Felt has existed since ancient times, but it was only popular in the Yuan and Ming dynasties. Calligraphers of the Tang and Song dynasties all put a piece of silk on their desks, and cotton and linen on their desks. So it is not to say that without felt, Zhong Yue could not find any other substitutes. It really doesn't work. It's okay to take off the short sleeves on his body and cushion it, but it's just a bit unelegant.

After spreading the long red scarf on the table, Zhong Yue took out the Duan inkstone, ink ingots, pen curtains, and raw rice dumplings one by one.

A little mineral water was added to the Duan inkstone, and the ink ingot was grinding it in a desirable manner. After pouring the grinded ink into the ink disc, Zhong Yue smoothed the Shengxuan with paper town and began to write and write.

In the venue, some students have reached the end of their creation. This competition that only tests copying and does not require creation is simply too simple. They don’t need to use their brains at all, just pick up the pen. However, people who are often trapped in such a thinking are wrong.

Whether it is creation or copying, what is the most important thing for calligraphy works besides looking at the presentation effect? ​​It is still the calligraphy style of the calligrapher himself. When the creation is erased, the details determine the success or failure.

Zhong Yue is not picky anymore.

The system holographic projection of the full text version of Lingfei Jing has been opened.

Zhong Yue was fully focused and began to write the Lingfei Sutra.

Turning on the system holographic projection is not because Zhong Yue wants to win by copying books, but even though he has been copying this world's number one small regular script for so long, it is still difficult to recite this Taoist scripture. This method saves Zhong Yue a lot of time and does not have to ask for content and text before.

Zhong Yue’s pen is extremely fast. The nine powers of the gods and man pay attention to the word “one momentum”. Wen Zhengming can achieve twists and turns. Now, Zhong Yue can combine the nine powers of the gods and man to make strokes one by one! Don’t underestimate this extra fold, which means that Zhong Yue’s brushwork has made breakthrough progress.

As for why his proficiency in small regular script is 70% or 100%, Zhong Yue felt that the system's requirements are no longer simply based on the sample of Wen Zhengming's small regular script, but have combined all small regular script calligraphers to make a judgment. Otherwise, his twists and turns of brushwork will completely surpass Wen Zhengming, and at least he can match it.

The brushwork cannot determine everything, but it is also indispensable.

The brush strokes the water, and the ink rhyme flows on the tip of the brush. Zhong Yue's brushwork remains unchanged, and the artistic form presented is indeed ever-changing. Jumping on the cliff is a leap; flying across the river is a leap; rising into the air is a leap.

Hiding the tip and hooking the silk, walking against the tip, turning with a proper turn. Zhong Yue is now using his pen like a military advisor.

"Horizontal" is like a formation cloud of thousands of miles, and it is vaguely tangible.

"Point" is like falling from a peak, but it is like falling from a rock.

"彩" is like a broken rhinoceros elephant in the land.

"Broken" is like a hundred jin crossbow.

"Her" is like a withered vine.

"日" is like a thunder and thunder.

"Horizontal folding hook" is like a strong crossbow and tendon joint.

With his mind and his hands and hands connected, Zhong Yue's attention was highly concentrated and he had completely ignored the noise around him. In his eyes, there was no other distraction except calligraphy.

This is a rare concentration, and only calligraphy that can be achieved by people who have been in a state of concentration for more than ten or even decades. Often, the aura emitted by the focused person is the most powerful.

This is a basketball court, but it temporarily serves as a battlefield for literati. In Gu Qin's eyes, this silence and movement are so charming.

The full text of Lingfei Jing has more than 3,000 words. It is definitely impossible for Zhong Yue to copy the entire version. Even if time allows, the size does not allow. On the four-foot-fold rice paper, the most suitable content is the forty-three lines.

After being permeated, the most important sentence Zhong Yue remembers is that small calligraphy is more difficult to be more generous.

Each character is independent and a whole. To be more generous, it is necessary to have a clever structure.

The way of calligraphy is that what is on paper is kung fu, and what is outside of paper is the meaning and spirit.

Zhong Yue's quick writing was shocked by the audience.

Because Zhong Yue wrote too fast, he didn't seem to be writing, and he looked like he was painting casually.

"This young man sat calmly before like nothing happened. Now it's too late. I'm just dealing with it like this. I'm still too young."

An old man pushed his reading glasses. Although he couldn't see what Zhong Yue wrote from his perspective, he could be sure that it was not a big word. He sighed: "The young man is still young. This kind of competition has a tight time and he still wrote such small words. The length is not pleasing. I really don't know what he thought, and he has no rich experience in participating in the competition."

No matter how others understand it, Zhong Yue has his own thoughts on the Lingfei Jing.

When the Tang people wrote this book, they definitely did not write it in the form of calligraphy creation, but simply copied scriptures. Taoism, due to Lao Tzu's relationship, developed to its peak in the Tang Dynasty. Therefore, some famous calligraphers in the prosperous Tang Dynasty believed in Taoism, such as Wei Zheng, Wu Daozi, He Zhizhang, etc.

Therefore, Zhong Yue did not copy it as a calligraphy work, but regarded it as a Taoist scripture and wrote it piously.

The air conditioner is turned on in the venue, which makes the hot air quiet.

Everyone is coming to an end.

Signature, stamp.

Zhong Yue has also written the signature. He has been nearly an hour less than others, and his short space is enough to show that he is writing quickly. Small calligraphy does not mean that he should work slowly and meticulously. Where he should be quick, he must be able to move smoothly.

The Lingfei Sutra of the Forty-Three Lines is not very long. Zhong Yue has copied it countless times and has already been familiar with it. With the system holographic projection, the structural layout appears clearly in front of his eyes, which is ridiculously fast.

call.

Zhong Yue put down the small hair in his hand. His wrist was slightly sore. After looking at the time, he had only been half an hour and he wrote very quickly.

He stamped the seal and checked on one side for anything wrong.

In fact, this step is just a psychological comfort. Calligraphy is different from other things. If you make mistakes, it will be extravagant to make changes. If you write it, it will be as good as you should. If you make changes, it will be unpredictable.

Zhong Yue sat in his seat, waiting for the judge to come.

After a while, many people have completed their works. Zhong Yue looked at the audience and found Gu Qin's puzzled eyes. Zhong Yue smiled back.

Although the process was a bit tortuous, it was still smooth for Zhong Yue.

The ink traces gradually dried up, and Zhong Yue suppressed it with paper. He looked sideways and saw that the calligraphers in the judges' seat had already stepped down and started rating.

Zhong Yue turned around and forwarded his neck hard and yawned with some fatigue.

This kind of competition is really boring.
Chapter completed!