When Zhou Xia arrived at Zhu Xiufang's house, Fang Xue was there too. When he knocked on the door, Fang Xue came to open the door. Zhou Xia greeted her, and Fang Xue also explained that she was helping Professor Zhu Xiufang borrow the paintings, and when she was still paintings, she also wanted to be a witness.

Zhou Xia smiled, he didn't mind these things very much.

But Fang Xue was more cautious in doing things and insisted that this was the best. Not only that, she also asked Zhou Xia to carefully check whether the painting was his original one.

Although she and Zhou Xia both felt that Zhu Xiufang and the others could not do anything on this, some things were indefinite, so Zhou Xia would have to take a look at them in person. After all, it was also something worth tens of millions.

Fang Xue didn't want anything to happen, and Zhou Xia resented her for the rest of her life.

Her attitude touched Zhou Xia a little. She was able to say such words without shy away from her relationship with Zhu Xiufang, proving that she was still quite simple and kind in her heart.

Since she said that, Zhou Xia nodded and agreed. She asked to be responsible for her own behavior of borrowing paintings. If Zhou Xia herself was no longer indifferent, it would not have disappointed her whole heart.

Zhu Xiufang and Fang Rujian were both at home. Before Zhou Xia came, they had already prepared the paintings, but they did not pack them up.

After meeting, after a while, Zhu Xiufang and Fang Rujian were also calm and asked Zhou Xia to check the painting carefully. They had no bad intentions, but they didn't want to make any awkward things on it. After all, Zhou Xia gave them great face, so he lent such precious paintings to them for so long to study.

Zhou Xia said that he could definitely trust them, but Zhu Xiufang still married this way, and said that this was something worth tens of millions, so it would be better for him to confirm it personally.

Fang Rujian also interrupted, saying that in the antique collection store, the ones who borrowed things and returned them were high-quality imitations. This is not uncommon, so Zhou Xia should pay attention to it. He could also see that Zhou Xia is quite generous and borrowed something. If someone loses the bag, he will suffer. They are also leading by example and reminding him to pay attention to safety.

Zhou Xia said that after being taught, he checked the "Cuckoo Crying Blood Picture" they returned. It was indeed the same one he had. It was not particularly difficult to copy such a painting in the hands of a master for a few days. But it would be difficult to hide it from Zhou Xia. Zhou Xia only needs to use a systematic identification and confirm that it is, Jie Nian's works are easy to speak.

After Zhou Xia confirmed, he put away the painting. In order to avoid the long nights and dreams, he planned to take it to the company to keep it safe. It was more at ease than to keep it himself.

After the delivery was completed, Fang Xue and Zhu Xiufang and the others were relieved and asked about his new porcelain pieces.

Zhou Xia briefly talked about the experience of collecting it, and then took out the porcelain pieces wrapped in a small box from his backpack and placed them on the table in front of him, asking them to do an appraisal.

After getting the news, Zhu Xiufang and Fang Rujian were obsessed with it. Anyone who loved traditional culture would have their usual reactions.

At the moment, the things are right in front of them, and they are naturally very excited.

But at this time, they still asked Fang Xue to open the room first.

When this girl heard that the porcelain piece that Zhou Xia received might be Chai porcelain, her first reaction was to wonder. After all, Chai kiln is a high-quality product that is rare in a thousand years. Is Zhou Xia’s luck really so good? He could find such a good thing. Then she considered how shocking it would be if it was genuine Chai porcelain.

This is not Zhou Xia’s own business, it is a matter of the entire Chinese antique collection industry, and it is not an exaggeration to say that it is a major event in the whole world.

You should know that in addition to China, Western countries have also been quite researching Chinese porcelain. Many porcelains that have been lost overseas, even heavy porcelains, are mostly in the hands of large private collectors in Western countries such as the United Kingdom, the United States, or in his museums.

In addition, it is necessary to mention that Japan has an unparalleled interest in porcelain. The number of porcelains they have spent effort to collect through various means is quite large.

Chai kiln is something they are thinking about and want to find. Previously, Japan proposed that the green lily vase in their hands was Chai kiln porcelain that had been lost for thousands of years.

According to them, about a year ago, the Emperor of the Ming Dynasty of China presented this green lily vase to Japan's Muromachi shogunate Ashikaga Yoshiman, the general in the cartoon Ikkiko. Later, the green lily vase was handed down from the Japanese ancient pen family for generations.

The Japanese wanted to seize the title of this Chai Kiln, which also shows from one aspect that the status of Chai Kiln in the history of porcelain is indeed very important, and its influence and appeal abroad cannot be underestimated.

It is precisely because of understanding these situations that everyone can understand Fang Xue’s current excitement and feel deeply.

Only Zhou Xia, who has seen the porcelain tiles, seems much calmer and more stable.

Fang Xue carefully opened the box and took out the porcelain pieces inside.

Zhu Xiufang and Fang Rujian's eyes were also on the porcelain pieces in Fang Xue's hands.

For old experts like them, the first impression of porcelain is particularly important. Generally speaking, if it is eliminated at first glance, it is basically not worth watching. At least, it must be a high-quality imitation product that is worth watching.

Of course, before this, Zhu Xiufang and Fang Rujian were still skeptical about whether Zhou Xia had received the Chai Kiln porcelain pieces.

But after seeing this piece of porcelain, their thoughts changed immediately, and they immediately felt that it was really possible that it was a Chai kiln. They had never seen such beautiful porcelains with the characteristics of Chai porcelain in other kilns.

Although they are not specialized in porcelain identification, they have seen many porcelains for so many years, and the quality of the goods is still quite clear.

Zhu Xiufang immediately sighed, "I thought Professor Zhao Xiangbo and the others were having fun yesterday! Now it seems that this matter is really good. If they can find more accurate evidence, the entire history of porcelain may have to be rewritten. Zhou Xia, you did a pretty good job. No matter how much money you spend, it is worth it."

"More Professor Zhu praises it, but if this porcelain piece is Chai porcelain, it still needs to be carefully identified and verified by multiple parties before you can draw a conclusion." Zhou Xia replied modestly.

Zhu Xiufang nodded, quite satisfied with his attitude. At least, Zhou Xia was not overwhelmed. She was as arrogant as those who were so proud. She took a step back and said that even if Zhou Xia pretended to be like this, it was a great thing worthy of recognition.

After receiving the news from Zhu Xiufang last night, Fang Xue also did her homework about Chai Kiln. When she got started, she went straight to the standards of Chai Kiln to make an appraisal. She also found that the piece of porcelain brought by Zhou Xia was simply the standard tool for Chai porcelain!

The various characteristics of Chai porcelain are quite consistent, especially because it concentrates the advantages of the five famous kilns of the Song Dynasty, but she can clearly see that this porcelain piece is not imitating the five famous kilns, but is unique. It is the most correct to say that the five famous kilns imitate it. She has no doubt that this is a modern imitation, and Zhou Xia deliberately made it to deceive the public.

You should know that even if a imitation is made like a real thing, a imitation is a imitation and can never be real. Even in a short period of time, no one can tell that it is an imitation, but imitation cannot deceive everyone forever. One day, the truth will come out.

Moreover, as Fang Xue knows, the technology of modern imitations cannot meet such a process standard at all.

The five famous kilns in the Song Dynasty, Ruguan Ge Junding, were quite rare to imitate a kiln porcelain to its original level, and even the best ones on the market cannot be achieved. What's more, it is a piece of porcelain that combines the advantages of Ru Ka Ge Ka Jun Kiln, such as this. If it can be imitated, it is also a blessing. After all, we cannot always live in the past. With the new porcelain firing technology, it is worthy of joy.

After a brief appraisal, Fang Xue put the porcelain pieces back and asked Zhu Xiufang and the others to start the appraisal. She herself held an academic discussion with Zhou Xia next to her.

She also knew that Zhou Xia's attainments in porcelain were much better than her. Even in the field of calligraphy, painting and calligraphy that she was good at, Zhou Xia was not much more willing than him. Therefore, Fang Xue's posture was relatively low. It would be better to say that she wanted to listen to Zhou Xia's opinions more.

Zhou Xia himself has researched this, and yesterday, he obtained a lot of knowledge from Zhao Xiangbo and Liu Yuanshan, and was already confident. This is naturally easy to say, and it doesn't take much effort.

Moreover, Zhou Xia was more confident than the old men. This naturally originated from the magical archaeological identification system on him, confirming that this porcelain piece was fired when Chai Rong of the Five Dynasties was reigned.

In addition to the Chai Kiln, Zhou Xia could not have imagined that there would be any kilns that could make such beautiful porcelain at that time.

What Fang Xue mainly wants to ask is the age of this piece of porcelain.

In fact, it was not only her, but also some thoughts about the era of this porcelain piece after carefully appreciating it.

In their opinion, since the Song Dynasty, there have been quite a lot of imitation porcelains made in the past dynasties with the five famous kilns, but so far, they have not found any imitations that can exceed the level of these fast porcelain pieces.

This means that the firing date of this porcelain piece should be before the Song Dynasty.

Zhou Xia also made his own conclusion without hesitation. He believed that this porcelain piece was a work from the late Tang and Five Dynasties.

(To be continued)
Chapter completed!