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Chapter 99 Don't have a charm

Entering the 21st century, most Japanese people have forgotten the era when Japan's economic booms and have adapted to the current situation where the economy is stagnating and is still stagnating.

The older generation who lived in the bubble economy era may have a little ambitions.

Young Japanese people who grew up completely in the lost era have no ambitions or ideals at all.

They were like salted fish, and they didn't care about anything and wanted to do nothing.

Because they know that nothing is useful, and nothing is useful for caring about anything.

I am already a salted fish. Did I try my best to change and turn myself over and let the other side of my body be bathed in the sun?

funeral!

Very sad!

Young people in Japan have become very Buddhist because they cannot see hope.

This is because they have this kind of personality. Will the next generation of Japan be over?

No!

Not so!

The environment shapes people.

It is precisely because of this environment that young people in Japan have become what they are now.

Unlike Japan's bubble economy era, those expensive clothing brands have also burst like bubbles.

In this world, the most popular clothing brand among ordinary young people, the most popular clothing brand among the public is Uniqlo, or the cheap brand affiliated with Uniqlo, which is already very cheap.

People in the Japanese clothing industry can be said to be criticized by Uniqlo.

Think they disrupted the economic cycle.

Everyone went to buy cheap clothes, but no one bought expensive ones.

Workers who produce expensive clothes will lose their jobs.

Workers are unemployed and lose their source of income, so they can only buy cheap clothes from Uniqlo, which is completely in a vicious circle.

Although it sounds very reasonable, it is actually not much different from nonsense.

When did capitalists or business owners care about the life or death of their employees?

All they care about is the market that was stolen by Uniqlo, which makes them unable to make money.

The employee is just a saying, just like a rebel person always says he respects the emperor and seeks traitors.

Japan, which is trapped in such an economic situation, no longer needs those grand literary and artistic works.

Even if you can travel in the universe, you can't sell one of our mobile games.

You should know that Wanhu mobile phones are completely different from traditional electronic game console platforms.

There has been no loss since the first one sold.

You know, this is a mobile phone that costs $399.

For example, Sony's new home gaming console, the price is only 299 US dollars, and it can also play Blu-ray discs, which is simply cost-effective.

However, compared with the cost-effective P2, tens of thousands of households sold better mobile phones.

You should know that even though Japan's economy has been in decline for more than ten years, the dead home who can stay at home and only play games every day still accounts for a small number of people.

It’s not because others don’t want to stay home, but because they are not even qualified to stay home.

This kind of experience of being a home student is definitely uncomfortable.

However, although that's what it means, Takahashi knows that any one of the ten thousand households knows that traditional games are the fundamentals.

If you lose the ability to make traditional games, you are unlikely to continue to be called a game producer.

because……

The mobile game that is emerging now is not just a game that players play.

It's better to say it's a game designer who designs a comparative value and then fills in more settings, making a software that is purely asking users for money, just like a game.

Even at the center of this game, I wish I didn’t want players to play. All the things are done by the program for players.

Players only need two things, one is to recharge money, and the other is to show off after recharge money.

What kind of game corresponds to what kind of players.

Such mobile games are actually a group of people with relatively miserable living conditions.

This group of people may have a little money, but that money is not enough for them to do.

They don't even have time to play games, but real life is too stressful.

Therefore, they can only come to a mobile game world where the design of mobile games is very bad, and they just say that they just need money.

They use virtual rewards to alleviate their heavy lives in real life.

Social livestock.

That's right, it's just a social animal.

Although I feel that there is no hope for the human body, in order to survive, most Japanese people still live like human-shaped animals.

The money they saved as cows and horses, except for dealing with life, all they have is to gain illusory satisfaction in mobile games.

It's hard for real players to understand what they are pursuing.

Some people even think that the revenue of mobile games is so high, which is money laundering.

I heard that the Jidao always had many incomes of unknown origin that needed to be whitewashed, so they whitewashed through mobile games.

However, although there is such a possibility, there are really many people who really play these games.

Mashima Ichima got the opportunity to make a console game, and he was very happy inside.

Even for the successful establishment of "Royal" project, he felt like he was living in a dream.

You know, although there have been many outstanding underworld films in the history of Japanese films.

The most classic ones are basically movies directed by Takeshi Kitano.

However……

The gangster movies inherited from the era drama are now in a trough.

In this world, except for those social animals who work hard every day so that they don’t even have time to play games by themselves, they are those real hardcore players who are dead.

Everyone is only concerned about what is happening in their own field.

I won't pay much attention to any extreme topic.

Everyone is no longer passionate.

even……

Majima Ima thinks that players who make a "Big Tree Simulator" don't have to do anything, just experience the life of a big tree every day, and many players will play it.

However, since the chairman has agreed, Mashima Ichima feels that he has to work hard too.

The so-called Chi Xingzhou is a writer in Japan who specializes in underworld subjects.

Because he likes Stephen Chow's movies, he uses his pseudonym to be Chi Xing Zhou.

As soon as Madao Yima returned to Japan, he went to find Chi Xingzhou.

Chi Xingzhou is also a person who grew up under the influence of electronic games. He was also very interested in learning that Wanhu wanted to make a game about Jidao themes.

After everyone negotiated the price, Chi Xingzhou began to create scripts.

The protagonist of this script is Kiryu Kazuma, which is a rather clichéd revenge story.
Chapter completed!
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