The so-called mirror split personality training is an extremely advanced form of performance, which requires actors to have strong self-control. They can separate one of their own personalities in front of the mirror and fully simulate the role they want to play.

This method will greatly enhance the vividness of the character, such as a sanctimonious university teacher who is thinking about how to trick female students into sleeping with him, or a kind-hearted cleaner who is thinking about how to kill his boss at night.

In movies, this kind of mirror-tempered personality separation usually creates classic villains. The most famous one is the 1991 classic movie "The Silence of the Lambs", in which actor Anthony Hopkins played the villain who was praised by countless film critics.

Known as "the most terrifying perverted killer in history".

In the entire movie, Anthony Hopkins only has 21 minutes of footage, and there is no body language. The only movement he makes is to stand or sit down. But he splits his personality through the mirror, relying only on his eyes and words.

The demeanor is used to embody Hannibal, a psychology professor who cannibalizes people but is extremely intelligent and personable. His two-sided personality, which is different internally and externally, is vividly displayed.

In addition, Hong Kong actor Anthony Wong also used mirrors to split his personality when he starred in "Human Barbecued Pork Buns". It is said that in order to film this drama, he not only watched some heavy-flavored bloody news, but also observed many perverted prisoners.

During the filming, I kept practicing and trying to figure out the character's personality, emotional expressions, etc. in front of the mirror. After the movie was released, it became a blockbuster. With this movie, he became the first Hong Kong actor in history.

A third-level movie actor!

This method of acting is known to all actors, but very few people use it. The biggest problem is that it places extremely high demands on the actors themselves. The actor divides himself into two people through the mirror at the same time. It is easier at the beginning, facing the mirror.

After the performance, you can retreat and detach yourself. However, some people with relatively weak willpower will not be able to detach themselves while performing in front of the mirror, so that they lose their original selves and completely become what is called in the play.

Murderer, pervert... This is definitely not a joke. It is said that an actor in Denmark used this method to practice the role of a serial killer. As a result, he couldn't escape and actually ran out and killed someone...

…

In short, being able to use this method to hone oneself and enter and exit freely can only be mastered by those actors with broad acting paths and excellent talents, who are among the pyramids.

Can Leonardo have this ability? This is still unknown.

The more important thing is that although mirror splitting personality is a very classic and effective way to create a character, what puzzles Leonardo and Luc Besson is that in such a short period of time, another more plump person can really be split.

The real traitor Jack?

"How to express the gap between Jack's inside and outside?" Leonardo thought for a long time, but still had no answer, so he could only ask Yi Feiyang directly with some frustration.

"It's actually very simple." Yi Feiyang looked at the two people and explained: "On the surface, Jack is a German Nazi elite, a feared senior intelligence official, but in fact he is a French traitor who is being used. The Germans will not

If you trust him completely, you will be abandoned at any time, and he also understands this, and he also understands that as a French traitor, he will be assassinated at any time. He is actually a poor guy living in the cracks..."

"Poor thing?" Leonardo and Luc Besson were both stunned when they heard this. They looked at each other and saw the confusion in each other's eyes.

Leonardo is an actor. In his opinion, the character Jack is a man of high authority. Perhaps nothing scares him except death.

Luc Besson is a director. In his opinion, the character Jack is a very complex symbol, representing the past and the present. In the past, he was the French elite, and now he is the nightmare of the French people. In the past, he was justice, and now he is evil.
Chapter completed!