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Chapter 12 Ways to Exit

After Su Li came to her senses, she couldn't help but say: "I admit that what you said makes sense. This passerby character is indeed different from other female characters, but she is a passerby character after all, and I will not be separated from the primary and secondary. Also, I was almost surrounded by you. My "Pure Love" was originally a campus harem comic. What readers want to see is the interaction between the male and female protagonists, the female protagonists' selling scenes, rather than learning. Speaking of which, men these days prefer the "sexy bitch" who take the initiative to post, right?"

Zhang Ziqiang was a little disappointed when he heard this response, purely because he felt that the scene of the male and female protagonists' interaction and selling meat was too boring. He hoped that "Xu Jing" could get on top and then some more interesting plots appeared. Unfortunately, Teacher Su Li still insisted on his own opinion.

While he was disappointed, he also became admired, because this should be the attitude of a professional cartoonist. Now the most popular heroine in "Pure Love" is still her younger sister Yang Qianqian. Everyone is used to the style of this work and changes it rashly, that is, it is a nonsense.

This is like in an online novel, an author has been writing according to routines, and his achievements have been OK, but one day, he decided not to play with some new ideas and write some plots that readers cannot guess, but he ended up playing...

The so-called "Since ancient times, since the beginning of time, the only way to win the hearts of the people" is the truth. Sometimes the author thinks he has written a sincere plot, but the reader just doesn't buy it, which is helpless.

"Will you reduce the appearance of the character "Xu Jing" and slowly let her hide?" Zhang Ziqiang asked.

To his surprise, Su Li smiled slightly and said lightly: "No need, I will slowly increase her role and first change from a passerby to a supporting role."

"Why?" Zhang Ziqiang was a little surprised.

"Because I was convinced by you, I also think this character is interesting, so it makes her more conspicuous. Let's look at the readers' reactions. We both think it is interesting, but it does not mean that readers find it interesting. My focus will always be on the female character that is most popular among readers." Su Li replied confidently.

"I am really worthy of being Teacher Su Li. This time, I, the assistant, have really been taught. Sure enough, Teacher Su Li has achieved such results in this first long series, and it is not without reason." Zhang Ziqiang sighed.

Su Li was no longer modest. She smiled and continued to devote herself to creation. She didn't know if it was her illusion. She felt that when she was painting the character "Xu Jing", she was "writing like a god", as if this character had her own soul and will, and she could not control the character's actions at all!

She was not surprised, but remembered many creators. When talking about the fate of a character in her work, especially some tragic characters, readers strongly demanded to modify the ending of the character, hoping not to be so miserable. As a result, those creators pretended to tell the readers that there was no way to modify it, because the character in my work was no longer controlled by me. She had her own will and soul, and she was destined to be a tragedy!

Su Li always felt that this was some creators who prefer to be depressed, because in a sense, the creator is the creator of a certain world, and all the characters are his puppets. How could there be an irreversible ending?

But now, during the creation process, she suddenly understood that she did not want to distort the will of a certain character, but just wanted her to move on her own. Like those works that portray particularly well in groups, they should be typical examples of using characters to promote the plot, right?

But what made Su Li feel a pity was that she only felt this way when she portrayed the character "Xu Jing". When she painted other characters, she still felt dry. Compared with the two, she actually felt that spending more of her pen on "Xu Jing" was the king, but she finally restrained this desire because she didn't know whether readers like it or not.

...

Zhao Youyue, a guy who was secretly causing trouble, naturally didn't know that she had received favor from the creator, which was actually not a good thing, because Zhao Youyue felt that studying with peace of mind in the dimensional gate was also good, which could make up for her laziness in reality. If favored by the creator, she would inevitably have more intersections and interactions with the main characters inside. Wouldn't this waste her precious study time?

Zhao Youyue was also sorting out more information about the Dimension Gate. Then she realized that the phone was confiscated today and the class was named was not accidental, but the negative consequences of the last time she was messing around. To put it more mysteriously, it was that she consumed her luck... This lesson made her use Dimension Gate more cautiously and would never destroy the efforts of other creators casually.

At the same time, Zhao Youyue also figured out how to leave a certain anime, game or novel world.

First, naturally, just like she did before, she randomly set up passers-by roles, transformed into a terrifying demon king, destroyed the protagonist, completely destroying the balance of the entire work, and causing the work to collapse. However, the consequence is that her luck is reduced in reality and her misfortune is continuous. The more popular the work is broken by her, the more serious the price she pays.

Second, the death of the character she possessed. If the character she possesses dies in obscurity, it is actually fine. It does not have a negative impact on the entire work, and then she will not have bad luck in reality, but she has just wasted a precious opportunity to enter the gate of the dimension.

If she possesses a major female character and dies inexplicably, then refer to the first one. Therefore, as the heroine, even if she dies, she will die from "plot killing", rather than a nonsense way of dying like falling into the water and drowning or choking to death by drinking water. If the "plot killing" arouses the sighs and strong reluctance of many readers, it is a plus point.

Third, the characters she possesses have already become extremely popular, and she will have the right to choose to leave this work in the dark, which is the ability of many readers to support their will.

In other words, as long as she becomes what readers think of as a classic character, she can leave. However, the author may destroy this classic character in the subsequent portrayal of this character. For example, Wu Di, the heroine of "Transformed Female Academic Master", was very popular in the early stage and was completely destroyed by the author in the later stage, so her inherited abilities will be gone.

So in fact, the most perfect way is to let the character die when it is most glorious and attracting attention! At the same time, it is guaranteed that the creator in reality will not resurrect the character by sudden whim and destroy the character's image...

Fourth, if the work is completed normally (refer to the first item for abnormal completion), she can of course leave. This condition can avoid the tragedy of the characters and end it when she is most popular, so that she will not be able to deliberately seek death.

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