As a director, Murphy certainly could not leave the entire crew alone and run to have fun with Gal Gadot. Not to mention other aspects, the representative of AIA's crew, who alone is probably going crazy, would call him, so that even if he gets alone with Gal Gadot, he would be harassed and annoyed.

So, he chose to continue working. As soon as the filming ended in the afternoon, he threw the crew to Seth Logan and Paul Wilson, and took Gal Gadot back to the hotel directly.

Murphy and Gal Gadot are in love and haven't met for nearly a month. After falling in love, there is only one result.

In the hotel suite, Gal Gadot lay on the soft carpet, and Murphy pressed on her back from behind. Because the two of them had already had an extremely intense car shock in the hotel's underground garage. Their movements are very gentle now. From time to time, he would whisper a few words in Gal Gadot's ear and say a few touching love words.

"Dear..." Gal Gadot supported himself, turned his head and kissed Murphy with a passionate kiss, panting, "This...this is not satisfying..."

Perhaps because she had read Murphy's script, she adjusted her breathing and said, "Like... like... like Master Yoda riding Luke Skywalker riding me! Plea color! Like Master Yoda riding Luke Skywalker riding me!"

"I will," Murphy put his arms around Gal Gadot's shoulder and pulled her up. "I will ride you all night like Master Yoda riding Luke Skywalker!"

Gal Gadot straightened up, and stood on the carpet with the strength of Murphy holding his shoulders. He quickly entered a state of excitement and shouted, "No! No! I don't want it all night! I want it all year!"

"Happy to serve." Murphy accelerated the frequency of his movements, "My goddess."

It was unrealistic for a year, and it was impossible for a night. After sending Gal Gadot to the clouds again, Murphy also felt tired and hugged Gal Gadot to take a shower in the bathroom. The two of them put on big bath towels, held red wine and two cups, sat on the balcony of the suite, enjoying the night view of Sydney while expressing their longing.

At noon, the two of them didn't say much, so Murphy went to work. In the afternoon, they returned to the hotel and started a war directly, without much verbal communication.

Now it has begun to enter the summer of Sydney. It is very hot during the day and the sea breeze blows at night, but it is very cool. Looking from the balcony to the distance, you can see the brightly lit Sydney Lover Port.

"I dream of you every day."

Sitting in a high-backed rattan chair, Gal Gadot's feet were raised and placed on Murphy's legs opposite. The towel dropped from his waist, revealing two long, slender, fair and sexy legs, "But you never dreamed of me."

"Dear, you don't know..." Murphy's hands gently kneaded Gal Gadot's slender calves, and he wandered upwards from time to time. "I am busy and tired from work, and fall down every day and sleep like a dead pig."

Hearing Murphy's self-deprecating words, Gal Gadot couldn't help laughing, but then he curled his smile. This long separation brought her endless longing and insecurity that she had never had before.

Murphy's hand slipped to the upper half of the long legs, and rubbed it gently, saying, "Didn't you just feel how much I miss you?"

Gal Gadot raised his foot and deliberately pressed Murphy's lower abdomen, but said nothing.

Her family is closely related to Ivey Niwo, and knows that this circle is full of too many temptations.

However, Gal Gadot is a smart man after all. He did not talk about such a topic directly, but instead muttered indirectly, "Who knows how long this feeling can last?"

In fact, she could feel that Murphy had an almost crazy obsession with herself, which was why she felt insecurity.

Murphy leaned over and kissed Gal Gadot's delicate face, continued to wander on the long legs with his hands, and gently bit the pair of white ear beads, "They can fascinate me for ten years."

Gal Gadot curled his lips, but said, "You can talk."

"It's a little cold outside," Murphy picked up Gal Gadot's knee bend with one hand, put his hands on her shoulder, and picked her up, "Let's go back."

Today's work was not easy, and with the two battles after returning, Murphy was obviously tired. Not long after he returned to the bedroom, he closed his eyes and went to sleep.

Gal Gadot leaned against the head of the bed and heard Murphy's long and even breathing. He picked up the remote control, turned the temperature of the air conditioner a little, pulled over a blanket, and covered Murphy who was pillowing on his thighs.

Seeing that Murphy was still holding his legs even though he fell asleep, Gal Gadot couldn't help but shake his head and smiled. Murphy is like a child now, and only in front of him is he not the mature and resolute director who appears to the outside world.

While sleeping, Murphy had a dream. In the dream, a woman pinched a baby with mud and sand on the beach, prayed to the sky, and blessings came down from the sky. A gust of wind and thunder and lightning appeared. The baby made of mud and sand suddenly lived and made bursts of crying. In an instant, decades passed. He appeared on the island and met this baby girl, but the baby girl had grown up and looked like Gal Gadot.

She was wearing red and blue retro armor, under her extremely short blue war skirt, two slender, light and moving legs, and always bounced one by one when walking, which made him extremely fascinated.

Then, the two got together, he hid on the island, playing with these long legs year after year...

The obsession that penetrated into the bones made him forget everything.

However, after waking up, Murphy was still the sober Murphy, and she knew that she still had important work to do and still had a long way to go.

Since the work plan was full of schedule, in addition to taking a morning to go to Sydney Harbour where Gal Gadot was located, Murphy still had to take responsibility and work hard for the filming of "Deadpool".

Not to mention normal shooting, after getting off work on a normal working day, Murphy was also the latest group of people to leave the crew.

After finishing his daily shooting, he was planning how to complete all shooting in such a short time. In half an hour after get off work every day, he either decided on his work schedule or held meetings with other departments.

A director of a crew will never be idle. If you want to find a free job, don’t be a director.

Among them, Murphy devoted a lot of energy to shooting and producing action scenes between Steelers and Sand Angels, especially Steelers. The crew did a lot of preparations, such as the static dialogue scene with the Black Spider, which can also be filmed with a more relaxed perspective method, but the action scenes cannot be used.

Murphy and the production team needed to calculate and arrange the actions of Steelis. Considering that Steelis is more than 2 meters tall, it is much more difficult to put him and the Sand Angel in the same picture to shoot intense action scenes than to force perspective shooting.

Although the actor Krakow, who plays Steels, is already 193 cm tall, it is still a lot less than Steels' height. The action drama team plans to continue to use dual track shooting and switch back and forth according to the scene to simulate his height.

The battle of the Steelers is the most difficult point in shooting. The battle between a giant over 2 meters high and a woman over 1.7 meters high is very challenging.

Before shooting the final climax scene, the difficult battle between Steelers and Sand Angels, Murphy can first use a small duel between Deadpool and Steelers to let the team practice in the highway chase.

During the shooting, all vehicle chase scenes were completed in front of the green screen of Fox Studios, and Deadpool's opening battle scene was also filmed in the studio. Murphy used two studios of Fox Studios. In addition to one of them, a large studio with multiple scenes, the other small studio only built a highway bridge in front of the green screen.

The construction of this part takes a lot of time and costs, but compared to the cost of road-closed shooting, this shooting method is relatively cheap, otherwise Murphy would not have used it.

The total investment of the film is here, and Murphy must consider the reasonable arrangement of the scenes and shooting methods.

There are also scenes of Deadpool taking a taxi, which are all shot in the studio. The crew has already gone to Detroit to shoot all the background materials needed.

In order to use these materials, Murphy asked the props to set up 9 LED panels around the car. This setting is great. When shooting, you can use these lights to perfectly restore the subtle changes in light and shadow on the road. He also adjusted the lights based on the scenery materials in Detroit and used the changes in the road conditions to simulate the changes in the road conditions.

The entire shooting process was quite crazy. The crew had nearly 250 shots to shoot on the highway, so there were a lot of things to do every day. Murphy planned to complete the shooting of 200 shots in a week. This was a very difficult task. The crew didn't even have time to eat, let alone go out to play with friends at night.

The highway scene is definitely a highlight of the movie. Murphy attaches great importance to this scene, so the crew must find ways to do it perfectly.

Murphy's use of LED panels to create changes in light and shadow also helps the lens better integrate the background. The entire scene is shot with a digital camera. Since there is no time and suitable location and sufficient funds for outdoor shooting, the crew must use the background shot in Detroit and the foreground shot familiar with the shooting.

This order is also important because it is one of the few scenes in the movie with urban backgrounds.

Murphy and Helena Espo spent a lot of time designing the city where the story took place in the early days. At the beginning, it was a Gothic city combining Detroit and Sydney. The crew needed to find a balance between the highway between the city of Detroit and Sydney and the two cities. In order to make the world look real, they spent a lot of time on streets, highways, overpasses, buildings and textures.

Compared to Murphy, Gal Gadot, who came to Sydney, felt like he was doing nothing. After walking around Sydney for two rounds alone, he simply returned to the studio to work with Murphy.
Chapter completed!