After a hurried breakfast, Chen Yulian took Yang Chen and ran away directly.

This breakfast was the most embarrassing breakfast that Chen Yulian had ever eaten.

From the beginning to the end, she kept her head down, eating in silence, not daring to look into the eyes of her eldest brother and sisters.

Yang Chen, on the other hand, didn't seem to care. As early as when the third sister of the Chen family blushed, with a pair of big black eyes, and spat on her face, he already roughly knew the reason.

Due to Chen Yulian's thin skin, Yang Chen couldn't say anything, so he could only accompany her to finish the meal in a hurry and leave the Chen family.

On the way, after thinking about it all night, Wen Bixia stopped the car when Yang Chen and the others were leaving, carried a small schoolbag, and got into Yang Chen's car.

Wen Bixia's parents had been convinced by Wen Bixia as early as last night, and with Chen Yulian taking care of them, they were relieved.

Yang Chen looked at Wen Bixia, who was sitting in the car, alone and a little reserved, and couldn't help but say: "Little girl, you have to think about it, don't regret it in the middle, and come back crying when the time comes."

Wen Bixia shrank her head and looked at Yang Chen with her big eyes, and then at Chen Yulian beside her. She felt inexplicably nervous about Yang Chen. She didn't know why, but she was just unspeakably nervous.

Fortunately, there is Chen Yulian beside her. As someone who has experienced this, she knows very well what Wen Bixia is thinking now. Seeing Wen Bixia's firm and nervous eyes, she seems to see herself in the past.

Everything seemed like just yesterday, and history was repeating itself, making her feel indescribably uncomfortable.

Her experience has now appeared again on Wen Bixia. The reason is simply that everyone wants to leave here.

Chen Yulian: "Ayu, I will take you to ATV later. I will arrange a place for you first. I will arrange for you to live with the people in the training class. After the matter of Yuchen's clothing endorsement is settled, I will arrange for you to enter."

Study in training class.

Everything is available in the dormitory, and there is an aunt to take care of your life. If you don’t understand something, you can ask the aunt or the people who live with you..."

After Yang Chen's reform, the ATV training class has been getting closer and closer to the path of future generations of stick trainees.

The hard work is evident from the fact that not long after the training class was established, some people started to withdraw.

One minute on stage, ten years of hard work off stage.

This sentence is not just spoken in words, but actually implemented in practice.

Small fresh meat is a trend, and everyone has to adapt to the changes of the times.

Since people's love for young and beautiful women cannot be changed, then we can only transform young and beautiful women so that everyone can be both good-looking and talented.

In the past, training classes only required everyone to learn how to act and become an actor, director, screenwriter, etc.

Now, ATV's training classes offer countless subjects. An artist must not only learn acting, but also understand music, various musical instruments, dance, makeup, dressing, etc.

As for the director, it is even more strict. Thick history books, utensils, costumes, etc. of various eras must be understood and mastered.

The audience's eyesight will become more and more picky with visual fatigue. If you fall behind, you will be beaten. If you don't make progress, you will also fall behind.

The purpose of the ATV training class is to be strict in entering and exiting in a strict manner, ensuring that the actors will become well-rounded entertainers when they graduate in the future.

Forging iron requires one's own hard work. If there is no money in the stomach, even if there is a chance, even if one becomes famous overnight, such a person will only be short-lived.

As for a director, only if he has a solid foundation will he not produce something that makes people feel ignorant and laughable.

For example, the anti-Japanese dramas of later generations were quite good at first, and everyone also liked to watch such patriotic films and TV shows.

But it happened to go further and further behind. Movies and TV shows that promoted patriotism well, and all kinds of dramas came out in all kinds. It made everyone think of anti-Japanese dramas, and their minds were filled with a dark mess.

Ignorance is not terrible. What is terrible is being uneducated, pretending to understand, and wasting the audience's enthusiasm.

Therefore, when Yang Chen reformed the ATV training class, he paid special attention to this point.

In the 1980s and 1990s, Xiangjiang Film and Television and Xiangjiang Stars were the representatives of the whole of Asia. Yang Chen hoped that this kind of glory would continue in the future and avoid the plastic surgery trend of Korean stick men from sweeping the country and abroad.

A few hundred years ago, Asia was far ahead of the world in terms of both area and population. Asia as a whole accounted for two-thirds of the world's population. In terms of quantity alone, it was not comparable to other places.

As long as ATV can firmly occupy Asia's private land and turn it into a back garden, it will be able to influence two-thirds of the world's population.

Media, film and television, in the 1980s and 1990s, was an industry that could become the backbone of Hong Kong. There were tens of thousands of workers in Hong Kong who relied on media, film and television, and it directly or indirectly affected the livelihoods of hundreds of thousands of people.

It is also a very large group. As long as it can maintain the status of Xiangjiang Film and Television, relying on the size of Asia Media Film and Television, it will be enough for Xiangjiang Media and Film and Television industry to become an important economic pillar of Xiangjiang.

If you want to maintain this situation, you must maintain a leading edge in the quality of output videos.

Only when quality is guaranteed can we survive in the increasingly competitive film and television industry.

Of course, it is also very important to hold on to the inland next door, Xiangjiang's future money bag.

At the beginning of the 21st century, the economies of Asian countries have further developed, people's living standards have improved, and local film and television companies in Asian countries have matured step by step with the support of their respective countries, and various restrictions have become more and more severe. If Xiangjiang Film and Television wants to develop,

Ultimately, it depends on the inland market.

Without the inland market, Xiangjiang Film and Television will eventually decline under the resistance of film and television companies from various countries.

Only by tightening the purse strings can Xiangjiang Film and Television maintain sustained prosperity and leading position. With market guarantees, investors will invest.

Only in a virtuous cycle can various high-quality blockbusters be produced. Only high-quality blockbusters can overwhelm other countries' fortification policies.

Look at the United States. If it can't handle a small ship, it will build a big ship. If it can't handle a big ship, it will build an aircraft carrier. If it can't even handle an aircraft carrier, it will build a spaceship.

You can resist, you can launch a nationwide boycott, but in the capital society, in the 21st century, if countries want to develop their economies, it is impossible for them to adopt the early isolationist approach.

As long as you cannot completely block the channel, others can use money to kill you.

You are a small country and you have no money. It depends on how you catch up and how you play with me.

They are not rivals at the same level, the gap is as big as a day or a place.

This is the strategy of Laos and the United States, and Xiangjiang can also learn from it. Even if the inland market with a population of more than one billion is not as good as Lao America, it is not much different.

Coupled with the habit of Asian countries relying on Xiangjiang Film and Television, as long as the gap between the two is not too big, Xiangjiang Film and Television may not be able to compete with the big ships of the United States.

The reason why later generations of Hong Kong filmmakers couldn't do the same thing as Lao Mei is not because of their cultural background or lack of imagination, but mainly because of money. They are used to being small and broad, and they blindly pursue star power and are reluctant to spend big money on special effects and hardcore.

investment, resulting in a growing gap between the two.

Don’t forget, there are countless mythical characters in our mythological history. As long as we ‘add special effects’ to them and ‘make good use of special effects’, they will be existences that can shock the sky, the earth, and the air.

No matter how powerful it is to shoot with a long gun

Can you survive the sneeze of an old cow?

One sip of salt soda can send you to grandma's house.

Big ship?

The immortal stretched out his legs

A small carp and a dragon wagging its tail

Dragon blows bubbles

…

Any one of them can make it return to the bottom of the sea to lie down.

Just asking if you are afraid?
Chapter completed!