"Wang Yu, if you do this, it will not be good for your reputation."

"Not good? What's wrong?"

"Aren't you going back on your word?"

"Yeah?"

"you……"

"Sister Hong, I don't want to discuss too many big principles with you, but now I really want to talk about some interesting 'big principles'."

"Big truth?"

When Wang Yu spoke this word, Sister Hong frowned.

Sometimes, the situation becomes more complicated.

It was like Wang Yu and Tangtang were having a lot of fun eating, but Sister Hong suddenly appeared.

This is complicated.

But what's interesting is that what they talk about is even more complicated.

What Sister Hong wants to say is actually very simple, she is to negotiate with Wang Yu... He can't do this.

The truth is clear. Wang Yu's behavior seems to be a "scumbag" but in fact he is putting pressure on Kadokawa.

If you don’t agree to my conditions, then I will cooperate with Fuji TV.

Behind Fuji TV are Toho and Matsutake, both of which are stronger film companies in Japan than Kadokawa.

So, can Kakukawa refuse to agree?

This is a simple truth, and because of this, Xu Feng of course told Sister Hong about the matter.

And Sister Hong came over to negotiate... What did Wang Yu say?

What's the big reason?

Tangtang wearing a cheongsam, when she heard this great truth, the focus in her mind fell on the big picture.

How could Sister Hong not tell the appearance between her eyebrows and eyes?

Wang Yu, you bastard!

Of course I have to scold you. After all, on the surface, Wang Yu’s girlfriend is Yuanyuan, and he is now in the eyes of Sister Hong…

Lao Wang is a complete scumbag!

However, Sister Hong also admitted that a scumbag like Wang Yu is a common occurrence in the entertainment industry. Even with Wang Yu's current identity and strength, he can be more thorough.

What's going on?

Why did he excuse him?

Sister Hong, who had this idea, had a strange sense of guilt.

At this time, Wang Yu had already begun to talk about his "big truth".

"Sister Hong, you should know Japan better than me, right?"

"Hmm? Why do you say that?"

"Most of the money of Mr. Chen's movies comes from Japan, right?"

"That's right... OK, I admit, I know Japan very well, but I don't necessarily know it better than you."

"Sister Hong, you said it very rigorously, and I admire it."

"Wang Yu, what exactly do you want to say?"

"It's very simple. Sister Hong must know the Japanese animation industry, right?"

"Of course I know this."

"You must know the status of this industry in the Japanese cultural field?"

"This...well, it's definitely the first."

Sister Hong is a little confused because it’s not a big reason? Why do you want to mention anime?

When this idea appeared, she suddenly realized something.

Well, this is actually the difference between us and Japan.

In Japan, anime is definitely the first priority. Japanese novels are also very powerful, just like Edogawa Ranbu created the trend of commercial writing of Japanese detective novels, making Japanese detective novels a big industry.

But it is obvious that the anime is even more powerful.

The issue of "JUMP" completed in 1995 was created by the commercial magazine release record.

The key is that this "rate" has more than 6 million copies sold with a population of more than 100 million.

This is almost certain that more than one generation has been influenced by animation.

Or just be bolder.

Japan is a country of animation, the second dimension of the whole nation, the whole nation...

Wang Yu likes to call him the second place!

"Sister Hong, do you know? Such a powerful comics industry has a huge impact on the Japanese. I must admit it, right?"

"Of course."

"Okay, what I want to say here is that in such an animation industry, there are many animations, I'm talking about many, and even a lot. There are a kind of characters in these comics. My category is quite strange, but it's actually easy to find such characters.

Let me briefly remind you that most of these characters are like this.

Power, if the power is strong enough, you can achieve the ultimate victory. They insist on this. They rely on their own powerful power to hurt or kill others, or conquer.

In short, strength is their foundation, and as for other things...

Yes, it is justice. They don’t care about justice at all and don’t talk about any reason at all.

Just conquer the other party with strength.”

When Wang Yu talked about this, Sister Hong suddenly interrupted.

"I know, but most of these characters are villains."

Wang Yu nodded, but he then said, "What if they are not villains? If one day the whole style of painting changes, what will happen to these powerful factions that were originally just to fight against by the righteous side suddenly become the protagonists? Even, they might as well blur justice?

Or worse, they originally appeared as the protagonist of justice, but in the end they became representatives of the power faction?”

These words made Sister Hong feel like she was hit by lightning!

It was interesting, Tangtang listened... she looked confused.

Tangtang was not very familiar with Japanese anime at first, but now she is talking about such details, of course she doesn't understand, but she has a little understanding of the general meaning.

That is...it seems like justice will fail?

So, what exactly is Wang Yu talking about?

In fact, this is a key to the plot and the real "big question".

What is the essence of the power faction?

It's very simple, they just lost because they weren't strong enough.

Right?

The villain with powerful power just lost because his power is not strong enough.

This is connotational.

In short, it seems like many Japanese are saying:

I just lost to the United States!

That's right, those who hold this argument are actually all the same thing as Japan's "anti-war defeat".

Reflecting on war and reflecting on defeat are two completely different ideas, one positive and the other reverse.

Although it is only one word missing, its kernel is completely opposite.

In fact, people often explain this in previous Japanese comics.

The older generation of Japanese cartoonists, or many literary and artistic masters, have a very positive view of this matter.

Just like Shintaro Ishihara, there are fewer old thieves.

For example, in "Saint Seiya", he also directly mentioned the invasion of China, Dismusk, and the Golden Saint Seiya of Cancer. Just say that, he is completely on the side of strength.

Then, it was killed.

In the hearts of previous comic artists, they really agreed with this point, not only Saint Seiya, but also many other comics.

But!

The key is that, why do they draw such ideas into their works?

It’s because many people hold the idea of ​​“anti-war defeat”!
To be continued...