"Starting with revealing Natalie Portman, the truth of the world we have gradually discovered over the years!"

Whether it is traditional media or the Internet, Natalie Portman has briefly become the center of media focus. Similar news emerges one after another. Not to mention the mainstream media that have obtained tangible evidence, even the tabloids previously divided into two factions have unified the front and planned to flood Natalie Portman with overwhelming saliva.

Indeed, Natalie Portman is a Jewish and has some influence in her mother's clan, but with the promotion of Twentieth Century Fox and Caa, coupled with the tangible video evidence in Murphy's hands, she could not be whitewashed at all.

After all, she is an ordinary Jew after all. The media has neither the obligation nor the mood to help her whitewash her.

"In order to get the heroine of Murphy Stanton's new film, Natalie Portman did not hesitate to seduce the director..."

There are also many such news. Murphy is not only about counterattacks, but also about publicity. Under the clever guidance of those who are interested, his new film "G", like Natalie Portman, has also become the focus of media attention.

The public is also curious about what kind of film this "G" is, which not only attracts the dignified Queen Padme Amidala, but also allows her to leave all her shame and take the initiative to offer blo.job for Murphy Stanton...

Of course, there are also Jewish bigwigs in the circle who expressed their dissatisfaction to Murphy through the Caa channel.

After venting anger for himself and Gal Gadot, Murphy communicated with Bill Rossis and Cara Fais. The media they contacted did not stay on Natalie Portman for too long, but instead linked the scandal to the new film, which made people curious.

Even so, Natalie Portman's reputation was greatly affected.

"what do I do?"

It was still in that suite, Natalie Portman was already in a state of silence, "Martin, what should I do?"

"Don't show up, don't speak, don't respond." Martin Miller said lightly, "Wait for this matter to pass quietly."

Natalie Portman said anxiously, "Then I can't take a job for a long time?"

Martin Miller nodded, "Don't appear in the public eye for at least half a year."

"Then my career..." Her pair of thick eyebrows twisted into embarrassing characters, "Our Oscar plan..."

"Only delay!" Martin Miller did not hesitate at all. "Now a brief disappearance is the best choice."

Natalie Portman was silent. As long as she could calm down, her mind was still relatively clear. Now, not to mention the media, even her fans have been lost on a large scale. Almost all the insults on the blog were verbal. The messages she wrote were extremely unpleasant. She didn't even want to read them, and even wanted to close the blog directly.

It is the best choice to dilute this matter with time. Natalie Portman knew this, stood up and breathed a long sigh, and said, "Martin, help me contact the school in Jerusalem. I want to go back to Israel to study."

"A very smart choice." Martin Miller praised.

Natalie Portman squeezed out an ugly smile, which can not only avoid the right and wrong centers of Los Angeles and Hollywood, but also use this method to prove his importance to Jewish identity without any trace, thereby winning back the favor of some bigwigs in the circle...

She walked to the window and looked at the Century City, and the Death Star Building was vaguely visible.

"Murphy Stanton!" The name was squeezed out from her mouth.

After the press conference, Murphy stopped inquiring about this matter and left it to the two agents Bill Roses and Grace, and returned to his job.

As the wind direction changed, Charlize Theron responded immediately. Her agent called and asked to sign a contract with the crew as soon as possible so that Charlize Theron herself could join the crew as soon as possible and prepare for the role of Amy.

There was no press conference, no publicity and hype, and no signing ceremony. For the needs of post-promotion, the two parties quietly signed an actor contract in Murphy's office.

"Welcome to the crew."

Under the witness of representatives of the Actors Union and lawyers, the two parties signed a formal contract. Murphy stood up and stretched out his hand, "I finally waited for the heroine I like."

"It's my honor to work with you, Murphy." Charlize Theron held his hand hard, "I'm glad I'm able to join a great team."

The signing was officially completed, and the rest were all the work of lawyers and agents. Charlize Theron showed a bright smile, "Can you take me everywhere? I also want to meet the people in the crew sooner."

She knew that previous hesitation would definitely leave some bad impression on director Murphy, to a greater or lesser extent. Murphy was not just a puppet responsible for shooting the camera like most Hollywood directors, but a director who was truly in power and it was very necessary to establish a good relationship with him.

Although he is an Oscar winner, Charlize Theron is not confused. The other party has the full support of 20th Century Fox and cannot be regarded as an ordinary young director at all.

In Hollywood crews, unless the director can be bullied, it is better to have a good relationship.

"Let's go." Murphy led the way, walked out of the office, and waited for Charlize Theron to follow, and said, "I'll take you to meet other starring actors, as well as members of my filming team."

After Charlize Theron signed the actor contract, all the main actors of the crew of "The Lost Love" were confirmed.

He took Charlize Theron to walk around the set, and finally came to the actor's rehearsal place, met James Franco and Amanda Seyfried, who played Nick Dunn's lover, and gave a brief introduction to both sides. He accompanied Charlize Theron to watch the rehearsal.

Murphy pointed to the short hair that Charlize Theron had been wearing when he last met, and said, "You need to wear a wig when shooting."

"No problem." Charlize Theron nodded first, and then said with a little doubt, "Will the close-up be in trouble?"

“In post-production, the special effects team will make all your wig lines.” Murphy is not worried at all, “digital technology will make you perfect.”

Due to the plot and special editing, the heroine Amy's appearance must be liked by the audience. Now Charlize Theron has short hair with a hard style, so Murphy asked someone to prepare her a long wig. In the future, almost all the wig lines in her shots will be modified using post-production special effects technology. Wig technology has not improved much since the Shakespeare era. In this movie, Murphy did not think of any good method, but fortunately there is digital post-production technology.

After James Franco and Amanda Seyfried's rehearsal came to an end, Murphy handed over Charlize Theron to James Franco and continued to work hard.

Murphy has put the troubles aside from the outside world, and even the collaboration of "Saw 3" was completely left to Bill Roses to take charge. The outline of the first episode of "Game of Thrones" written by two screenwriters hired by George Martin and Stanton Studios was temporarily pushed aside by him. All of this is to concentrate on preparing for "The Lost Lover".

Murphy would not throw the crew to the assistant director or producer, and no successful director would do this. From props to scene arrangement to selection of locations, he needed to inquire about everything. Although the specific process does not need to be done, he would definitely be responsible for the final review.

Also, some scenes in the script need to be polished. After all, this is not a pure romance film. Since it has a strong suspense color, the fewer the bugs, the better.

No matter how hard you try, it is impossible to completely eliminate bugs, but it is better not to try to avoid fatal bugs that affect logic.

For example, when Amy was imprisoned by the rich ex-boyfriend, Murphy added a little more dialogue. The rich ex-boyfriend would tell Amy when she first entered the mansion that the surveillance system here had just been activated and there was no surveillance camera in private environments such as bathrooms and bedrooms.

Some things can be explained through dialogue, thereby reducing the audience's confusion or doubt.

Murphy repeatedly considered many of the dialogues in the film, and also asked Seth Logan and Jonah Hill to find loopholes and places that could be improved, and also listened to the suggestions of the star actors who started rehearsing.

The dialogue in this video can be said to be very, very important.

Murphy is very clear that dialogue is the most obvious element in the movie, because when the dialogue unfolds, the viewer's attention is all focused on it. The most fundamental role of dialogue is to promote the plot and explain the characters in the movie.

A creative explanatory dialogue like this also has a big problem. It is difficult to write lines that can make the audience agree and convince them. The core problem is that in the real world, two people with some kind of relationship will not explain to each other what they know together.

So often, it is much more effective to pass information to an outsider in a video than to have the character repeat the information he has known.

A word of a carefully polished character can reflect their own characteristics to the viewer, but Murphy also knows that movie dialogues and chats are different: in real life, the conversations in chat are casual. So what he needs is not chatting in reality, but concise but undistorted dialogue.

Ultimately, the quality of dialogue is determined by the characters in the play, which is why it is so important to show the characters from dialogue. If the character has been carefully polished, then what they say must be reasonable.
Chapter completed!