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Eight hundred and ninety-eighth chapter of traditional Chinese painting

At this time, Guo Dalu, who was concentrating on painting at home, did not know that the people from the Art Association were increasing their efforts to discuss issues related to his works, and therefore launched an analysis of Guo Dalu's calligraphy and painting techniques.

At the beginning, they said they wanted to study Guo Dalu's calligraphy and painting works, but everyone had a political purpose. Since the leaders of the country chose Guo Dalu's works as a gift to others, it can be enough to show their importance to Guo Dalu's works.

As the official art organization of China, the Art Association has now appeared in China such a first-class calligrapher and painter. Whether it is for publicity needs or to cater to the preferences of leaders, it is reasonable and reasonable. As for why Guo Dalu is not attending such a meeting about him, few people in the congregation would be so stupid that they would investigate this matter.

I haven't seen that Guo Dalu is not a Chinese from the Artists Association at all?

Because of Guo Dalu's special identity, not only are the Chinese Artists Association studying his calligraphy and painting art, but there are also many people interested in it in Europe and the United States, Japan, Southeast Asia and other countries.

Good art is common. Although traditional Chinese landscape paintings are very different from Western oil paintings, even Western oil paintings are of great importance to spiritual connotations. Although hyperrealistic painting schools are emerging, even if they are superrealistic painting schools, their creative themes must highlight a creative intention. Otherwise, no matter how similar the paintings are to the original objects, they cannot be called a good work. If they are real, it is better to take photos with a camera.

Therefore, even if it is a super realistic school of painting, the most important thing is to express a theme. In addition to fruits and scenery, it is to show off its ability, and the portraits of ordinary people and the descriptions of scenery will highlight a sense of artistic conception.

In these works of Guo Dalu, the scenery in each painting can convey a strong personal emotion, such as the tranquility of orchids, the nobleness of plum blossoms, the tenacity of bamboo, etc. Just looking at the things in his flower scrolls can make people feel the meaning of the painting.

"These paintings of Guo Dalu seem to have an invisible magic. They seem to have a soul. As long as you calm down and watch them, you can hear the soul whispering in the painting paper, and then you can instantly understand the emotions the creator of this painting wants to express. I have never felt such a strong calligraphy and painting work!"

"The magical oriental man! He not only has superb acting skills, but also has such amazing calligraphy and painting skills. His abundant energy and ability to do the best in anything is simply incredible!"

"Not only can he create extraordinary images in film and television works, but now he also shows his extraordinary talent to everyone in calligraphy and painting works!"

"Just just a few strokes, a bird, a dragonfly, and a lotus, it was so clear and faintly appeared on paper. The Eastern painting skills amazed me for the first time. I used to think that Western oil paintings were the best, but after seeing Guo Dalu's ink painting works, I realized that in the Eastern world, there were completely different art expressions in the West, but they were all very excellent."

"Guo Dalu's talent is unparalleled!"

"His painting skills are amazing, and his calligraphy is also excellent! I always thought that there is no more leading figures in Chinese calligraphy. The real master of calligraphy is in Japan. I didn't expect that the masters are among the people. Although Mr. Guo Dalu is not from the Chinese Calligraphy Association, his calligraphy achievements are much better than those from the Chinese Calligraphy Association!"

Any praise online is naturally sarcastic.

"As these days, anyone can become a master! Guo Dalu, a guy who was born alone, has never drunk two taels of ink since he was a child. Even if he graduated from a famous university, he did not major in calligraphy and painting. Suppose he liked painting and calligraphy since he was a child, but without the guidance of famous teachers and long practice, he would not have been able to achieve profound attainments in calligraphy and painting. Everyone brags about him too much!"

"Guo Dalu may have some attainments in calligraphy and painting, but it is too much to call him a master! Only a few works have been released? It is too early to say that he is a master of calligraphy and painting!"

"Which master of calligraphy and painting has not won everyone's recognition with the quantity and quality of his works under the precipitation of time? Although Guo Dalu's works can become a national gift, this can only show the recognition of his calligraphy and painting works by the national leaders, but they don't mention the political significance. When talking about the level of calligraphy and painting alone, I think he still has a long way to go before the title of Master!"

This controversy attracted the attention of many people. Even the two apprentices of Guo Dalu’s Peking Opera Theater were alarmed. The female old student Zhang Peiyu ran to the Guo family courtyard to find out. When she saw the huge picture of Guo Dalu paved in the yard, she was shocked. She didn’t dare to disturb Guo Dalu, so she ran to Wang Xiaolu and asked, “Master’s wife, is Master’s painting really valuable?”

She winked at Wang Xiaolu and said, "Give me a few pictures later! I'll stay here to be my heirloom!"

Wang Xiaolu smiled and said, "You are still heirlooms? You can find your husband and marry him first before talking about you!"

But after all, he is his apprentice and his relationship is good. Wang Xiaolu was embarrassed to let her go back empty-handed. She took two insect, flower and bird sketches and gave them to Zhang Peiyu, and whispered: "You must hide them well, don't say what I gave them to you! Your master will not pay attention to these, but he is afraid that others will ask him for paintings. If someone with good relationships is difficult for them, it will hurt your feelings if you don't give them. Don't tell others!"

However, even though Zhang Peiyu did not tell the teacher's paintings, many people still ran to the Guo family compound to ask for a copy of Guo Dalu's works so that they could take them back to enjoy them.

Guo Dalu never gave any good face to these people. He was currently working on the critical moment of creation, and the King of Heaven will still be bombarded away when he comes.

He painted to express some emotions, and at the same time he was also a creative enthusiasm that originated from the heart. He had long been free from the constraints of money. It was because of this that he became increasingly disgusted with these people who came to ask for painting.

Because of Guo Dalu's special identity and the sensation it has caused now, even if no one deliberately hyped it up, his current calligraphy and painting works have reached a point where they are priceless.

At this time, Guo Dalu asked for paintings, which was almost the same as asking for money. The so-called elegant things are not as good as ordinary people. Guo Dalu really doesn't want to give them these paintings.

I would rather wipe my children's butts than let these people take them out and sell them for money.

In order to be clean, Guo Dalu simply closed the door and thanked the guests. It took two months before he painted the giant painting "The Land of China is So Beautiful".

After finishing the painting, Guo Dalu greeted Guo Kaiming and then returned to the room and fell asleep.

As a master of martial arts, he never had any fatigue, but this time he spent a lot of energy to draw such a veritable Chinese painting.

After hearing that his painting was created, the personnel from the relevant departments did not dare to neglect it. They specially led several top mounting masters to Guo Dalu's home to discuss how to mounting.

Such a huge picture scroll is a difficult problem. If it is not installed, they dare not take it out. They worked on it for more than half a month before they framed the picture. Then they specially found a big cart, rolled up the two pictures, put them into the carriage, and pulled them all the way into the National Welcoming Living Room, and let more than a dozen people carry them in, and then discussed how to hang them.

Guo Dalu was so tired for such a painting, and several of the relevant personnel were tired and sick.

But everything is worth it. In Guo Dalu's view, as long as China is immortal, this painting will always be hung in the living room of the Chinese leaders.
Chapter completed!
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