Changing the ending is one of them.

You know, from the core of the story, the original version is indeed a suspense film, yes, that’s right!

Speaking of suspense, who is suspense? It’s just a matter of words!

Our suspense label is not put on casually, we really have suspense.

Therefore, the ups and downs of each plot also have profound meanings. If you change it into another story, it will be completely different.

Under Lao Zhang's supervision, you can't even think of reaching this level. It's impossible, and he won't let you do it.

So, without changing the overall plot, but also making the movie look better, where is the entry point?

right!

That’s right!

Right at the end!

Whether it's a comedy or a suspense film, in fact, a good ending can sometimes turn something rotten into something magical.

Because many times, the audience is not that picky, and they are not likely to pay attention to what shots, what lighting and shadows like those professional film critics.

No.

In fact, the majority of audiences generally focus on the ending of a movie. No matter what type of movie it is, they always want to know the ending.

That is the end of the story.

When the audience watches a movie, it's really not that pretentious. They just want to understand what kind of story they were told in the end after watching this thing for a long time.

This also explains why those literary and artistic films that are surrounded by clouds and mountains and mist always fail in movie theaters.

The biggest feature of literary and artistic films is the tone. You know, what is tone, it is that kind of atmosphere, high-end, and proper.

The story is usually without beginning or end, and the plot is ambiguous. Many things are said, but none of them are explained thoroughly, just to show you a certain state.

You want to understand the director's ultimate thoughts, what exactly his story means, and what the ending of the story is like.

Feel sorry.

Everything I can give you has been shown to you. Look, this is the movie, the director said.

If you want to explore the ending, please use your own brain and realize it yourself!

Our movie, strictly speaking, has an open ending, and its direction can be many.

It can be said that there are a thousand Hamlets in the eyes of a thousand people.

This is what many art film directors really think in their hearts. To be honest, the attitude of many art film directors is condescending.

They tend to only pay attention to the opinions of film critics and film festival judges, the so-called experts. In fact, they do not value the opinions of the broad audience very much.

If they valued the thoughts of ordinary moviegoers, they wouldn't specialize in filming such obscure stories.

Because more people don't have the leisure time to watch a movie and speculate about it.

Many theater movie audiences have a very simple idea. They only watch the ending of the movie, as long as the ending ends well and is exciting enough.

For example, there is an unexpected twist at the end of a suspense film, and a comedy can make people laugh while crying and be touched in their hearts. That is enough!

It doesn't matter if the process is a bit protracted or lengthy. As long as the ending is exciting enough, everything can be forgiven.

Good films are regarded as classics, but ordinary films can also receive a review that is neither merit nor merit.

As for the original three words and two beats, the ending is simply a disaster.

Originally, the audience was helpless enough to watch a farce. Sitting in the cinema felt like sitting on pins and needles.

However, they are still persisting.

They just want to die quickly and see what the ending of this crappy movie is like. Just because of this idea, they are always hanging on!

The results of it?

What did they see?

Just a bunch of people died.

A group of people are alive again.

A group of people are alive and kicking.

Even had a big dance!

What are these things about him?

Is this something humans do?

The story is already very muddled, but with this ridiculous ending, it becomes even more unreadable.

If the previous story was just trying to show a sense of humor, and Lao Zhang failed to grasp the right tone, then the final ending, shot in an Easter egg mode, is a naked provocation to the audience!

Hahaha!

It seems that the audience can hear Lao Zhang’s contemptuous laughter through the movie. Have you been tricked into entering the cinema by me?

Just take a picture of something like this, and you still treat it like a treasure!

Isn't it easy to make money? I, Lao Zhang, want to make money, and I still have to stand and make it all, but there is nothing you can do.

Because, to a certain extent, movies are actually a one-time deal, especially movies that go to theaters.

From the moment you buy the ticket, you are basically on board the pirate ship, because the money has already been spent, but you still have no idea about the quality of the product you purchased.

You are kept in the dark, you sit in your seat in confusion, and then the movie curtain goes up and you start to enjoy the movie.

Ha ha.

Even if you can't hold on and leave halfway, it doesn't matter. As a director, I don't even care.

Why?

The money is already in my pocket!

I don’t care whether you like it or not? What does it have to do with me? What does it have to do with my money?

Can you still get the money back?

You can't, so the winner is still me.

Think about it from the perspective of the audience. Although each movie ticket is divided equally among individuals, it is not unaffordable. It is not considered high-end consumption, but when tens of thousands of viewers gather their expenses together.

That’s an ocean that embraces all rivers!

Being called a mother-in-law is not a loss at all!

Hearing that Wu Di wanted to change the ending of the movie, Zhang shook his head without thinking.

"That's not okay!"

"This ending is the soul of the movie!"

Still have a soul!

My soul is out of body! Wu Di thought this way.
Chapter completed!