Mo Yan walked to an open place and played the Five Animal Show. His whole spirit reached a peak state.

This was the first time he modulated the graphite recorded in Mohist pattern, and he had to concentrate on it.

Fire essence powder, commonly known as yellow leaf graphite, is a primary graphite recorded in Mohshu's pattern science. It has a wide range of applications, so it is also called universal graphite. It is different from the graphite grades in the current system, and this will be supplemented later.

It has a powdery hexadecimal crystal with yellow leaves and a tiger mulberry flavor performance that is very susceptible to the painting process. Therefore, it can simulate the characteristics of various mediating materials to a certain extent, but its anti-interference ability is weak and repair is difficult, making its effect limited to the third order of the stone.

It is based on a special refining process, with fire essence powder as the carrier material, two E-level materials as the main string, three F-level materials as the multiple lines, and six G-level materials are used to adjust the eluent, and the above materials are analyzed and combined by a specific mental traction method.

Mo Yan only has three main raw materials for preparing fire essence powder. The others were retrieved from the three Lagus families. It was through this incident that he truly understood why the famous masters of painting patterns would choose to be named a big force. Otherwise, just searching for these paint patterns would be a headache for them.

This is the first time Mo Yan has used such a complex graphite to modulate it, especially in the process, which requires the cooperation of mental power, which greatly increases the difficulty of modulation.

He was very excited, but his expression seemed to be like an ancient well without waves. His slender and slender palms were so stable that they were very curious about how strong the patterned stone painted from this graphite was.

Modulating graphite is the basic skill of a pattern painter. Some skilled people can even judge the approximate level of a pattern painter by using a piece of modulated graphite.

The processing process of up to eleven materials is a bit cumbersome, but the difficulty is not too high. Mo Yan quickly arranged the processed materials neatly. The next step is the most important step - fusion.

This fusion is not like ordinary graphite, which just pours all the materials together, heats and stirs for two. In some medium and high-level graphites that are widely circulated in the Federation, special mental traction is required to perfectly integrate the materials together.

Painting patterns is a technical life, and any slight difference in graphite composition is enough to lead to the failure of painting patterns.

According to the recorded mental traction method, it is maintained at a spiral-shaped sensitive frequency, and poured eleven pieces of materials into a special container in a certain order. His spiral mental power just wrapped the entire container, and any slight changes inside cannot escape his perception.

When is it necessary to heat, when is it necessary to stir, and when is it necessary to have a certain frequency of mental shock? Only with this subtle observation can it be accurately completed.

After an hour, Mo Yan finally completed the eighteen processes. Looking at the light blue crystal liquid that shrank more than half in the container, the crystal clear liquid seemed to have magical magic. He was unable to bear to move his eyes away.

Finally, it’s worth the hard work and so many rare materials.

He wiped the sweat from his forehead. The movements he had done before were not big, but they required a high concentration of attention and were still very serious in energy.

Mo Yan sat in the chair and closed his eyes and rested for a long time. After a while, he finally opened his eyes and the fatigue on his face was wiped out.

He resolutely took out a blank second-level Yuan stone and threw the little reluctance in his eyes behind his head. Although this yellow graphite can also be used to make third-level pattern stones, it may not be very prominent. What's more, if he has to wait for him to reach the third-level pattern master, he doesn't know when he will wait. The ready-made things in his hand are naturally used, so I'll talk about what's going on in the future.

He looked at the green pen in his hand. To be honest, this pen that seemed pretty good at the time was no longer suitable for his identity. Unfortunately, it was hard to find a good pen, so he could only use it.

He had already made a name for himself. After inserting the pen into the container and sucking enough graphite, he drew a large arc with his right hand holding the pen, and then fell on the stone surface, and the dragon and phoenix danced.

Mo Yan's expression was focused, and his eyes were filled with perseverance. The flexible hand seemed to have a soul. It was swept freely and easily. His mental power poured into the pen stem from his arm, and divided into five strands along the big, four and small contacts on the tip of the pen, and easily pierced into the flow shell gap (the critical surface between the "gray shell" of Yuanshi's surface and the "soft flow" of the middle). During the movement of the pen tip, the five strands of mental power each guided a graphite flow intertwined step by step, leaving behind fifty-one strokes composed of microstructures.

The mental power was consumed very quickly, and a weakness that he had not felt for a long time again came to his heart.

Another half an hour passed in a blink of an eye.

Suddenly, starting from the beginning of the pen, along the line of the pattern, a strange figure that looked like a horse and a sword quickly emerged, and in the blink of an eye it gathered to the stopping point.

"It's almost done."

The mental power of the sea of ​​consciousness suddenly produced a slight fluctuation. Mo Yan knew that the "outpost" was touched - now! He suddenly burst out with the strongest mental power output, but in a flash, he took the initiative to push his mental power back to the minimum limit. Manipulating the four small spiritual power tributaries, Mo Yan had only had time to gently move it, and the first step of activation of the original energy of the stone was completed.

At that moment, the four mental tributaries moved the loop-back setting of the Montessorius encrypted structure group. This was what he saw by chance in an ancient book in the library in the courtyard. The entire encryption structure group needs to be pushed before the stone is fully activated. Even if it is used to use the lowest-level loop-back setting, if it wants to reach the theoretical conventional encryption level, four double loop-back patterns are required to mask it, which also requires a mental strength of 211 cards.

This is used by high-level pattern painters to hide their own pattern paint techniques. The more advanced the encryption structure, the higher the requirements for mental power. The reason why Mo Yan values ​​this encryption method the most is that once there is a powerful cracking signal from the outside world, this structure will automatically heat up and destroy the energy structure of the pattern.

Perhaps this set of Montessori cryptography is not the best, but it must be the most suitable for him. Mo Yan didn't know who stayed there, but it seemed to be tailor-made for him. Even if the stone was destroyed, it was still much better than falling into the hands of the enemy. For him, keeping the secret of the stone is the most important thing.

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PS: Some of the information in today's chapter comes from a enthusiastic book friend, Xingya. Guazhou would like to express his gratitude here. Some of your opinions have been of great help to Guazhou.

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Chapter completed!