Is it important to an actor to win an award?

The answer is yes!

No actor does not want to win awards, this is the premise.

When many people evaluate an actor, the most basic thing is to look at awards.

The yardstick of an actor is the award.

But just having a prize is useful?

"The Dragon Search" Xia Yu, Venice, Golden Horse, and Golden Rooster's three-in-one actor, was suppressed by Tianbao in his position;

Hao Lei, an acting school, was crushed by Tangtang...

So some people said that commercial value is definitely more important than awards, after all, movies are just talking nonsense to make money!

Let me put it this way, two movies, one may have a box office of $ billion, and the other may have an Oscar winner. You are the starring actor, so you can only choose one, which one would you choose?

I think for the vast majority of actors, they will choose the previous one. Of course, like Little Li, they are the few award-winning stars after all...

Times have changed. Although the acting and powerful people are still valued and recognized by many people, the most important box office appeal really depends on the actors themselves!

Brother Xiao Ming tried his best to win the Golden Rooster Actor Award, but the audience's popularity continued to be bad...

Liu Feifei from the original time and space really has no resources, she is a single family, and her agency team can't help but fight with others, so she can only rely on glamor or some new directors, and she is just a co-production film from foreign companies. One thing in common is that she doesn't need connections, and can get it by herself.

The domestic environment is that there are many bad movies, but there are only a few good movies.

There are not many outstanding films in co-production!

Dai Sijie, the director of "Night Peacock", is a very powerful person. He has won the Golden Globe Award nomination for the film, and his literary works are nominated for the Nobel Prize in Literature...

It is already a good resource, but the movie "Night Peacock" is really... a soulless creation with a literary shell, foot fetish, skin fetish...

She herself said in an interview, "I have taken all the movies I can take..."

Therefore, even if she wants to take on works with box office potential, there is no good choice. "To Youth 2" is still because of its glamorous operation.

As for "Three Lives Three Worlds", this trick should be memorized by Ali Film and Television!

Earlier, Xu Yuanxiang, vice president of Ali Films, also proposed the "ip-only theory" and said that Ali Films does not need professional screenwriters...

He led the project "Three Lives Three Worlds Ten Miles of Peach Blossoms". In 2019, "Ferryman" failed miserably. Xu Yuanxiang was assigned as the head of several major projects. He took office. The project "Three Lives Three Worlds" was abandoned. It cannot be said that it was not as important as before.

Guangxian probably felt that she had the ability to make this thing a high box office, so she took on this project...

Of course, the publicity is still dominated by Ali!

By the way, Liu Feifei still made contributions. With "Three Lives Three Worlds", it was the cross-border giant Alibaba Film and Television that only relied on "promotional, celebrity, IP, traffic" and ignored scripts and production to make money, which was shattered!

Immortal merit!

...

"Have you contacted Director Xue Xiaolu recently?"

Liu Feifei nodded and said, "...She called me two days ago and said she wanted to show me a script, called 'Beijing, Seattle'. I'm going to see her in two days."

"Beijing Meets Seattle?"

Xu Hui asked back.

"Yes, that's the name, you know?"

"…Xue Xiaolu is definitely the favorite director of all investors!"

Xu Hui did not answer Liu Feifei's question, but instead felt quite emotional.

Quick Gunner!

She had already tinkered with "Beijing Meets Seattle" just as the filming ended!

Really productive!

"Did you read the script? What do you think?"

"Very good, a good story, you can pick it up!"

"But, I don't necessarily have a schedule..."

Bye bye, Liu Feifei calculated that the filming of "Arrow" will last for two months. If it collides with "Beijing Meets Seattle", she can only give up!

After all, no one knows that "Northwest" can explode with such box office potential!

Fortunately, she had the prophet Xu Hui, who advised him: "Xue Xiaolu is a very good director. If you can continue to work with her, it will only benefit you!"

"I like her very much too... Forget it, let's talk about it after meeting in two days!"

"If it were you, I would rather give up the "Arrow" than film "Northwest"..."

"So optimistic?"

Liu Feifei thought for a while, but was still a little hesitant.

"Let me tell you this, 'Northwest' is very likely to be a series..."

...

It’s a bit regrettable that Liu Feifei had a commercial event that night, and Xu Hui also wanted to attend the pre-screening press conference of "The Wind of the King".

So, only another day.

The promotion of "The Wind of the King" has long been overwhelming!

After all, he is the number one IP.

Xu Hui was probably aware of this version of "The Wind of the King".

The plot has been deleted, and the focus has not been scattered. After all, the original version of Zhao Wenzhuo is not very famous, and Liang Kuan takes the opportunity to get on the top...

In fact, the most criticized version of the original "The Wind of the King" is because of its chaos in the plot and too many clues.

With such a deletion, at least the story has been straightened out a lot. As for the perspective of the pattern, it is definitely not as good as Xu Hui's "Huang Feihong". After all, he copied the most classic work of Mr. Xu!

However, Wu Jing and Li Zhongzhi have played out their strengths, with many action shots, slightly fewer literary opera parts, and no historical background renderings.

This may require a reduction in points. After all, Xu Hui's "Huang Feihong" has the strength of the martial artist in the historical context. Huang Feihong represents progressive youth. As the plot develops, his thinking about history continues to deepen.

It can only be said that it may not meet the expectations of most viewers, but it is definitely qualified!

According to common sense, it should be more than 500 million yuan in box office.

However, no one can say that, after all, the domestic market this year is all kinds of weird!

...

"The Wind of the King" is released on July 27 in the mainland, and on August 3 in North America.

There is no way, "Batman: The Dark Knight Rises" is raging the North American film industry, and Nolan's movies have always been full of momentum!

Faced with such a huge thing, Huiwen Tianxia decisively avoided...

Including other overseas regions.

After several years of development, Huiwen has established preliminary contacts with famous film manufacturers in various places. In several larger markets, Huiwen has its own branches.

This global release of "The Wind of Kings" is Huiwen's first attempt.

How effective is to be verified...

At the press conference, when facing a reporter's question, Wu Jingru replied:

"I filmed this movie in the form of a hero film. I talked to Xu Hui before. We need our own superhero. The character of Huang Feihong embodies all our imaginations about heroes..."

"Box office? Of course I hope that the more box office the better, the box office is the best acceptance report for a commercial film!"
Chapter completed!