After hearing Su Yonglin say this, Xiao Cui immediately became happy.

"That's it! That's what I think! I have to support myself with my own hands. I don't rely on anyone, and I don't expect anyone. I just rely on myself. I think I can support myself. As long as I do my job, I can continue to do it!"

"Is that all? Don't want to do a little more?"

Su Yonglin smiled and said, "I invite you to Zhongdu and invite you to join the Revival Society. I have greater expectations for you. Have you seen all the stories of "White-Haired Girl" and "The Crown of the Rooster in the Middle of the Night"?"

"Yeah, I've seen it all."

Xiao Cui nodded.

“How does it feel?”

"Very good, the story is very touching. The bad guys in it are hateful, and the poor people are also pitiful. For example, Yang Bailao, who can't protect his daughter, just drinks brine and commits suicide. It's really pitiful..."

Xiao Cui pursed her lips, as if she had resisted the urge to cry.

Su Yonglin nodded.

"I invite you to participate in the Revival Club because I like you and Xier's courage to fight, so I hope you can join the theater troupe after that, work in the theater troupe, play the role of Yang Xier, and play this role to the world."

"ah?"

This is the first time Xiao Cui has heard of this.

She knew the existence of the theater troupe, but she didn't know what the theater troupe did. She taught classes in cadre training classes these days, learning theoretical knowledge, and had not had time to understand the specific work of the theater troupe...

Seeing that she really didn't understand, Su Yonglin patiently explained the work and significance of the theater troupe, and also planned to invite more women to the theater troupe and develop them into revival members in the future.

Xiao Cui gradually understood what Su Yonglin meant.

"Your idea is to find a group of people to perform these stories? Just like those comics and Mr. Bao at temple fairs?"

"Yes, that's it. I think the live performance is more widely spread than written in books, because there are not many people in the Ming Dynasty who can read a book completely independently. Many people can only know limited words. It may take many years to let them read a book independently."

Su Yonglin shook his head and said, "Although I hope this day will come as soon as possible, there are always some things that I cannot decide. Even if I am the emperor and the chairman of the Revival Society, it will not work. However, propaganda and revolutionary education are indispensable, so I thought of the way of the theater troupe."

Xiao Cui nodded slowly, obviously understanding Su Yonglin's words and understanding Su Yonglin's intention.

"That's true, I still remember when my mother took me to watch comedy and dance when she was very young. I still remember that look now, and I can't forget it."

Su Yonglin nodded.

"That's true. For the majority of farmers, watching a play can bring a deeper impression than listening to a story."

Xiao Cui was Su Yonglin's breakthrough point. She was not only the number one in the theater troupe, but also the number one in the Revival Society women, so she was of great significance.

In the future, Su Yonglin hopes that Xiao Cui can become an opportunity for more women to enter the Revival Association and become a benchmark figure in the liberation movement. With the continuous technological innovation in society, more women can join the social production.

The opportunity for liberation is that it emerges with the progress of social production. With production positions and social wealth, only then can one have a real social status.

Social status depends on one's own hands and possession by hard power, rather than by others' alms and gifts, or by flattering out of a mentality of exploitation.

The status of blowing is groundless. Once those people stop blowing, it will hurt very much.

Under Su Yonglin's instruction, Zhao Xirui is constantly creating people's literary stories, and also attempts to dramatize some female-themed stories, try to write scripts, intending to bring all these stories to the stage and perform them all across the country.

Su Yonglin hopes that Xiao Cui will become the first female member, so Zhao Xirui will become the second. With them as their representative, the number of female members of the Revival Association will continue to increase in the future.

With social changes and ideological changes, the Ming Dynasty society will inevitably undergo drastic changes in the next 10 or 20 years. Before these changes occur, Su Yonglin must lay the foundation for it.

The emergence of the theater troupe and the full rollout of live-action dramas are all prelude to public opinion, which will accompany social changes and give huge driving force for social changes.

After Su Yonglin's explanation, Xiao Cui understood Su Yonglin's hopes and expectations for her. She was curious about the work of the theater troupe and expressed her willingness to try it.

Su Yonglin told her not to hurry, everything is still under preparation, and she can continue to teach in cadre training schools, learn theoretical knowledge well, and learn and understand the political and ideological system in a deeper way. Only by understanding it thoroughly can others gain some insights.

Seeing the possibility of Xiao Cui, Su Yonglin realized that with the efforts of her and the comrades of the Fuxing Association, the society in Ming Dynasty was already changing.

Xiao Cui is the first person to awaken, but definitely not the last person.

The first Xiao Cui appears, and thousands of Xiao Cui will appear in the future. The group of female workers in the factory is this hotbed that has nurtured one after another.

Su Yonglin felt that the group of female workers in the factory, who were born in the same family as Xiao Cui, was the group of women with the most anti-traditional spirit and courage in the Ming Dynasty, so the initial members of the theater troupe will also be born from this group.

Xiao Cui will be a benchmark figure and will receive very good publicity.

The publicity department of the Revival Society will use Xiao Cui as an important publicity target and send people to workshops in various places to promote, recruit women who dare to make breakthroughs in their lives to come to Zhongdu, receive further education, and join the drama troupe, and then join the Revival Society.

Su Yonglin is very clear that under the current social state, the existence of workshops is an important reliance for women to awaken. This slightly trendy production unit provides women with an economic foundation and allows them to have their own status in social production.

The continuous development of workshops and the continuous development of production technology will promote the continuous growth of this position. The more jobs can be provided for women in society, the higher their social status will be, and the subversion and destruction of old ideas and customs will be carried out faster.

All this depends on whether the change in social production is rapid and successful.

It is not possible to pin all this in the domestic market. Before completing industrialization changes, the domestic market lacks domestic demand. As the mainstream of society, farmers do not need so many industrial products.

At present, the biggest domestic demand in the Ming Dynasty society is still agricultural in nature. A wave of anti-urbanization is in progress. Su Yonglin is correcting the false commercial prosperity in society since the Jin and Song dynasties.

The current social productivity is not enough to allow the prosperity of the Song Dynasty to appear normally and develop healthily.

The commercial prosperity of Kaifeng and Lin'an cities is the product of exploitation and oppression of farmers. It is a precocious and alienated commodity economy, and it is absolutely impossible for normal capitalism to emerge.

Therefore, after Su Yonglin lifted the exploitation and oppression, anti-urbanization inevitably emerged, a wave of large numbers of urban population returning to rural areas appeared, and the small peasant economy once again became the mainstream of society.

This is the real social state.

However, this false commercial prosperity of the Song Dynasty did not have negative impacts on the entire society, but also positive impacts.

For example, the relevant cultures born between citizens and this group, and the awakening thoughts that emerged with the boom of false business.

Judging from the current overall situation, citizens' acceptance of new ideas is significantly faster and higher than that of farmers.

In order to avoid the social form that finally awakens and returns to the medieval Sui and Tang dynasties with the re-prosperity of the small peasant economy, Su Yonglin will collectivized transformation of social production.

Through collectivized transformation and ideological education, we will lead people out of the production circle of small peasant economy and vigorously promote the prosperity of workshops and foreign trade commerce.

While stimulating domestic demand, we vigorously stimulate external demand. Through the pulling of two internal and external carriages, the social economy of the Ming Dynasty was pulled in the right direction, rather than stepping back to the old path of the Sui and Tang Dynasties step by step.

Although the Sui and Tang Dynasties were glorious, they were no longer in line with the development of the times.
Chapter completed!