At this moment, I was surprised and inexplicably

No one expected that this "Huangshi Picture" by Tang Bohu in the Ming Dynasty actually had two layers.

The moment Lin Yi unveiled the painting, some sharp-eyed appraisers couldn't help but exclaim: "How could this happen?"

"Yes, how could this happen? Could it be that this painting has two layers?"

...

Wan Jianhao was also surprised. What was even more surprised than him was Tan Jinfu beside him. You should know that Tan Jinfu is known as the master of appraisal, and he also identified this painting during preview. However, according to his skills, he could not see that this painting "has another world" and actually has a bigger secret.

At this moment, everyone's curiosity was mobilized, especially those media, even widened their eyes and looked at Lin Yi, as if they were watching something incredible.

Lin Yi smiled when he saw this result. Yes, his spiritual energy was not detected by mistake. Sure enough, there is a mystery hidden in this painting.

After continuing to work hard, Lin Yi continued to dip his brush in clean water, and then used spiritual energy as an auxiliary to continue to moisten the picture of Tang Bohu's "Sweeping Shirt" and then uncover it.

His movements were very gentle and slow, because of the assistance and protection of spiritual energy, so that the ancient paintings would not be torn apart.

Although I did this, it still took a lot of time. People around me seemed to be unable to feel this. I just looked at him nervously and watched Lin Yi reveal the entire painting...

Almost an hour or more.

Lin Yi finally got his job done, and with the last reveal, he divided the whole painting into two!

Then a miracle happened,

In addition to this "Shirt Washing Picture" by Tang Bohu, the other painting she unveiled was actually a colorful painting, and it was antique, and it seemed to be more quaint and beautiful than "Shirt Washing Picture".

"how so?"

"What the hell is this?"

...

"Is there any painting in the painting?"

"What kind of painting is this?"

...

"So amazing, so incredible!"

“Unbelievable!”

"Oh my god, am I blindfolded?"

...

People were talking again, and no one remembered the fact that he was waiting to see Lin Yi’s joke just now. They were all stunned by Lin Yi’s unexpected “masterpiece”.

Tan Jinfu can be said to be the most sober person on the scene. The first thing he thought of was what kind of painting it was, how could it be hidden in Tang Bohu's paintings? Is it more precious than Tang Bohu's paintings?

A series of questions made him unable to help but walk closer to see it. It would be fine if he didn't look at it, but he was stunned when he saw it.

I saw that the painting turned out to be the famous "Five Kings Returning Return" by Ren Renfa, a great painter of the Yuan Dynasty!

The so-called "Five Kings" are Li Longji, the King of Linzi (later Emperor Xuanzong of Tang), Li Chengqi, King of Song Li Chengqi, King of Shen Li Chengli, King of Qi Li Fan, and King of Xue Li Ye. When Emperor Xuanzong of Tang was young, he had a very harmonious relationship with the four brothers, and often feasted, fought cocks and beat balls, went out to hunt, or went to villas to visit. Later, he ascended the throne as a non-primary son. In order to prevent brothers from interfering in politics, he appointed the four brothers as local officials at the suggestion of the ministers, and dispersed the time he entered the court every year, which eventually attracted the intention of King Qi to rebel.

This volume depicts the picture of five princes, including Emperor Xuanzong of Tang Dynasty, returning home after drinking and drunk. Their expressions are different and their talents are charming. The colors of the whole picture are bright and elegant, the expressions of the characters are vivid and delicate, and the momentary dynamics are extremely successful. Drunk and riding a horse constitute the center of the picture. The temperament and drunken posture of each prince are just right.

Besides, Ren Renfa, whose courtesy name is Ziming and his pseudonym Yueshan Taoist, was a famous water conservancy expert and painter in the Yuan Dynasty. He was famous for his good at painting saddles and horses. Ren Renfa was talented and gifted when he was young. He passed the imperial examination at the age of 17 and served as a senior official of the Central Xianfu and Deputy Envoy of Zhejiang East Xuanwei. He mainly engaged in water conservancy development throughout his life, and he presided over projects such as Wusong River, Tonghui River, and Yellow River. He did not resign and return home until the year before his death. He made outstanding contributions to China's water conservancy history.

Ren Renfa was interested in poetry, calligraphy and painting in his spare time, and was good at brush calligraphy, especially in painting characters and horses. He was another master of painting after Han Gan, a painter in the Tang Dynasty who was famous for his horses. His paintings were vigorous, with concise lines, elegant colors, realistic and vivid images, and vivid portraying the distinct personality of the characters and the environment and background they were in. His works were rare. The characters in these works were very similar to those of horses and the overall painting style, which consistently reflected Ren Renfa's consistent concise, vivid and elegant artistic style.

However, Tan Jinfu is not concerned about these things at this moment, but the authenticity of this painting. You should know that as a famous painter in the Yuan Dynasty, Ren Renfa's works are mostly collected in Russia, and there are only a few circulating in China.

But it doesn't matter who Tan Jinfu is, a famous appraisal master in China, and he has also dabbled in Ren Renfa's works. He even went to the Russian Collection Museum in person to watch Ren Renfa's most famous work "Zhang Guo Sees the Picture of the Ming Emperor".

This volume is a representative work of the story of Ren Renfa, a painter of the Yuan Dynasty. The picture depicts the story of Zhang Guolao, one of the legendary "Eight Immortals", and his disciples visiting Emperor Minghuang of Tang. The picture shows the fragment of Zhang Guolao casting spells in front of Emperor Minghuang. On the right side of the picture, an old man sat on an embroidery pier, wearing a green dress, with his palms upward, and smiling as if he was speaking. A child in front of him put out a small donkey with all saddles and bridles in a cloth bag, and the donkey was running. On the left side, a man was wearing a yellow robe, wearing a head, and sat on a chair with his head slightly lowered, which was about everything that happened. He showed attention. This person had a magnificent figure and a solemn face. It was obviously Li Longji, the four servants standing behind him had different expressions. The characters in the picture were vivid and delicate, and the momentary dynamics were extremely successful. The running of the donkey formed the visual center of the picture, focusing everyone's eyes here, enhancing the storyline of the picture. Zhang Guo Lao's calmness and Emperor Xuanzong of Tang's slightly surprised expression were just right, reflecting the superb artistic level of figure painting in the Yuan Dynasty.

At this moment, Tan Jinfu was carefully comparing the picture "Zhang Guo Sees the Emperor Ming" in his mind with the picture "Five Kings Drunk Returning" in front of him. He compared the skills, painting skills, and techniques of the two paintings.

You should know that all great painters in art history will have their own unique style of painting, and this style is in the bones and is difficult to imitate and surpass.

Tan Jinfu had a unique vision and looked at the "Five Kings Returning to Drunk" and compared it again and again. Finally, he concluded that the brushwork and skills of this painting were definitely the same as the "Zhang Guo's Picture of Minghuang" he had seen. In other words, the person who painted these two paintings was one person, and this person was undoubtedly Ren Renfa.

After identifying the authenticity of the painting, Tan Jinfu then began to identify the value of the painting.

For collectors, the greatest value of a painting is reflected in two aspects. On the one hand, it is the painter's excellent painting skills, and on the other hand, it is the history of the painting being collected, which is reflected in the inscriptions and seals of previous collectors. The more famous the inscriptions or seals of famous people, the greater its value.
Chapter completed!