Please give me a monthly ticket and a recommendation ticket

As soon as he returned to Paris, Murphy re-entered the filming of "Inglorious Bastard". James Franko also came here and participated in it. The role of Lieutenant Aldo is undoubtedly an extremely important role in the film.

For the Nazis, Lieutenant Aldo can be said to be a bastard among assholes.

"I am Lieutenant Aldo Reiner!"

Under the dark-toned airport set, James Franco stood in front of a team aimed at the main camera lens. The seriousness and solemnity plus the terrifying scars on his neck made the whole person look extremely imposing, "I want to build a ranger, I need eight people! Eight Jewish Americans!"

Although there are eight actors on the set, this is a one-man show for James Franco. "You may have heard that the Allies are preparing for a counterattack, but we have to set out early."

He kept walking in front of a team of people, "We are going to be airdropped to France, disguised as civilians, and when we enter the enemy-occupied area, as guerrillas, we have to do one thing and only one thing!"

James Franco turned his head, looked at the main camera lens, and gritted his teeth and said, "Kill the Nazis!"

"I don't know you all, but you were transported by the military from American prisons to British airports, through thousands of miles of waters, across the entire Atlantic Ocean, and parachuted down from planes, not to explain human nature to the Nazis. The Nazis have no human nature. They were anti-Semitic massacre soldiers. What they needed was death, so any bastard in Nazi uniforms we saw would die."

He paused for a few seconds, and waited for the main camera to switch to close-up, and continued, "I am the direct descendant of Jim Bridger, which means I have Indian ancestry, our battle plan is like the Indian resistance, we are cruel and ruthless to the Germans, they will see our cruelty, they will see our cruel evidence, the deformed enemy bodies we left behind, the Germans will be unable to help but imagine how cruel we treat their comrades, imagine our boots and knives, the Germans will tremble for us, the talks will change, and they will be afraid of us, and when the Germans close their eyes at night, they will be tortured for the sins they committed..."

James Franco said with a serious expression at the end: "Working under my hands means owing debts and owing me personal debts. Every person under my hands owes me 100 Nazi scalp. I want my scalp. You all have to give me 100 scalp from the Nazi corpse. If you don't have enough, keep looking for it."

"Stop." Murphy stood up from behind the director's monitor, "This one has passed."

He gave James Franco a thumbs up, "Good job, Jim! Stay good."

James Franco smiled at him, took the water cup handed by his assistant and walked towards the rest area.

Murphy turned his head and said to the assistant director behind him: "Notify the transition. Let Christopher Walz and Margot Robbie prepare."

He took the lead in bypassing the airport's set and walked towards the opposite side. The set there had been arranged into an old-fashioned French restaurant. Many staff members of the crew were doing the final preparations, and an associate director was directing numerous extras to take their seats to serve as qualified background paintings during shooting.

"David!" Murphy snapped his fingers at David Robbie who was following him, "The lights are brighter, so there is no need to be too dark here."

He looked at the background of the seats of the two characters for a while, and said to Helena Espora, "Removing the bookshelf, Colonel Hans' background color should be magnificent."

Helena Espora nodded, "I'll do it now."

Murphy explained to Felix Raschel a few things to note when shooting. The two absolute protagonists of this scene, Christopher Walz and Margot Robbie, walked into the studio one after another.

Seeing them, Murphy said to Jack Watson who came out behind the two actors, "Okay, it's done very well!"

Then he told the two actors, "Chris, Maggie, don't mess up your current look, I want this feeling."

Christopher Walz gestured carefully, "Don't worry."

Margot Robbie nodded at Murphy, "I will pay attention."

Murphy glanced at the two of them again, and it has to be said that after years of training, Jack Watson's styling level has risen sharply, and it is not an exaggeration to say that he is first-class in Hollywood.

The filming began soon, and Christopher Valz continued to perform his previous high-level acting skills.

He is not tall enough, his appearance is ordinary, and his slightly raised shovel-shaped chin does not meet the usual aesthetic standards, but he appears in the camera in the SS uniform, just like you meet an inconspicuous stranger at a dance party, and he invites you to dance a waltz. You find that his words are humorous and graceful, making you feel like you are bathed in spring breeze, and perhaps some ambiguous fantasies are still there. However, when the music stops, he bows deeply to you politely, hides in the darkness, and will show the vicious ruthlessness of a venomous snake.

In contrast, Margot Robbie's performance is still at the most basic stage of relying on appearance.

"Please first." Christopher Walz gestured down the pie on the table with a graceful look.

Margot Robbie opened her eyes wide, nodded her head gently, and in a very elegant and beautiful position, she picked up the knife and fork, cut off a piece of pie, and put it into her mouth.

Christopher Walz asked again, "How does it taste?"

"Very good." Margot Robbie acted quite relaxed and comfortable just like the character never knew Colonel Hans.

Looking at the screen in the monitor, Murphy shook his head, decided not to wait any longer, and shouted to stop, "cut!"

As his shouting stopped sounded, the crew immediately stopped operating.

Murphy waited for half a minute so that the two actors could leave the role, then walked into the set and stood opposite Margot Robbie.

Without anyone else's attention, Margot Robbie knew that he had made a mistake.

Although she met Murphy in her teenage years and had a good relationship, she still waited here obediently. A new actor like her could only listen to directors of Murphy's level.

"Maggie," Murphy looked at Christopher Walz, "what kind of person is he in the film?"

"Butchman! Executioner!" Margot Robbie said without hesitation, "Jewish Hound! The famous murderous devil!"

"What would a normal girl react to seeing such a person?" Murphy asked again.

Margot Robbie immediately understood, "Nervous, afraid, pretending to be calm..."

Murphy nodded, said nothing, walked out of the set, and ordered, "Shooting in ten minutes!"

Perhaps Christopher Walz was so outstanding that Margot Robbie looked extremely young and the shooting was not going smoothly. Each one was completed in a bumpy and bumpy manner. This seemingly simple dialogue scene was completed for the crew for three and a half days.

This was a full day and a half more than Murphy planned.

Fortunately, the film will not be released until the end of the year, and there is no need for particularly complicated digital special effects processing in the later stage. Murphy has plenty of time left, and he has enough time to shoot his ideal shots.

During the shooting interval, in line with the promotional needs of 20th Century Fox, the crew members will also accept media interviews in a timely manner.

After the scenes in the banquet hall were filmed, Christopher Walz and Margot Robbie attended the latest external briefing with the crew's spokesperson.

"I am obsessed with Murphy's movie scripts, really. He is a genius. I am willing to devote myself and unconditionally to his movies."

Faced with the reporter's question about working with Murphy, Christopher Walz said directly, "Murphy is a pure director, and every nerve fiber is serving his directorial identity."

Of course, the reporter would not let go of the young, sexy and beautiful Margot Robbie. Compared to Christopher Valz, Margot Robbie's answer started from the perspective of the actors.

"Murphy is the kind of collaborator whom the actor dreams of." Her smile looked extremely charming. "He never directed the actors randomly, asked the actors to do what they did, but guided them appropriately, and let the actors understand and play them. Perhaps it is this kind of laissez-faire that allows an actor to burst out all the energy they have accumulated."

Since most of the reporters come from the media under News Corp and 20th Century Fox, the questions asked were relatively restrained. Christopher Walz and Margot Robbie were basically not troubled, and the news conference was successfully completed.

Leaving the press room, Christopher Walz and Margot Robbie walked towards the makeup trailer together.

"Miss Robbie, are you a Jew?"

During the filming, the two did not have much contact except work, and Christopher Walz did not know much about Margot Robbie, "My son is a devout Jew."

Margot Robbie glanced at Christopher Walz, didn't quite understand what he meant, and said politely, "I'm not a Jew, nor do I believe in Judaism. I'm an Australian, and I believe in Catholicism."

Christopher Walz looked very graceful, "I took the liberty."

He thought the director would find a Jewish or Judaistic actress to play Sosanna, but now it seems that he is completely wrong.

Margot Robbie could also see that Christopher Valz had no other intentions, and smiled politely at him and walked into his makeup trailer.

She knew that there were some gossips about herself in the crew, which was actually normal. After all, her relationship with the director and David Robbie was not a secret, and she would naturally be envied by some people when she got this role.

But who cares about them? Only losers will spread those boring things jealously.

Margot Robbie knew very well that all he needed to do was to play well, seize this rare opportunity, and make his role more outstanding!

At least, Gal Gadot, who introduced her to the crew for audition, should not be embarrassing.
Chapter completed!