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One thousand four hundred and forty-eight Zhongdu drama frenzy

In order to meet the people's wishes to watch the drama, Zhao Xirui asked the staff of the Women's Department to assist the drama troupe members and also built a drama platform of the same size at the corner of Jiefang Street.

One night was divided into two performance groups, each performing twice, expanding from two performances to four performances.

In order to let more people see it, they will persuade the audience to leave after a performance and give the position to those who have not seen it yet, so that more people can enjoy the viewing experience brought by this show.

Despite this, theatre troupes have difficulty satisfying the desire of more people to watch the performances, and some people are not satisfied with watching them only once.

Due to the limitations of technical conditions and insufficient number of actors, performance efficiency can no longer be improved, otherwise it will be a huge burden for the actors.

Xiao Cui and other women's department staff held meetings many times, and there were only two conclusions. One was to recruit more outstanding actors to strengthen training as soon as possible, and the other was to build more drama performance platforms to disperse the audience, so that people would not need to be crowded.

Zhao Xirui further proposed the idea of ​​building a special theater in the future and replacing various means of maintaining security with the ticket system.

But these are things that will happen in the future.

The current problem is that the performance of the theater troupe hits the people's urgent need for new leisure and entertainment projects to meet their physical and mental needs. It is too popular, so that every time the performance starts, it faces a crowded situation.

So we had to dispatch the Zhongdu Imperial Guards to maintain security order, otherwise the performance would not even begin.

This sweet trouble was something that no one thought of at the beginning.

Even Zhao Xirui herself did not expect that drama performances were so popular, and it attracted so many people to watch them. Some people even went around the theater platform one or two hours in advance to seize the viewing position.

It is no exaggeration to say that the play "Thirteen Generals Return to Yumen" is really famous.

After May 21, residents in towns and rural areas around Zhongdu came to Zhongdu because of the fame of the play and flocked to Zhongdu to see the true face of the play.

More people come to watch the show.

The theater troupe is under great pressure, and the Zhongdu Imperial Guard has also increased its pressure. Because there are not many good play-watching positions, the audience will inevitably fall into quarrels over such matters, which will make the Zhongdu Imperial Guard, which is responsible for maintaining order, very embarrassed.

The vendors were so happy that they couldn't stop talking about it.

Because their sales have seen breakthrough growth with the wonderful performances of the theater troupe, the income of many night market food vendors has shown a trend of doubling. No matter how much ingredients are prepared, they can be bought by hungry drama viewers.

Zhao Xirui, Xiao Cui and others thought about it but couldn't think of any good method.

Finally, Su Yonglin helped and proposed a way to build an event viewing platform around the theater performance platform.

He took Zhao Xirui to see the rushing car used by the army when siege. The rushing car with a building-style multi-story structure can accommodate a larger number of spectators with a fixed area, but it is just a floor height and will not occupy more area.

Su Yonglin suggested that the theater troupe find professional carpenters to create a viewing platform with upper and lower structures based on this principle, which can not only accommodate more people, but also allow them to sit there, saving them one hour of back pain and leg cramps.

Zhao Xirui likes Su Yonglin's suggestion very much and thinks it is very meaningful.

It not only prevents people from conflicting due to their positions, but also uses this to control the number of viewers to prevent any accidents. It can also make the audience who have finished watching the drama leave more intuitively and change to another group of people to satisfy the desire of more people to watch the drama as much as possible.

After Zhao Xirui proposed this matter at the Women's Ministry meeting, it was unanimously agreed by everyone, so she immediately placed an order for the Ministry of Works, requiring the Ministry of Works to design a seat for watching the show that meets the needs of watching the show, while also conveniently dismantling and taking away.

Of course the Ministry of Works is happy to help them.

Not to mention the people of Zhongdu, the officials of Zhongdu and members of other departments of the Revival Society also fell in love with this new art form in a very short time. They liked it very much and wanted to enjoy watching the drama after get off work, but it was a bit difficult to achieve this goal.

The craftsmen of the Ministry of Works themselves like the play "Thirteen Generals Return to Yumen". Now that they have the opportunity to help the theater troupe, they of course have all their strength to help.

With the help of senior technicians of the Ministry of Works, the viewing platform in the form of terraced fields similar to the farming in mountainous areas was designed by craftsmen, and the first batch of samples were quickly made.

When the four new plays with a broad mass base, "White-haired Girl", "The Rooster Crows in the Middle of the Night", "The Landlords' Family No Essentials", and "The Gang Ding Agui" were taken out to perform in June, the new viewing stage was also taken out to use.

At the same time, at Su Yonglin's suggestion, although the performances of the theater troupe are still free to watch, audiences who want to watch the plays need to go to the Women's Department office of the Fuxing Society in advance to receive the seat ticket for the viewing table. Only those with seat tickets can watch the plays.

Considering the hot summer days, although the performances are basically at night, it is still recommended that people who have not received seat tickets do not come to watch them, so as not to cause adverse consequences such as heat stroke.

After the latest regulations were promulgated throughout the city, the location of the Ministry of Women's Office was undoubtedly crowded. Drama fans who expanded countless times in a short period of time said that they would get a ticket for the watching theater even if they stole the head.

There are four performances a day, and seat tickets will be issued only at 4 o'clock in the morning. When the six o'clock in the morning, all of them will be taken away. Everyone behind them will beat their chests and stamp their feet and are very upset, as if they have missed a super prize of one million yuan.

With the launch of four new plays, the performance form of drama has become more popular.

Originally, stories that could only be seen in books or heard by people, but now you can see real-life interpretations, complete stories, and emotional performances of actors. This form of experience is unprecedented and shocking.

More and more people in Zhongdu are not responding enough to the State Council for the People's Affairs Consultation Office and cannot get seat tickets. This kind of news is constantly being passed on to the palace and is well known.

The streets and alleys of Zhongdu are alleys, regardless of day or night, or time. No matter what people are doing, they can always hear discussions and praises of drama performances in any corner.

People constantly share their feelings about the drama performances they watch, enjoy communicating with each other, making an appointment to watch the drama together, and trying every means to get seat tickets and so on.

These things gradually became part of the daily lives of the people of Zhongdu. With the widespread popularity of this new form of art performance, the sins of the old feudal system and the justice of the revolutionary struggle have also formed a wave of discussion among the general public.

The most intuitive manifestation lies in the actor who plays Huang Shiren and the Revival member Hu Qiang.
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