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Chapter 79: Beginner repairing small script

When he woke up in the morning, Zhong Yue's bed was sunburned by the sun. After waking up, he leaned out, pulled up the bed curtain, rubbed his sleepy eyes, and took out his cell phone from the pillow to look around.

The chicken chop post in the post bar is still very popular, but starting from his floor, the direction of the topic has changed again. The following are posts scolding him.

"What are you? A ravine? Which ravine is from? The country people dare to act wildly in the Academy of Fine Arts? @Tidal Aliens, the bar is working!"

"What are you doing with him? I think he dares to come out like this kind of clown? Squirt him to death!"

"If you know a little calligraphy, you dare to be arrogant everywhere? Which idiot is this? It's not from the calligraphy system, right? @Pingxinren, Lao Zhao, can't you from your calligraphy system?"

Some of them scolded them so badly that they were all harmonious asterisks, while others scolded him in a corner. Anyway, all kinds of replies pushed the Shangu Booksmith's post bar account to the forefront. Zhong Yue smiled and did not reply, and directly quit the post bar website.

I'm very angry, right? I like the way you can't stand me and can't get rid of me.

After becoming much more awake, Zhong Yue entered the brushwork system and was preparing to observe Wen Zhengming's copying of small calligraphy.

There are talented people in the world, and they have been leading the way for hundreds of years. Calligraphers have a leading figure every hundred years. To this day, Wang Xizhi is undoubtedly the world's number one running script, which is indisputable. The world's number one cursive script is also the Tang Dynasty's Huaisu. As for the world's number one regular script, whether Ouyang Xun or Yan Zhenqing, this has been debated in the calligraphy world.

But no matter what, except for the two kings of the Eastern Jin Dynasty, several of the world's best were all included in the treasures of calligraphers of the prosperous Tang Dynasty. It seemed that after the Tang Dynasty, there was no unique work that could surpass its predecessors.

Therefore, ordinary beginners of calligraphy, such as those who learn regular script, will start with the four major regular scripts such as Yan style and Ou style. Because the calligraphers of the Tang Dynasty had strict rules and rigorous structure, they developed further and further, calligraphers such as the Song, Yuan, Ming and Qing dynasties all pursued the beauty of calligraphy based on their predecessors, and became difficult to grasp.

Similarly, it is the same when learning small regular script. There is a catchphrase that does not learn small regular script. It is not that Wen Zhengming's small regular script is poor, but on the contrary, it is because Wen Zhengming's small regular script is too exquisite and difficult to grasp, so this sentence is just passed down. It is really not worse than Zhao Mengfu's small regular script.

After Zhong Yue entered the Wen Zhengming Xiaokai system, he found that the scene had changed a little. In this regard, Zhong Yue still felt that this system was made with conscience. After all, the single style of painting is easy to make people tired. This time it was an ancient pavilion. When Zhong Yue looked out from afar, he saw Wenheng Mountain sitting upright in the pavilion and saluted, "Good morning sir."

"Not the art, I ask you, what is the most important thing about calligraphy?"

Zhong Yue thought for a while, "My heart is my pen." After all, I learned the essence from Jinshoumen. This problem is not a new problem for Zhong Yue.

Wen Zhengming stroked his beard and nodded, "It's all right. That's right, it's about taking care of yourself. What is small regular script? It's just small characters in regular script. Large characters are difficult to be dense, and small characters are difficult to be more generous. You must understand that small regular script is more generous, at least this character must accommodate your heart."

Zhong Yue's heart was terrified, and another mysterious sentence was another mysterious sentence.

Can you tolerate your heart? How generous is that?

From the perspective of physics, the size of a person's heart is about one fist, which is beyond the size definition of a single character in small regular script, and is definitely unacceptable. Of course, this is just a joke in Zhong Yue's nonsensical thoughts.

Wen Zhengming stroked the rice paper with a ruler, and the pen was dipped ink. "I have a big misunderstanding when reading your previous writing. There is no need to use a reverse tip when writing small calligraphy. You should use a sharp tip, and use a pause or lift the pen when finishing the pen."

Wen Zhengming's fingers are flexible, and the strokes are blooming. The thin brush strokes are jumping on the paper. "Look, for example, if you want to write this horizontal stroke, the starting point is either sharp and the ending point is round; if you write a vertical stroke, the starting point is slightly paused and the ending point is sharp; if you turn the strokes, the starting point is fat and the ending point is thin; if you turn the strokes are thin and the ending point is fat and the ending strokes are fat. At the same time, you should make a curve to the left and right, the strokes are vivid and emotional; if you want to point sharp and round, the pick is sharp and sharp, the curve is square inside and round outside, and the hook is half curved and half straight. These are the most basic characteristics of small regular script, you must remember."

Zhong Yue looked down and saw that there was only one word Yong on the paper.

Among the common sayings of calligraphers, there is indeed a saying that if you write the word "Yong" well, you can practice calligraphy well, but it is not all correct. For example, the smallest dot and stroke include vertical dots, long dots, left dots, right dots, etc., and various forms. As for horizontal, vertical, strokes, and strokes, there are more categories. Willow leaf strokes and sword strokes are used to describe the method of simulating objects. When beginners master it, they are even more confused. Is it a knife stroke? Is it a kitchen knife, a watermelon knife, or a gold-backed machete?

Therefore, when the problem is too complicated, use relatively simple solutions to simplify the problem to approach the real answer. This is to practice the word "Yong".

Wen Zhengming kept writing. How can such a small square character be more generous and tolerate his own heart? In fact, it is just pursuing a harmonious beauty. This state is delicate and balanced, with light and heavy, hard and soft, and strange and right.

It seems that every stroke is similar, but when you look closely, each stroke is different. A row of small regular script is written in a staggered manner, but it is on a midline, which is called the flow of energy and flowing through.

"If you don't have a tool, remember that you must be flexible and changeable when using your pen. Don't set limits for yourself."

Zhong Yue was fascinated by the sight. The tiny brush strokes flipped and jumped between the paper, like an elegant dancer fiddling with various dance poses, coherent and dull, elegant and flexible.

An hour of observation time passed in a flash. Zhong Yue was still a little impressed and was popped out of the system. He looked at his proficiency and was really surprised. In the first few days, the number of people who watched Jinnong's lacquer books increased by more than ten or even twenty. This time, after reading it for an hour, it actually increased by one percent?

Zhong Yue was a little puzzled, so he went to ask Jin Nong for advice.

"Mr. Dong Xin, why is this small calligraphy so difficult to increase its proficiency?"

Jin Nong smiled and said, "The breakthrough and improvement of lacquer calligraphy is to break out of the artistic conception beyond the brushwork. However, the meticulous practice of small regular script is to accumulate over time and dripping water wears through the stone. Slowness is natural."

After listening to Jin Nong's explanation, Zhong Yue was relieved.

It happened naturally, and he kept saying it happened naturally, but he became anxious again.

It is actually an incredible thing to be able to perfect the brushwork of lacquer calligraphy within two months. As for Wen Zhengming's small calligraphy this time, it is like a trickle of water, slowly working hard.
Chapter completed!
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