A director has nothing more favored by investors than box office data. If he wants to enter the mainstream film industry, he can still get a certain amount of power, rather than being regarded as a puppet of shooting materials, he has to come up with enough convincing business data. Unlike what he said with Roger Albert at the time, Murphy really wants to go to the mainstream film industry, because only in this way can he become a top director in Hollywood.

"Sin City" has a great box office in North America for the first week, but movies like this style always face the dilemma of insufficient stamina. Moreover, the highly competitive North American summer season is coming soon. In the end, if you want to get a high enough box office, you must not relax in any promotional and marketing work.

Murphy was interviewed by Vanity Fair, mainly driven by Caa, and Miramax also participated in it.

Although this interview is more about promoting director Murphy, it is also beneficial to the film, and Miramax has never relaxed the full-scale promotion and marketing of the film.

Even so, after the start of the new week, the single-day box office of "Sin City" still experienced a plunge that all niche movies would face. Fortunately, the single-day box office fell by only 70% on Monday compared to last Sunday, and it still received $3.15 million.

Tuesday was a traditional theater discount day, and the high attendance rate slightly drove the box office, closing at $3.2 million that day.

This week, the film's weekday box office seemed to stabilize at over $3 million, and another $3.05 million was earned on Wednesday.

April ends here, with Thursday coming, May officially kicks off, which also marks the beginning of the North American summer season. The highly anticipated super production "X-Men 2" will also enter the North American film market with a fierce look of more than 3,000 early screenings on this day.

May 1st is International Labor Day. This festival originated in the United States is not the legal Labor Day in the United States. This day is not just the release day of "X-Men 2", but another thing has attracted the attention of many movie fans, especially elite fans.

A young director suddenly appeared on the cover of the latest issue of "Vanity Fair" released this day!

Murphy stood with his hands on his chest, staring at the distance with sharp eyes. Behind him, there were four men of different shapes!

On the side of the cover is a line of eye-catching big-character characters in Hollywood's new director Murphy Stanton and his Stanton party!

Just like all the cover characters of "Vanity Fair", after looking through the cover, the title page immediately describes and introduces the cover characters in a blockbuster text.

"There is a kind of person who is born to tell the world that even if God's creation is very unfair, he can still use his own hands and efforts to create a world! This is the kind of person that the young director Murphy Stanton, who is only twenty-three years old, is!"

"This young director who was born in the 1980s was born in a slum in Los Angeles. His parents were alcoholics and addicts. He died in a car accident and had not experienced a good education. He spent his whole youth lingering on the streets of Los Angeles, as if he was repeating an unbreakable cycle. Later, he entered prison because of injury. It seemed that his entire life trajectory had been demarcated."

"However, after he was released from prison, he realized his great enlightenment and decided to be a new person. He completed the learning of basic film knowledge and director skills through self-study. After participating in the production of a documentary, he resolutely took on the cameraman, devoted all his wealth, and became a film director."

"In 2001, a film noir called "Hard Fruit Candy" became Murphy Stanton's debut. In the next two years, he completed three masterpieces: "Saw", "Scary Planet" and "Sin City", and achieved success in each succession. It was praised by Hollywood as the number one new director since the new century!"

"He is worth every dollar the investor pays, and his return on investment is so high that it is far beyond everyone's imagination!" said Harvey Weinstein of Miramax."

"Murphy Stanton is not fighting alone in Hollywood. In addition to supporting Miramax Films, there are several good brothers."

"On the road to becoming a director, Murphy Stanton met Robert Downey Jr., James Franko, Seth Logan and Jonah Hill. These unpopular actors and directors have the same film ambitions as the directors, and have worked together on several works and become close friends."

"They centered on Murphy Stanton, formed gangs and supported each other, and participated in the same film with the attitude of "one hero and three gangs". This team battle has achieved outstanding results. Several of the films they collaborated to win high box offices at a smaller cost, and they also achieved their own film career."

"These people are closely surrounded by Murphy Stanton and are also named the "Stanton Party" by Miramax's Weinstein brothers."

"Murphy is very good in technology. He rarely shows off his skills in the picture, but occasionally there is a brilliant color. He uses the rhythm of storytelling to grab me in. Moreover, Murphy likes to let the protagonist be attracted by a black force, gradually accelerating like a vortex, and to climax. This is also very exciting. Now there are such a slight slight tilt and there are few people who have such a good rhythm. He is one of the top ones! Robert Downey Jr. met Murphy in prison and collaborated on two consecutive movies. His words are very representative!"

"Murphy is one of the most outstanding and ambitious directors. Every movie is a masterpiece. It's amazing! If I were asked to choose a director who always wanted to work with him, the answer would be Murphy! Because he is a real genius, unmatched in some aspects! James Franco never denies that it is because of Murphy that he can become a well-known actor step by step."

"Sese Logan from Canada has worked with Murphy three times. He told us in honest words: Murphy is incredible, he has an incredible balance ability, and his understanding of the image and lens energy is absolutely intimate. He is so smart that I don't think anything can stump him. If he gets the Oscar nomination for Best Director in the next few years, I will not be surprised at all."

"I think Murphy can definitely win next year's best director, Little Golden. "Sin City" is too good, but I know it's impossible because Oscars are not the same taste as me. This is what Jonah Hill said to us: "Saw" creates a horror myth that is of great significance to all participants. This film is unreplicable to a certain extent, and it is difficult for other horror films to achieve Murphy's height, because other horror directors do not have the genius thinking and ability of Murphy."

"The Stantons trusted and admired their leaders and brothers very much, and believed that following him would surely realize their dream of film."

"How did Murphy Stanton evaluate himself? When we asked this question, he replied: I am Murphy Stanton, an ordinary film director. I want to be as outstanding as my predecessor James Cameron and Steven Spielberg, and not only a director, but also a person with whimsical abilities."

"We think Murphy's style is to always make the audience look forward to the next moment, but not to stay at this moment. The latter is the most delightful."

Finally, there is a summary of the cover character descriptions by Vanity Fair.

"It is not difficult to see from my personal growth experience that there are two people in Murphy Stanton's soul. One is a wanderer in the white tower. He wants to find the direction of the future, but he will always face the flowers of sin poured out of the black blood. Inside, evil black wizards will crawl out, trying to drag him into the hell of desolation; the other is a brave and fearless knight. He climbed up from the bottom, overcoming all the obstacles and invincible, killing all the black wizards cleanly and neatly, and going further and further in the direction of success."

This is just the opening introduction of "Vanity Fair" to Murphy. Looking further, there is also a large documentary of Jennifer Mona's exclusive interview with him. Because Murphy performed well enough in the face of various problems, the exclusive interview did not make much changes.

Moreover, there are communication and reviews between Caa and Miramax, which ensures that this interview is basically true and does not describe something false inflated.

The appearance of this interview not only helped promote the ongoing "City of Sin", but also allowed Murphy to truly enter the sight of the elite.

Especially the audience of "Vanity Fair" is mostly well-known figures in Los Angeles and New York. These two cities are also the most concentrated places in the School of Film Arts and Sciences. The name of Murphy Stanton, who was relatively unfamiliar before, can leave some impression on them, and will undoubtedly have many benefits for Murphy's future.

Since Tina Brown became the editor-in-chief, Vanity Fair has completely escaped its previous dilemma and has an increasingly important influence in magazine-based paper media. Especially in recent years, a lot of content about entertainment gossip has been added and has begun to penetrate into every corner of society.

Many ordinary movie fans will choose to buy one when they see the cover character they like. On the way home, Daisy bought one.

When he returned home and saw Murphy's sharp eyes on the cover, Daisy felt that she could detect the perverted heart hidden under her eyes. She didn't even bother to eat, and lay on the sofa and looked through the Vanity Fair magazine.

From the introduction of the cover character on the title page to the interview with Jennifer Mona later, she read it carefully word by word, for fear of missing something, and it was not enough to read it once, so she went back to read it again, hoping to get more information about the director she liked.

Unfortunately, except for knowing that Murphy Stanton began to fall in love, Daisy did not get anything that was too valuable to him.

And as soon as she saw the name Gal Gadot, she felt a little uncomfortable. She put down the magazine and decided to continue writing to Murphy Stanton. Even if the letter she wrote had never received a response, she would continue to write.
Chapter completed!