerated slogans "Go" and "Come on", slowly walked to Fang Bolun's car, bent down and asked Fang Bolun inside, "Dear, are you looking for someone to date?"

Fang Bolun was not interested in her, so he only asked how to go to the hotel he stayed at, but Qi Wei asked for twenty yuan to ask for travel expenses. Fang Bolun had no choice but to agree, but the smallest denomination in his wallet was only fifty yuan, not twenty yuan change. Qi Wei squeezed into the passenger seat and snatched the fifty yuan, saying that he could take him there in person at fifty yuan.

On the road, Zewei talked about the performance of the car to Fang Buren. In the end, Fang Buren asked her to drive, showing her driving skills that far exceed Fang Buren. Looking at all the film and television clips involving driving, they were all routinely men driving, while women were in the co-pilot, but the reverse happened here.

This scene made the audience in the theater feel fresh again.

Fang Bolun, sitting in the passenger seat, tidied up his coat and asked casually when he had nothing to do: "How much is the price for a girl like you these days?"

Qi Wei turned her head and looked at him, "No less than three hundred yuan."

Fang Buren paused when he tidied up his coat, looked at Qi Wei's side face, "Three hundred in one night?"

"One hour."

"One hour?" Fang Buren began to mock: "You earn three hundred yuan an hour, but you are wearing boots with pins? Are you kidding?"

Qi Wei's expression was very serious, "I never joke about money."

"I'm the same," Fang Buren glanced at Qi Wei again and mocked him again, "Three hundred yuan per hour, very firm."

As soon as he finished speaking, Qi Wei let go of the steering wheel with his right hand, stretched over, touched down his lower abdomen, stopped at a certain part, and grabbed it.

"Well...not strong enough, but very potential."

Fang Bolun first looked down at Qi Wei's hand holding a part of his body, then leaned his head against the back of the chair and looked at Qi Wei. The whole process was expressionless, with a slightly curled corner of his mouth, and he seemed to be smiling.

The director is great and the photographer is great. These two actors are even more powerful and their emotions are just right. So this kind of shot is not only not lustful at all? Emotional, but it is very interesting, which makes the audience in the cinema smile knowingly. The rejection of the heroine's prostitute seems not so strong.

After arriving at the hotel, Fang Buren was about to go in and Qi Wei was also about to go back.

It can be seen from the camera that Fang Buren hoped that she could stay, and Qi Wei wanted to stay, but neither of them spoke about this topic, but they just talked about something. Fang Buren was waiting for Qi Wei to speak on his own initiative.

He is the funder, the customer, and Qi Wei is the seller, and the customer is God, right? So Qi Wei should sell himself to him first, so that he will naturally accept her sales.

But Qi Wei didn't.

She just *******, walked to the bench beside her and waited alone for the bus.

Although there are no lines or narrations, Ye Lin understands the heart of the character Qi Wei through these scenes.

This is a new era prostitute with self-esteem and self-love.

The word prostitute has always been associated with bad words such as vulgarity, shamelessness, lack of chastity, moral corruption, etc., but Ye Lin looked at the picture in front of her and suddenly realized something: prostitutes are human beings, and if they are human beings, they have advantages and disadvantages, and prostitutes naturally have their advantages.

Just like Qi Wei in front of her - if it were the girls in the society who had cut their heads and wanted to marry into a wealthy family, they stood in her position, facing a diamond five like Fang Bolun who was obviously interested in him, they would have wanted to take off all of them and tied them up with a bow and take the initiative to send them to **** - a prostitute like her was waiting for her due to her ridiculous self-esteem.

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Chapter completed!