"Our episode of the program is now a bit changed. After the competitions of each contestant, a talent show has been added. If all contestants have any skills they are good at, they can be displayed in this session, such as calligraphy, painting, music, opera, and even talk shows. However, this session does not include personal scores, but simply allows the audience to have more understanding of the contestants."

After the live singing competition, host He Zheng smiled on the stage: "Today's first place is Miss Zhang Peiyu, so according to the ranking, she is naturally the first to go on stage. We already know that her job is a Peking Opera actor. This time she brought everyone an excerpt from the Peking Opera "Silang Talking to the Mother" and "Sitting in the Palace". The one who played with her was Wang Xiaolu, the most famous actress in China, who we are all familiar with. Welcome everyone!"

Wow!

The audience did not expect that Wang Xiaolu would also perform on stage this time. They were both surprised and happy, and many of Wang Xiaolu's fans cheered.

Guo Dalu and his wife rarely participated in commercial performances, and they were not even lazy to play variety shows. In the past, when Wang Xiaolu went out to perform with her mentor at the Conservatory of Music, she was basically a public welfare performance, and the audience was all the lower class people, and rarely performed on regular stages. This is a regret for many fans. Now, when she saw her rarely performing on stage, everyone was naturally very happy.

Even the judges on the stage were excited. Many of them had actually heard of the Peking Opera singing by Zhang Peiyu, but they had never seen Wang Xiaolu sing Peking Opera.

Amid the warm applause, Wang Xiaolu and Zhang Peiyu walked from the backstage to the front of the stage, and then the unique music of Jinghu sounded.

"I was so scared that I was sweating all over. It was fifteen years since he spoke the truth today. It turned out that the Yang family general changed his name. He missed his hometown and wanted to be reunited..."

After the Beijing Hu sounded, Wang Xiaolu started singing, which was really Beijing-style and Beijing-style. Her voice was beautiful and sweet, and her singing style was not inferior to that of the real actress Qingyi. She shocked a group of people when she opened her mouth.

The Peking Opera "Silang Tanmu" is a very exciting drama. After nearly two hundred years of exploration and change, some of the singing segments in it have reached the end. Every squirting and every eye movement is very particular. Although Wang Xiaolu cannot compare to a professional actor in her body movements, she is not inferior to a famous actor in her singing style.

When she taught Zhang Peiyu's Peking Opera singing style on Guo Dalu, she was also infected and became interested in Peking Opera. During this period, she not only watched her children at home, but also studied Peking Opera. The singing style of the Huadan Qingyi, which she liked, was the most famous among these singing styles. The most famous one was the Meipai Dan actor. Wang Xiaolu now learns the Meipai singing style.

In the excerpt of "Sitting in the Palace", it is about Silang Yang Yanhui who was trapped in the Liao Dynasty. When he was in the Liao Dynasty's military camp, he wanted to go back to the Song camp to visit his mother, Old Lady She, but he was not allowed to leave the gate without a command arrow. Finally, he revealed his identity to his wife Princess Tiejing and wanted his wife to steal command arrows to help him return to the Song camp.

This lyrics are Xipi Liushui, which is very classic and is a remastered program in Peking Opera. When it comes to large-scale evening parties, Peking Opera veterans and actresses basically choose this play to sing.

Even audiences who don’t know much about Peking Opera usually have some impression of this lyrics. It is because this lyrics appeared many times at the party.

But what everyone hears are lyrics sung by famous Peking Opera artists. This is the first time that Wang Xiaolu has seen him sing Peking Opera.

When Wang Xiaolu sang the first sentence, the audience suddenly became excited. Even if everyone didn't understand Peking Opera, they still felt that it was inexplicably good.

Several judges were surprised again. Although they did not understand Peking Opera, they also knew the difficulty of this play. Peking Opera was different from other operas. When other operas were sung, their voices were straight, but they were big-sounding. However, when Peking Opera was sung, their voices were straight. Many times, if you don’t listen carefully to the same opera role and the same lyrics, it would be difficult to tell who was singing it. This is different from many local operas.

If you sing a Peking Opera and sing a big voice, it is not qualified.

In another world, Lao Guo, who is not a famous crosstalk actor, claims to be a Peking Opera enthusiast, has also performed on stage with a face. To be honest, the singing was terrible. His voice did not stand up at all. He just sang in a big voice. He was much worse than the real fan. He was just a marginal fan, and even a senior fan was not considered a fan.

On the contrary, the Peking Opera sung by Hou Baolin is very interesting. When he hears it, he is a person who has put in his skills. That is why he really knows how to sing. Lao Guo is far from this.

Wang Xiaolu now spoke on the stage and shocked a group of people. Even Zhang Peiyu on the stage was shocked. She didn't expect that the master's wife would sing so well.

In fact, Wang Xiaolu was a graduate student at the School of Music. She learned high notes and her voice was naturally good. As long as she held the key points of singing Peking Opera, it was not difficult to sing the charm. What's more, she had internal strength in her body, had long qi and veins, and her voice could change at will. This is much more wise than ordinary people.

When Wang Xiaolu sang the lyrics of Princess Tiejing to the point where she sang "Don't blame me for being negligent in the morning and evening, and those who don't know will not blame you for your massive relaxation." It was Zhang Peiyu's turn to sing.

Zhang Peiyu is a female student. She usually speaks for female voices. When singing, she also has obvious beautiful women's voices. However, as soon as she opens her opera, she is completely a male voice, with almost no female voices.

This is really a kneeling sound. Her opening is more shocking than Wang Xiaolu's opening. She is obviously a girl, but she sang it in a man's voice. The key is that she sang so well.

The singing style of this play is very distinctive. It was slow at the beginning, but in the future, the musical rhythm became faster and faster, and the actors' lyrics were faster and faster. One sentence was pressed by one sentence, and one sentence was faster and one sentence was passed by one sentence. The key was to speak clearly, which was very skillful.

When Wang Xiaolu sang: "Songying is far away from this road, how can you return it overnight?", whether on stage or off stage, many people stood up and applauded. When Zhang Peiyu sang: "Although Songying is far away, she will return it overnight." The audience was excited.

These lyrics are suppressed by one sentence, and there is almost no breathing time. Not to mention the actors singing, even the audience feels that they can't keep up with the rhythm.

After the short section of "Sitting in the Palace" was finished, the applause in the scene continued for more than a minute before it gradually subsided.

Host He Zheng walked onto the stage with a dull look on his face, "Friends, our ancestors actually created a modern music form a hundred years ago. Do you know what Sister Xiaolu and Boss Yu sang just now? This is not just Peking Opera, do you know? I think it should have another identity, he is our ancestral rap!"
Chapter completed!