In fact, the Philippines' resources are far more than the potential for grain production and copper ores. In addition to copper ores, the Philippines' nickel ore reserves are also very large, and it is very famous in later generations, and its total reserves can rank among the top ten in the world.
However, Marin was not very familiar with the distribution of minerals in the Philippines in later generations. The main reason is that this country is more mysterious to China in later generations. Therefore, he is not very clear about the specific distribution of mineral resources in the Philippines. The Toledo copper mine on Cebu Island was only familiar with Marin because it was developed earlier and was famous. As for Marin, Marin only knew about a lot of nickel ores, but she was a little confused.
Moreover, Marin is only familiar with laterite nickel ore. Because that thing is easy to find. When you see the red ore, you can refine and process it, and you can't see sulfur dioxide. Then you restore it to see if it is nickel metal. And Marin is not very familiar with what other types of nickel ore look like. After all, he is from the history system, not from the geological system. Only the hardships of the geological system will make you bored to remember the colors of the ores.
Although the geological system is very pitiful and bitter, people have high requirements. They must have good eyesight and are sensitive to colors to facilitate the identification of the color of ores. Moreover, they have a good sense of smell. They often need to smell the smell, find some special ores, and smell oil seedlings of oil...
In fact, Marin's geography is still good. However, thinking that those guys from the geology department were running out all day long and needed to drill holes and sample and analyze like mice, they did not dare to report it, but chose the History Department...
Of course, the history department is idle, but it is difficult to find a job after graduation. Except for the school needs history teachers and museums, it seems that other places need less. Even people don’t need to understand history when filming costume dramas, just do it. The so-called “historical drama” is as bad as a dog in the eyes of those who understand history… Any graduate of the history department can make the so-called “historical drama” broadcast by a big TV station without any skin… However, the garbage screenwriter is a person in the entertainment industry and has a tough relationship. Do you have a good understanding of history? People still become screenwriters... Don’t believe it? Go check the admission scores for screenwriters majors in the three major art schools…
In the previous life, Marin felt very "dummy" - the screenwriter major of Beijing Film Academy, the admission score is only 380! The total score is 750! What does 380 mean? It is exactly half, and it is only 50 points in the percentage system. It is a perfect requirement for poor students! The requirements of Central Academy of Drama and Shanghai Academy of Drama are similar.
Ma Lin was puzzled in his previous life. It would be fine if you say that the performance major requires a low score. After all, people are good-looking. But isn’t the screenwriter major looking at talent? Why are you admitted to this point? It’s no wonder that a group of poor students are all disgusting plots. Those magical dramas are basically created by those poor students. However, those truly talented liberal arts masters are not people in the circle, so they can only watch those poor students write one.
A disgusting work. For example, historical dramas are scripts written by poor writers who scored more than 300 points. Many of them say they are liberal arts students, but they know nothing about history and still make up for it. In the "historical drama", they write various lines that do not match the times. Moreover, it would be fine if he didn't understand, but he wouldn't let those who really understand history get involved. Instead, some history graduates have gotten into the crew. Do you know what they do? The props...
This is because the audience can't bear to the behavior of the historical crew wearing clothes randomly and using the golden crown of the underworld as the alive emperor's crown in CCTV's historical dramas (in fact, the emperors of the Ming Dynasty usually wore black hats and painted them like this in their portraits). Then the crew recruited some college students from the history department. However, they did not participate in the screenwriter, but only participated in the management and screening of props. As for important positions such as screenwriters, they were monopolized by the screenwriters in the circle and did not give historical students the opportunity to intervene. The historical students who are in the crew's props are also small figures at the bottom of the crew, and are a huge difference from the screenwriter's status...
Therefore, the graduates of the history department are still very sad. Many people have no choice but to write online novels, but history is not popular... If one day you pass by the construction site and see a gentle person moving bricks, maybe they are graduates from the history department...
In fact, with the brands of the three major art schools, it is still easy to recruit academic masters as screenwriters. After all, the brands of the three major art schools are very famous. Even if they are set to be 550 points, there are still many people who are willing to apply for the exam. However, they don’t, they like to recruit 380 points.... Marin sometimes wonders - do art schools like to recruit academic bad students? Maybe they join in groups and reject academic masters with high standards. After all, people are group scored. Otherwise, why do they set the requirements of screenwriters so low? You must know that in some key high schools, it is difficult for people with 750 points to get a test of 400 points... Even if it is a difficult problem for key classes to get a test of less than 500 points. After all, they can get a test of more than 500 points...
Of course, Marin is not looking down on poor students. Instead, he really cannot stand being a poor student as a screenwriter. You must know that in a drama, the screenwriter is the soul! Even the director only expresses the content of the screenwriter's script. Strictly speaking, the importance of a screenwriter is beyond the director and is the true core of the soul.
But what is ridiculous is that in later generations, directors were praised as the most popular in the Chinese entertainment industry. Screenwriters became Goubuli or a vassal of directors. In addition, the bad habit of recruiting poor screenwriters in art schools made it difficult for the Chinese entertainment industry to make decent film and television dramas. A good script alone became the number one obstacle.
It’s not that no one can write a good script, but that talented people who can write a good script have no chance to join the circle, and the screenwriter level who has the chance in the circle is too bad, so they can write scripts of magical dramas...
Ma Lin couldn't understand in his previous life - why did the Central Academy of Drama and Peking University not cooperate with the Peking University Literature Department to train high-level screenwriters, but instead insisted on recruiting poor screenwriters themselves? Even Yu Ma can become a big shot, which shows how bad the screenwriters they trained themselves are...
Of course, the problem of poor historical level of screenwriters in filming historical dramas is not impossible to solve. For example, ask history professors to be consultants and point out unreasonable aspects. In addition, some training is also provided for actors.
Marin remembers that the classic old version of "Romance of the Three Kingdoms", the conscience drama that deeply influenced his childhood, was concentrated in order to perform a good show, and trained for two or three months of historical knowledge, and was trained by the history professor to avoid mistakes. In this way, the old version of "Romance of the Three Kingdoms" that is still classic 20 years later. And the new version of "Romance of the Three Kingdoms" does not want to evaluate... I just want to say to the screenwriter and director - what are you doing? Don't harm the classics?
Chapter completed!