It’s finally finished. A multi-million-word novel has finally been written. This is a long march for me as well as a long march for book fans. Especially when there were many problems in the middle, I was still able to persevere.

All of you, I am not even modest enough to say that I am able to persevere. We all have great perseverance (Applause)

Generally speaking, I am satisfied with this book, and I am also dissatisfied with it. The key point is that I seem to be a little different from many authors I know when writing books. First, when I write a book, I follow

Write one scene and one plot. For example, when writing the section about Wang Xia's death, he wrote that EVA broke in, he blew himself up and then blew himself up, and recalled this paragraph. As for the origin of EVA, and the previous one

The connection of the plots is all work of revision, so my book looks smooth. Although literally, this way of writing may make people feel that the connection is jerky, right? But in reality, the situation is

Unless you do it, you will never know what is right. Writing scene by scene allows you to record the scene when you have the deepest imagination, so that no matter it is touching, passionate, exciting, or painful

, sadness, etc., can reach the most perfect level. This has nothing to do with words or writing style. It just records the moment when you are most impressed. It is like shooting a movie, shooting scene by scene in advance.

, post-production is to connect and edit it, that’s all, this is my first feature.

The second characteristic is related to my personal habits. I don’t like to force the thoughts of the characters in the book. Some readers may want to ask, the characters are created by you, so what is the point of forcing or not? Your thoughts are theirs.

idea.

There are some rights and wrongs to this. The biggest mistake depends on how you understand it. For example, if you treat the characters in the book as living people, give them a degree of free thinking in advance, so that their personalities can be reflected in their initial development.

The setting is constantly active. In this way, after the initial setting is over, this person will live in the book. For example, you can't force me to make Chu Xuan suddenly laugh like Cheng Xiao when he has been finalized in the later stage.

Laugh, this is not an exaggeration, it is ridiculous. This is probably what I want to explain, how each person's personality is, how they behave when dealing with others, or when facing good and evil, life, combat, etc.

That's how it should be. Originally, I really wanted to change something in certain plots, but the characters had other ideas at the time. I couldn't change their original character impulses at that time. I could only change something unexpectedly.

I act according to their characters, because that is their world. I like to think of myself as a narrator and recorder that others cannot see, that's all.

In addition, at the request of several familiar authors, here I would like to mention some doubts about certain issues that new authors have.

First of all, I do not agree with the use of dual protagonists and multiple protagonists. Regardless of the success of Infinite Horror, plus book fans say they like this character or that character, they think dual protagonists and multiple protagonists are very popular. In fact, this is not the case. In my books

The main plot is actually very clear. In addition to the large team battles, the main character Zheng Zha is written in a straight line. Everything he encounters, sees, and thinks of is written, and the others are just people he encounters, sees, and thinks of.

, if you have to say why I have written about so many people’s personalities, then I can only answer... I am just a narrator and recorder... I am struck by lightning, right? But it’s really like that, I can’t tell why, but

I personally hate reading novels with two protagonists and multiple protagonists. I usually close the book without reading the rest at all. So I solemnly tell novices who want to write books, don’t try it.

When writing dual protagonists or multiple protagonists, remember this.

Another question is, someone asked me how I gave so many characters that each one has a clear personality. It is difficult for me to answer this question, because if I really want to say what techniques I used, I don’t seem to have any. Naturally, according to the characteristics of each character,

When interacting with their character traits, what kind of dialogues and actions they will have are all natural. Of course, this is too general, so I will go into detail to a certain point. What I want to say is the details, yes

, details, for example, is Chu Xuan too ruthless? So the details I gave him were fishing, for example, Cheng Xiao looked too unruly? The details I gave him were an ordinary-looking girl and gentle words, such as Lingdian Tai

Is it cold? The details I gave him were the word "side by side", so my method is the details. Maybe you have a better way. As I said in the book, the power lies in the user himself and the skills of using it.

They are different, so the one that suits me best is the best. You must also feel this way, so I won’t say more.
Chapter completed!