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It was probably because it was a relatively late time. There were not many people in the restaurant. Apart from the table where the two black people were sitting, there were four or five guests in the corner. In addition, the waiters were all standing near the counter. Looking at the transparent glass curtain wall, the situation in the restaurant was clearly visible, which was enough to ensure the shooting effect.

While calling 911, Murphy turned on the recording function that comes with his phone. Some things must be prepared for any incidents.

"This is the 911 alarm station!"

A woman's voice sounded from the earpiece, "What's wrong with you?"

"Hello, I want to report something." Murphy stared at the two black men through the glass curtain wall, "the location of the two criminals who committed the robbery and death on Bill Road in Santa Monica Valley last night."

The person across the phone asked immediately, "Where are you?"

"I'm following them." Murphy had already written his mind. "They just stopped at the intersection of Ronald Avenue and Seventh Street in Beverly Hills, and now they're in a chain of pizza restaurants called Morz, and I can see them calling in it."

"Okay!" the other party confirmed, "It's the 'Moults' pizza chain at the intersection of Ronald Avenue and Seventh Street in Beverly Hills, right?"

"Yes, it's here!"

Seeing the waiter in the restaurant delivering food to the two black people, Murphy paused for a moment and continued, "I can confirm that these were the two criminals who committed the crime last night, they were them!"

"Can you simply describe their characteristics?"

Hearing this, Murphy's mouth curled up slightly, "Of course! One black man was wearing a striped jacket, the other black man was wearing a beige gown. They were all bald, about thirty years old, and now there are only these two black men in the store."

"gentlemen……"

Perhaps because of the reward, the other party asked again, "What's your name? How do you contact you?"

"Murphy, Murphy Stanton." Murphy replied immediately, "This is my phone number."

He added, "I see that they seem to be carrying guns!"

"You said they have weapons?"

Speaking of this, Murphy no longer intends to continue, "Sorry, I'm going to hang up the phone, I think they've noticed me."

Of course, this was an excuse. I hung up the phone and put away my phone. Murphy took the portable camera from the co-pilot. After turning on the camera skillfully, the camera aimed at the two black people in the restaurant through the rolled window glass.

He looked over there with concentration, trying to concentrate on filming the good show he directed with quality and quantity.

The case happened in the Rich District of Santa Monica, which is the famous Beverly Hills. Murphy believes that the police will never turn a blind eye to the information he provided and will definitely send people to come as soon as possible.

Will those two criminals surrender obediently?

Judging from the scene last night, this possibility is almost zero. How could two black men, such cruel and ruthless, not resist the police's arrest?

Although I didn't see two black men with guns at all, Murphy speculated that the chance of a gunfight breaking out was very high.

Think about it, this is an extremely real gunfight for police and gangsters. In "The Story of Fire" directed by Michael Man, the gunfight scene was praised for its classical realistic appearance, but compared to the possible scenes, what can that scene count?

Before entering Hollywood, there is a chance to shoot a super hot gun battle scene, which is really rare.

More importantly, once he photographs a gunfight against police and gangsters, what price can the news videos sell for?

There were fewer and fewer vehicles on the road, and the surroundings gradually became quieter. The occasional night wind blew into the car, bringing a hint of coolness to Murphy. There were already many sweat beads on his forehead. Although the scene was following his ideas, he still felt nervous when the ** paragraph was approaching.

Time seemed to have stopped. Murphy held his breath and looked at the two black men through the camera. They were still dining and should not leave for a short time.

A police car turned into the road quietly, drove from the opposite side of Murphy, and when it was about to reach the location of the pizza restaurant, it stopped on the side of the road. Two patrolmen got out one after another and walked towards the main entrance of the restaurant.

"It's finally coming!"

Murphy muttered in his heart that the camera had been replaced with a wide-angle lens. When the two patrol officers walked to the entrance of the restaurant, they were also shot into the picture.

Two patrolmen pushed the door and walked into the restaurant. They didn't seem to see the two black men. They just walked straight towards the counter, as if they were just ordinary customers who came to buy midnight snacks.

But their appearance obviously aroused the alertness of the two black people. The scene taken by Murphy through the camera was clearly visible. Both black people put their hands in their clothes, and the fatter one took out something and placed it under the dining table.

The parking position was carefully selected by Murphy. From this angle, you can see the scene under the dining table. Murphy immediately switched to a close-up shot. On the small screen of the portable camera, there was a dark M9 pistol, and the muzzle pointing to the two patrolmen.

Manipulating the camera, Murphy kept switching between wide angles and close-ups, like a working director and photographer, meticulously shooting all the wonderful scenes.

So far, the venue, shooting background and the leading actors of both the pros and cons are in place, and Murphy is just waiting for the final gunfight scene to begin.

However, the two black men were relatively restrained, and they were not sure why the police appeared here. After all, the other party might be just here to buy pizza and have a midnight snack.

Another police car drove from the opposite side and parked near the previous police car. Two policemen also got out of the car and walked towards the restaurant.

The two patrolmen were very slow. When they walked over, they took out their pistols and checked them. Although they finally put them back into the holster at their waists, they were obviously ready to use the gun.

Murphy's camera temporarily left the restaurant, pointed it at the two patrol officers, and followed them back to the restaurant.

Although the two policemen also walked towards the counter, they seemed to be just coming to use midnight snacks. The expressions of the two black men changed. In the scene where Murphy switched to a close-up shot, they could see clearly what they muttered, and then the fatter black man stood up first.

"OH, God!"

Murphy could see clearly that while the fat black man stood up, he raised his hand with the M9 pistol and pointed it at a later patrolman.

The police responded very quickly, and when the black man stood up, he also touched the gun holster at his waist.

"Bang! Bang..."

The gunshots sounded, and blood rose from a policeman and fell to the ground on his back. Two black men shot one after another, aiming at the policemen, and the remaining policemen also took out their guns to fight back.

The fat black man became the second person to be shot. The bullet seemed to hit his head. At such a close distance, he was hit by a large caliber pistol. A large ball of blood mist burst out from the back of his head, which was directly sprayed onto the glass curtain wall behind him, dyeing a huge piece of red.

It was not until this time that other customers who were already scared in the restaurant let out a harsh scream.

Perhaps because they lived in a country where guns were flooded, they had received some education before. After being frightened, the customers did not run around, but instead hugged their heads and got under the dining table, thus avoiding accidental injuries.

Although he was shouting God in his mouth, Murphy's hands were always stable and he took pictures of these one by one.

The gunfight in the restaurant is more realistic and cruel than any movie picture.

In just a few seconds, the second policeman was shot. The blood flowing out after he fell to the ground looked so dazzling and dazzling, and it could attract everyone's attention.

The remaining black men were quite fierce. After shooting down the second policeman, they turned their heads and shot them at the glass curtain wall behind them. The glass fell to the ground like broken ice. He rushed there with a quick step, jumped directly from the restaurant to the parking alley, opened the door of the black car and crawled in.

The two policemen are still shooting. Unlike in the movie, it is really difficult for the police to shoot the person in the vehicle that has been launched at high speed.

The black sedan drove out of the alley and turned on the road where the Ford sedan was parked. Murphy saw another police car coming to support him and directly chased the black murderer. After shooting the last wide-angle lens for the restaurant, he installed the portable camera on the passenger stand as fast as possible, and pointed the lens directly in front of the shooting, and quickly started the car and followed.

At the front, the black man drove in a hurry to escape; in the middle, a police car was clenched; behind, Murphy followed closely, and the camera was still shooting.

The car was getting faster and faster, and in a blink of an eye it was approaching seventy miles an hour, but neither the criminals nor the police nor Murphy himself meant to slow down.

In a blink of an eye, the black car in front reached an intersection, but encountered a red light. The black man would definitely not stop and rushed into the intersection without any slowdown.

This is Beverly Hills, with people coming and going, and it is one of the most prosperous areas in Los Angeles. Even at night, there are many vehicles coming and going.

In movies, there are always dangers when passing through such traffic intersections, but reality is not a movie after all.

The black sedan rushed into the intersection and just reached halfway point, when it was hit by a Chevrolet off-road vehicle that was driving rapidly from the right and could not stop the car.

The harsh metal collision sounded, and the black sedan was hit by an off-road vehicle that weighed far more than it could no longer maintain balance and rolled out horizontally.

This is an intersection, and other vehicles are passing through. The rolling black car immediately triggers a series of collisions. All kinds of vehicles are like bumper cars in the park, and they are messy and become a mess.

Murphy stepped on the brakes and his Ford sedan was parked outside the intersection. Seeing the situation inside, he immediately took the camera still shooting in the co-pilot and replaced it with manual shooting.

Not only that, Murphy jumped out of the car and rushed to the side of the accident site to find a suitable angle to film the rare car accident.

At this moment, the black car that was the center of the accident, the deformed door was kicked open from the inside, and a man covered in blood swayed and crawled out, supporting the ground with his empty hands, as if he wanted to stand up.

Not only Murphy got out of the car, but also the police chasing the police car. Seeing the black man covered in blood trying to get up, the two policemen who slowly approached immediately pulled the trigger...
Chapter completed!