Chapter 224 Two thumbs
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"It's very tired, but it's like this every day,"
While making a phone call, Gal Gado walked to the door of the competition-specific restaurant, stood aside, and continued to talk to Murphy, "After so many years, I have become accustomed to it. Paparazzi? If I don't leave the hotel, what can they do? Don't worry, I can handle them."
Lisa Hewitt, who had been staying in the hotel lobby before, walked over with a newspaper, and whispered, "I'll go in first, and wait for you in the old position."
She walked into the restaurant and Gal Gadot said to the phone, "I'm going to have lunch, let's talk to the evening. Well, goodbye, Murphy."
Hang up the phone, put away the phone, Gal Gadot walked into the restaurant, went to the window to get his own customized meal, walked to the left, walked to the corner before stopping, put down the lunch box and sat opposite Lisa Hewitt.
Lisa Hewitt has opened the lunch box. The food in the lunch box is extremely rare and cannot be described. Gal Gadot is not much better. Outsiders only see the extremely beautiful figure curves of these girls, but they are difficult to see the efforts and patience behind them.
Gal Gadot picked up the fork, and forked a piece of vegetable without oil or salad dressing, stuffed it into his mouth, chewed it casually for a few bites without knowing the taste, and swallowed it.
But the look of her eyes saw that several girls not far away were pointing at this side.
Lisa Hewitt also noticed that and said, "Don't worry about them, they are just a few idiots who only know jealousy and envy."
Gal Gadot smiled, withdrew his gaze and continued to deal with the simple lunch in front of him.
Yesterday, two South American girls who participated in the competition ran to a nearby cinema and watched the early stage of Sin City. I don’t know what happened. Starting this morning, rumors began to spread around this small circle of contestants.
Many people are saying that she and Murphy are a director who does not know how to respect women and can only use female bodies to make some low-level fun to attract optimistic audiences. They are simply sexist, and the lady of Israel actually found such a person to be her boyfriend just to enter Hollywood in the future. She has no basic self-respect and self-love.
Those rumors sounded very harsh. Even though she was precocious and rational, she couldn't help but be angry after hearing this.
"Okay, dear," Lisa Hewitt reached out and patted Gal Gadot's hand gently, "It's not worth getting angry about such a thing."
"It's okay if they said I'm fine." Gal Gadot's face showed a little anger, "I actually said Murphy is a director who only knows how to be humble!"
She slapped the fork on the dining table with a bang.
Lisa Hewitt didn't expect Gal Gadot to care so much about her new boyfriend. He remembered the newspaper that was put aside, so he quickly took it over and opened the page with a column.
"They know movies? They are just lay idiots, don't care." Lisa Hewitt took a picture from this newspaper and placed it in front of Gal Gadot, "Look at this, this is the professional evaluation! The person who scored is Roger Albert, the most famous professional film critic in the United States and the Pulitzer Prize winner. He gave Murphy's video a full score!"
Hearing this, Gal Gadot immediately put the rest aside and focused his eyes on the newspaper in front of him.
The most prominent position in the newspaper layout is the famous Roger Albert column.
"Murphy Stanton and the City of Sin are extremely gorgeous in black and white!"
From the title, it is not difficult to see Roger Albert's praise and appreciation for this film.
"This is a shockingly cool city, black and white are its tone, cruelty is its core, and Murphystan's degree gives it a unique temperament, even distinguishing it from Frank Miller's original comics."
"The City of Sin burst into an incomparable glory in Murphy Stanton's hands! Color is his sharpest weapon!"
"Black and white are mixed with flowing rich colors, scarlet and bloodshot, bright yellow and disgusting, and dark blue and cold on the back. These colors tear the curtains arbitrarily, making the depression and heaviness created by black and white turn into the ultimate splendor within the eyes."
"Cruelty is mixed with complex confrontations between good and evil. No matter good or bad people, they are all the same violent and vicious. Ruthless and useless means is the first priority of life here, and it is also the only law of the only way."
"In this city, three seemingly related but unrelated stories are staged, but the theme is the same killing. Director Murphysteindu has achieved a near-perfect interpretation of the aesthetics of extreme violence, making the three stories of Sin City, Sniper and Yellow Bun are no longer three tragedies about death, but three crazi drinks of hatred. If you haven't tasted them yourself, you will never be able to understand its strange pleasure."
"And Jessica Alba, who waved her whip and twisted her waist, gave the most exciting performance since her career. Under her flying whip, there was the sexy and tyranny that enveloped a city."
"Although Frank Miller's comics are first, Murphy Stanton's adaptation is really amazing!"
"Even after watching a lot of videos, his Sin City still shocked me for a long time. The violent aesthetics was indeed brought to a certain level by Murphy Stanton. At first, I still recorded and watched it, but soon my hand and pen stopped. If I kept recording, I would miss too many shocking little details, and when I finished watching the video, I couldn't help but be fascinated by it."
"Every character in the film is an extreme exaggeration of certain traits in human nature. Under the guidance of Murphy Stanton, the actors' extremely charming interpretation makes these characters transcend reality, but they are extremely exciting."
"Murphy Stanton always has a peculiar ability to make the actors involved in his film perform extraordinary and outstanding performances."
"Besides, Jessica Alba, this young and beautiful girl has become a strange flower in the hands of Murphy Stanton. The Nancy she plays is sexy and innocent, beautiful and innocent, and her acting skills and image have changed greatly compared to before."
"Jona Hill's performance subverts the impression of fat and funny that he leaves people. Kevin, the ogre in front of the screen, mysteriously calm and sinister and cruel."
"Seth Rogan, who has worked with Murphy Stanton twice, has also changed his inherent image. He has given Muffering and ugly, unrestrained, yet sensitive and affectionate."
"And my favorite two characters are Hardy and Dwight. Hardy, played by Robert Downey Jr., abiding by the law, tough but with a strong man and tenderness, James Franko. I have only heard of this person's name before and don't know him, but Dwight made me fascinated by him. He is cold, fragile and ostentatious."
"And this film, in addition to its comic-style fun, Murphy Stanton also gives thought-provoking practical significance."
"In the surreal story, I see a silhouette of a cruel and real society. The crazy out-of-control behavior of the characters stems from the sad expansion of power in the city. It is precisely because power has been pushed to a very high level that the law loses its binding effect and social morality is completely destroyed. Those in power do whatever they want, and ordinary people either let them ravage or slaughter them or die with them by violent means."
"Hardie is a typical example of this. He wants to uphold justice and rules, but in the end he is tortured, losing his family, freedom and dignity, and losing everything. Nancy, who has been saved by him and has always been concerned about him, became his only attachment to the broken world. His age-loving love with Nancy is indeed contrary to human relations, but this is a twisted flower blooming in extreme environments. It even has deep compassion and desolation in the end of the world."
"The society is out of control, and the old man with a clear moral law in his heart is even more difficult to move forward. Finally, when he said that he had realized this miracle, I could hit God with my fist, and I could also hear how much bloody cruelty and helplessness were."
"Finally, the blatant aesthetic of violence, coupled with the implicit social significance, Murphy Stanton will surely make this film a classic that has been recorded in North American film history!"
After reading these, Gal Gadot felt more comfortable than slumping to the ground when he was extremely tired when he was extremely tired. A very cool feeling spread from his eyes and brain to every corner of his body. Even his stomach that he couldn't eat every day seemed to be full, and he never felt hungry again.
The joy in her eyes could even tell Lisa Hewitt opposite her.
"That's right, Roger Albert's comments are more trustworthy and authoritative than the rumors I heard," Gal Gadot told himself. "Their words to slander Murphy are all jokes in front of these!"
At the end of Roger Albert's column are the two iconic high-rise thumbs up. Gal Gadot heard Avinivot mention that this is the biggest praise the Pulitzer Prize winner can give a film!
Obviously, in Roger Albert's eyes, Murphy and Sin City are the best movies! At least one of the best movies!
"Speak me right?" Lisa Hewitt suddenly said, "Gal, don't care about the rumors about those idiots."
"I won't care." Gal Gadot closed the newspaper and asked, "Can I give me this newspaper?"
Lisa Hewitt handed over the entire newspaper, "They are all yours."
Gal Gadot looked at the Chicago Sun's head and shook his head, "I only want this one."
After saying that, she carefully folded the newspaper, picked up her handbag, and put it in it.
Lisa Hewitt sighed. Gal Gadot was still very determined a few days ago, saying that he would not accept Murphy Stanton's pursuit. Now that he is his boyfriend, he is so obsessed with it that he doesn't look like himself.
"Oh, after all, he is a little girl with no love experience." She sighed in her heart.
Just like what Gal Gadot saw, a lot of professional critics, including Roger Albert, praised the City of Sin. Although today's critics are out of the mass market, well-known critics have established considerable appeal over the years, especially for viewers over the age of 40. Many have the habit of watching the review first and then choosing the film.
No matter what, these will help the film achieve good results. To be continued.
Chapter completed!