"Compared with James Bond's action scenes, the action scenes of "Fast and Furious 4" are like kids driving bumper cars in kindergarten."

I don’t know who said this view in English, but after Guan Yadi understood it, he agreed from the bottom of his heart. If he asked him to score, he would definitely give Duke’s new film 120!

Where the judges of the Festival Palace were sitting, Natalie Portman's face was a little bad, and the screening was approaching the end. She had realized how outstanding, even great, female character she had missed, which was not an exaggeration to describe in Hollywood as extremely rare.

Ferosa is more outstanding than the male protagonist, which is something that even a fool can see. Everything she does is not to find messy reasons such as love, nor does it require men to rely on. She fights for her own survival and has the ability to continue fighting.

The pair of bright eyes covered by the smoky makeup clearly showed a sharp murderous aura and compassion for life. Natalie hadn't seen such a real female character for many years. She didn't need a delicate appearance, perspective outfit or tights, and just won the respect of everyone with her own abilities.

That bastard's "The Road of Furious" may be the best one of all the films in recent years to create female characters, with flesh and blood, affection and righteousness.

Even, she thought that annoying Charlize Theron might be nominated for Best Actress Oscar again!

In a movie where the whole film relies on action scenes to drive the plot and few lines, a movie filled with fanatical and bloodthirsty men and male hormones, Charlize Theron embodies the finest traits of women, resoluteness, repetition, and sympathy, which makes it rare to be overwhelmed by the steampunk scenes and the screen full of ghost violence.

Those feminists in Hollywood will definitely regard her as their banner!

In recent years, the feminist movement in Hollywood has gradually flourished and has become a huge force. Being able to get the support of this force will only benefit the future...

And this power actually passed by me!

Natalie Portman turned to the front row and saw the tall vase. She believed that if she had played Ferosa, she would have been even more outstanding!

However, now all these belong only to Charlize Theron.

Even she had to admit that Charlize Theron, who worked with Duke again, brought a fierce and cool heroic spirit to this summer. When her bright eyes shining brightly looked at you directly through the camera, you would not be attracted.

What is more charming than this appearance is the power of wisdom, courage and love that she exudes through the characters in the film. At this moment when the screen is gradually filled with the weak female image and the male image of a sissy temperament, she injects a dose of powerful liquid, showing strong power like a fire-breathing engine.

Like "The Road of Furious", Charlize Theron will become an unforgettable surprise this summer.

Natalie Portman could easily draw this conclusion from the reactions of theater audiences.

Just next to her, sitting was Isabel Huppel, the chairman of the jury of this year's Cannes Film Festival. From an angle that others could not see, she had an unusual smile on her mouth.

Because Warner Bros. people didn't lie to her. Because the movie's display of women has exceeded her highest estimate!

Isabel Huppel is a feminist!

Yes, the film does have various shortcomings in treating women, but it is already very rare in the current world film circle.

The protagonist of this movie is a woman with broken arms, which completely expresses feminism!

This is what Isabel Huppel thinks.

What is feminism in the film? Give the audience a tights superhero they want, allowing her to kill all the people on the screen in the sexiest way to save the world. However, in reality, the actor is asked the most about how to maintain a good figure and have an ambiguous relationship with whom. No matter how hard she works, her colleagues will "joke" saying that her role is a vase.

More videos with combat female characters return to the "traditional" and seemingly immutable mode at the critical moment, that is, men deal with their biggest enemies, while women deal with those minions.

A movie like Jurassic Park, which also has a heroine, but the trailer in just two minutes tells the audience that this is a traditional story of a muscular and intelligent man who saves a noble and cold scientific research and academic woman on paper. Her life must be saved by him, and they must watch the sunset together at the end.

This is not feminism. In Isabel? Huppel's mind, it has not contributed much to improving feminist consciousness.

However, "The Road of Furious" is a real feminist film. Perhaps the director himself did not intend to make a feminist film, but everything was based on the plot of the film. On the other hand, perhaps he himself was a feminist, and there was no difference between men and women in his subconscious mind, so the film naturally promoted feminism without any trace. No matter what environment you are in, you can make a choice based on your own will. This willingness can be completely irrelevant to men, love, but only about controlling your own destiny.

That alone is enough, enough Isabel Huppell recognized Warner Bros.'s rhetoric and decided to support the movie.

Ferosa led the Women's Legion to capture the fortress of Immortal Old Joe. The male protagonist Tom quietly left, avoiding the audience's association of whether the male protagonist will become the next tyrant and open the harem. The film ends here.

The audience stood up, and applause rang out like thunder. Many people in the guest seat walked towards the crew's location and sent routine congratulations.

But Quentin Tastino didn't, he was familiar with Duke, and knew that he didn't care about this at all.

He just wanted to find a place to calm down, which was his first reaction after watching "The Road of Furious".

After watching this film, all the car-chasing movies in the past, including Duke Rosenberg, suddenly turned into slow things like "Driving for Miss Daisy" in his mind...

Stand up, Quentin Tastino walked outward. He needed a quiet environment. More than 2,000 viewers were squeezed into the Palace of Film Festival, but he was unstoppable at this moment because, except for a few people, more than 90% of the people stood there, applauding "The Road of Furious" with no intention of leaving.

"Duke Rosenberg should have done one thing this time, and he created a brand new genre of films,"

Quentin Tastino walked out and muttered to himself, "Its name is...uh..."

He knocked his head, "I haven't figured it out yet."

However, he can confirm that Duke Rosenberg infinitely amplifies countless details of the film, forming a new violent aesthetic, dedicating the action scenes of film history, and this film proves that the work of a film director can still release terrible creativity in the assembly line mode.

"If it's those ordinary audiences, it's not an exaggeration to go to the cinema to watch it for the second time or the third time..."

Before walking out of the theater, he looked back and could imagine the breathing of 2,000 viewers in the Lumiere Hall of the Festival Palace, "Is this really him? It's a fascinating and crazy movie!"

Park Zan-wook didn't stay for too long. While the festival palace was not congested, he left Lumiere Hall with several of his friends. He felt like he was hit by continuous heavy punches. He was confused. He returned from the theater to the hotel he checked in, and had nothing to say with his friends who were traveling with him along the way.

Because I don't know what to say, I can't find a suitable adjective...

The movie gave him a really shocking feeling. He was really perverted and furious. Every pore in the film released a perverted and furious breath, but it was so charming!

The first long shot of the whole film was shocked, and the endless desert captured a sense of despair. Because last month, he had just traveled 250 kilometers through the Sahara Desert with a weight, so when he saw the endless yellow, he felt tightened.

The key is that those car chase scenes are unheard of, tyrannical, crazy, and hysterical, but there is a kind of beauty that is presented in the contrast of the protagonist's iron-calm will, which makes him completely stupid in the end...

The palms slapped a little, and Jiang Xiaojun, who had not walked the red carpet at all, stopped applauding. The seat he sat in was extremely inconspicuous and too far behind, and few people noticed it.

He actually didn't want to be noticed, because he had no works to participate in this film festival. He came here just to see the latest updates in the world film industry, rather than those who were thick-skinned as Bingbing in the Himalayas. Without works and roles and no invitation from the organizer, he brought his own photography and planning team to ride on the red carpet in Cannes.

Especially the slow-moving and driven away by the organizer, they really lost all the faces of their own filmmakers internationally...

No, she is not worthy of this title at all.

Thinking of this, Jiang Xiaojun threw away these messy thoughts, continued to look at the big screen, and stared at the lost subtitles.

If he was asked to evaluate this video, there are two words that are most suitable for Niu Bi!

Apart from Niu Bi, what other words can describe Duke? Rosenberg's movie?

Everything in "The Road of Furious" left an extremely deep impression on Jiang Xiaojun, and he even felt that he would never forget it.

The sharp editing, tight atmosphere, refreshing rhythm, touching music, super textured pictures and clear narratives made the whole movie feel as if I were riding on the fast-moving truck driven by Charlize Theron. I was happy all the way, and the whole journey was fun, without any peeing points.

But what is more amazing than these film techniques is that it builds a cruel and convincing doomsday world and outputs a worldview full of novelty. (To be continued.)
Chapter completed!