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"Art comes from proficiency..."

Looking at James Franco on the screen like a sculptor, carving bloody Nazi marks on the head of the Austrian male actor, Robert Downey Jr. couldn't help but shake his head. James Franco's performance in the film can only be said to be normal, far less outstanding than Nick Dunn in "The Lost Lover".

The two most outstanding characters in this film are the Nazi officers played by the Austrian male actor and the Soshana played by David Robbie's sister.

The former is obviously an old actor. With Murphy's training and guidance, it seems normal to perform well. But what is David Robbie's sister's name? Oh, Margot Robbie.

The biggest impression this girl gave him before was a vase, and she didn't have much acting skills. Unexpectedly, in Murphy's hands, the vase could also make the character radiate an touching charm.

Robert Downey Jr. put his hands on his chest and raised his chin, obviously thinking at the last moment before the end of the film.

In the whole film, the role of Margot Robbie is so outstanding. Perhaps she has played the role of the three fools Murphy said for several years, and her acting skills have improved somewhat, but more of it is the director's use of special scenes to portray the role, which almost completely covers up her own shortcomings in acting and temperament.

Looking back on all the plots I just watched, the most profound part of the portrayal of the theater female boss Soshana is the few minutes of being alone with the German combat hero Sergeant York in the screening room. York shot and killed more than 300 Allied soldiers and was highly respected in Germany. Hitler even attended the premiere of the movie he starred in.

Everyone was proud of him, but he felt uneasy when he watched himself who was constantly killing on the screen, so he came to the screening room alone to find the Soshana he liked, but was shot from behind by her.

When Soshana looked at York lying on the ground, the music was no longer as light and humorous as before the film, but turned into a sad and sad melody. When York moved, Soshana knew that he was not dead yet, and even felt a little reluctant and expectant.

However, just as she leaned over to touch him, York suddenly turned around and shot her continuously.

She fired three shots at him, and before he died, he had to make up for the fourth shot.

Robert Downey Jr. originally thought that Murphy wanted to portray the German sergeant as a murderer who had not yet become an incomplete conscience in order to produce a reflection effect. It was not until this time that he discovered that Murphy was a director full of black thoughts after all, and making the audience sympathize with the German sergeant was just a misunderstanding.

This Nazi sniper was finally proud of the social status and honor brought by the massacre he had done. He still respects himself more than respects others. He is still just an ordinary secular man, a Nazi who kills wildly and has not obtained the true meaning of love.

The Asian assistant in Soshana's theater obeys everything about Soshana and is even willing to give her life.

People who seem humble may have a nobler soul.

In addition, Robert Downey Jr. can also see a lot of Murphy's evil tastes, such as fate is always elusive and sometimes a bit ironic. Soshana, who once escaped from the guns of the Nazis and finally had the opportunity to die with all the German senior executives when she grew up, died at the hands of the most famous sniper in Germany and was also a man who pursued her. At this time, the murderer who killed her family had reached an agreement with the US military and surrendered and turned into a double-faced spy.

The role of Colonel Hans Landa, who is known as "Jewish Hunter", is obviously more outstanding than the role of Aldo, a bastard played by James Franco.

Even Robert Downey Jr. had to admire that this Austrian actor named Christopher Walz showed people his acting talent with a large number of dialogues and expressions, portraying a cunning, insidious, ruthless and scheming character to a deep impression. I believe that after everyone watched the movie, his deep hatred of "Jewish Hunter" will leave a deep impression on him than Aldo's bravery and decisiveness.

But no matter what, "Inglorious Bastard" looks different from Murphy's past films in the typical Murphy style of killing, violence and blood. The most typical one is that it combines many black humors rooted in the background of World War II. These humors are taken out separately, as boring as Murphy telling jokes, but in the plot and background of the whole film, people can't help but want to be intoxicated by Murphy's rhythm.

At the same time, in the two rows in front of Robert Downey Jr., Margot Robbie, in a white shaping suit, had bright eyes. This was the first time she saw a film. Although she only saw it once, she didn't know what others thought, but she knew that her role was very outstanding, and the film where the character was even more outstanding!

When she came to Los Angeles, she was especially often with Gal Gadot. Margot Robbie could see her own shortcomings. In addition to the wildness and beautiful and sexy appearance of the Australian grassland buried deep in her heart, she was simply an empty shell without a core, which is the kind of character that Hollywood is usually called a vase.

With Gal Gadot, an equally beautiful friend, as a comparison, Margot Robbie certainly doesn't want to just make vases. She has been enriching herself and making her inner self as outstanding as her appearance, so that she can achieve the unspeakable goal...

Therefore, she has never let go of learning and training in recent years. The film "Inglorious Bastard" is the best test of her acting skills. As early as the dubbing stage, she has received praise from director Murphy and James Franko and others. Almost everyone believes that her current acting skills have improved a lot compared to when she played Sanshi.

In addition to acting, Margot Robbie is also reading various movie-related books. Recently, he read books like movies and philosophy, which were foggy and fog caused by those philosophies. When he just watched this video, he unconsciously got it into it.

Perhaps because he was too influenced by the books he read recently, Margot Robbie believes that his biggest discovery is that Murphy also gave this film unique philosophical thinking in addition to those eye-catching black elements.

"Even if you have a series of major philosophical issues such as the meaning, purpose and direction of life, even if you admit that life is boring, boring, trivial and vulgar, you are willing to live a regular life." Margot Robbie murmured to himself, "After all, metaphysical philosophy is one thing, and life is another."

So, when she was watching "Inglorious Bastard", she couldn't help but want to applaud her! In such a world where rules, lack of goodness and inspiration disappear, the audience was all like a decent person, trembling, cautious and humble.

At this time, when a clever and quick-witted bastard appears before you with a demeanor of despising God, what else can you do except be amazed and admired? You will definitely be deeply impressed.

"When it comes to shamelessness, this is also a state of mind." Margot Robbie whispered again.

Of course, she did not say that the shamelessness that was abandoned by the basic human nature was definitely wrong. The shamelessness she said was a compliment, a great compliment. This is also a great wisdom and foolish attitude after the world is understood.

She also wants to say that sometimes shamelessness also requires courage. After all, you are not fighting with one person, you are fighting with one group, one concept, and one tradition.

Just like the debate competition I participated in when I was studying, when her thinking logic was led by someone, she was destined to be in a passive position.

Listening to the Nazi Colonel's tragic howl, Margot Robbie felt that he understood a truth: If you are attacked by the devil and you use the devil's rules to fight back, you will only lose and lose.

So, it is a great pleasure to achieve a daydream of an ingravated bastard in a movie, right?

Quentin Tarantino came in after the film started screening due to physical reasons. After watching it for only the first ten minutes, he almost couldn't help but go over and Jet Murphy with a saliva. This was not the bastard movie he had conceived, but it turned into a template movie that Spielberg had been doing for decades!

But the audience around them were focused and watched with relish. It seemed that these black killing plots that existed just to attract people's eyes had extremely magnetic properties, and sticking to their eyes made them unable to divert their attention.

Seeing this, Quentin could only sigh. Murphy Stanton was the latecomer and surpassed him to become a representative figure in Hollywood black films. The appearance and core he gave the film were dark enough, and he knew how to impress more audiences.

A director did not close the door and admired himself, but wanted to let more viewers see it.

"From this perspective..." Quentin shook his head, "I'm not as good as Murphy Stanton."

As the film progressed, he was glad that he did not run over and quit Murphy and left again, because in addition to attracting the audience's attention, this film was no less than what he originally conceived. Even though Murphy Stanton did not use the chapter and eliminated the chattering scene he specifically emphasized in the script outline, it made it almost without any Quentin-like style, and he was still impressed.

Quentin Tarantino himself is a "bastard" and a cute "bastard". If someone says he is a master among film directors and doesn't even recognize him, the title of master is not suitable for him, it is not that he is not worthy, but that the title describes him inaccurately. To be precise, he is a unique movie monster!

His movies are never elegant, even the classic "Pulp Novels" and "Dogs in the Water".

He is a movie player, and he has always faithfully infused his whimsical thoughts and maverick behaviors, including some evil things that are rejected by some people, into his movies.

But when the subtitles fell, Quentin discovered that Murphy Stanton's "Inglorious Bastard" is skillfully included in it.
Chapter completed!