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880. General Demeanor

By the end of July, after the last entertainment concert on Fujifilm, turn to mid-August, DREAM color T-blue E will start this year's theme tour.

The tour was scheduled to go to fourteen cities, with a total of twenty-two performances, each ranging from five to six thousand to more than ten thousand, but they were all indoor venues.

The sound effect of the indoor venue is better, but it is not too large, so it can interact more with the audience. The theme tour of the album is to sell records on the one hand, and on the other hand, it also shoulders the task of consolidating fans and cultivating supporters.

This arrangement method is also intended to be distinguished from the large outdoor circus tour planned to be held every four years. The focus of the tour is different, so that the setting of "giraffe men only appears on large outdoor tours" is meaningful.

This newly released new album also includes the band's theme tour schedule for the second half of the year, as well as the time of each ticket and ticket booking phone number. Of course, it also highlights a very eye-catching sentence: "N will not participate in this tour on KI day."

The press release was issued at the beginning of the year to announce the world. It was to say it again in the new album, and it was to convey it to the band's supporters. It told potential consumers of the tour that what the tickets for this performance contained and what they did not contain. It was a fairy-good person.

This year, from releasing records to playing on TV, to holding concerts, everything has to take into account the "smoothly run the reorganized DREAM color T-blue E" in mind. This year's new singles and new album sales have not been affected by this reorganization, and it is expected that the pace of continuing to move forward without stopping at all. It is a smooth journey to spend this time smoothly.

At present, the band's new album has refreshed the band's best results, and has not been affected by the press releases at the beginning of the year. Shinichi Iwahashi felt relieved and was freed up again to go on TV with Brother Miwa Chanakamura and promote the album.

In June, there was a promotion of the new album of DREAM T-Breast E, a promotion of the leading single of THEB revealing EHEARTS, and ZARD, which released its new album less than two weeks before DREAM T-Breast E., and there is no promotional period yet.

June is still a month with intensive releases in the industry. Without a few tricks, it is not easy to make a breakthrough in such a big melee.

Shinichi Iwahashi is not only busy himself, but also the singers under his command. He can even meet the singers under his command while appearing in the TV station's backstage wearing a headscarf, and pretend to not see it as if nothing had happened.

The ZARD people knew the giraffe man well, and the young men who showed EHEARTS didn't know the giraffe man's background. When they met in the backstage, Hiro Kamoto was very interested in this mysterious mascot. Mashima Masaki was afraid that this guy would be too heavy, so he suddenly stuck out his tongue and made a face at the people of the most popular band, and tried to hold him down.

If a big band like DREAM color T-breast E really makes them angry, Iwahashi probably has to ask President Iwahashi to come forward and apologize in person...

Mashima Masaki was grateful to Shinichi Iwahashi for lending help to the band and was particularly unwilling to cause trouble. Especially after the band moved to GENZO, Shinichi Iwahashi never interfered in their creations, and respected "creative freedom" with the unity of words and deeds.

The members of THEB EHEARTS are very grateful for this style.

When they get together with the underground musicians who have supported the band in previous events, they don’t have to take the initiative to say good things about Shinichi Iwahashi. They just look at the status of the members. Other underground musicians know that the Iwahashi Sang is exactly the same as the legendary one.

If you want to make a mainstream debut, you should join the Iwaki Sangmen!

Shinichi Iwahashi doesn’t have to promote himself. What he has done is the best publicity for himself.

...

The band that is already on track is responsible for the publicity period, and Shinichi Iwahashi is responsible for each other. There is no need to worry too much about Shinichi Iwahashi. However, in July and August, newcomers are scheduled to debut. Even if Shinichi Iwahashi is fully responsible, he cannot completely ignore it.

The singers and bands that will be launched next have average debut resources, and they are not considered to be promoted as the main force. What is worth mentioning is the producer who participated in the production and the producer who was newly recruited by the company this year.

Unlike the producers who were commissioned by Sakuma Masae or Konishi Kangyang who either opened their own office or belonged to other record companies, this time, the producer who was responsible for the production was signed with GENZO.

If a company wants to grow, talents from all walks of life must be reserved. The importance of producers is unquestionable, and the lack of exclusive producers is not considered a healthy company.

This year, Iwahashi Shinichi signed an exclusive producer contract, and he gave Utada Teruchi, whom he met when he was planning an album, and invited him to GENZO to help.

After Utada Naoji returned to China with his wife and daughter, Toshiba E fans gave him a job, but he did not sign an exclusive contract with him. He has always been free.

Not signing a contract is what Utada Naomi means. He is used to freedom and does not want to be bound. Toshiba E-fan is not short of this producer, let alone force him. And this time he was invited by Shinichi Iwahashi because he wanted to make a trio.

That's right, it's him, Fuji Keiko, and his daughter Utada Hikari.

A family group clearly shows that it is impossible to make money, and it makes small fuss, enriching the life of girls and children. Of course, Teruji Utada is responsible for writing and producing songs, and his wife and daughter are responsible for making voices. There is no big production and no money is spent.

But if this kind of family group can be achieved, it is only possible to pay out of your own pocket and release it at your own expense. As long as you are willing to pay, even if you send meow records to your own cat, some companies are willing to help.

Utada's family is very romantic. When he was in the United States a few years ago, he did the business of selling his own property and making music at his own expense. He couldn't make money by making music at his own expense, and he spent all his property first, so he was willing to live in poverty.

This time, if you release family records at your own expense, you will have to emptie the wealth of Utada's family, which is already a few.

Last year, during the production of the single between Sakamoto Tomi and Asaka Wei and Yoko Mino, Shinichi Iwahashi worked with Utada Terumi for a while. During the recording, he also took care of his children. With the origami technique learned from Akina Nakamori, he established "origami friendship" with Utada Hikaru.

After the single production ended, Shinichi Iwahashi occasionally had a drink with Utada Terumi or called Utada Mitsuki. By the way, during this period, Utada Terumi and Fuji Keiko divorced once, and remarried quickly within two months after the divorce.

On the phone, Utada Hikaru looked like a little adult, and said helplessly: "I'm used to it~"

In the vivid tone, Shinichi Iwahashi could even imagine her shrugging and sighing. If the live-action version of "Cherry Maruko" starts filming, he would really want this little guy to try the camera.

From the first time we got married, the couple has been divorced and remarried three times. Judging from their situation, the third time they divorced and remarried will definitely not be the last time.

This time, the family wanted to form a family group to release records, which was also what Utada Hikaru told him when he called Shinichi Iwahashi.

After hearing about the forego, Shinichi Iwahashi contacted Utada Natsumi and discussed with him to release the record for their family group. However, the condition was that he signed a producer contract with Utada Natsumi.

Shinichi Iwahashi thoughtfully estimated that it would not cost much money to post records for them, but if the production and printing fees were borne by Utada Terumi, the family would have to live a short life for a while.

He was willing to recruit this family because of the origami friendship established with Utada Hikaru. On the phone, when Utada Hikaru talked about this, he enthusiastically invited Shinichi Iwahashi to visit her recording studio after the recording starts.

Although the world is vast and there is no "her recording studio". But this seven-year-old child is quite as handsome as a general.

First, it is for Utada Hikaru, and second, it is just that Shinichi Iwahashi lacks such a producer who has poor business achievements but has rich production experience and is trustworthy. This production fee and printing fee are considered as a pre-order for hiring Utada Terumi.

Besides, Utada Teru has been in the United States for many years and has recognized many musicians there. Since Shinichi Iwahashi plans to build a recording studio in Los Angeles, this American communication may not be useless.

I had a cooperation before, and they all knew each other's tempers. Shinchi Iwahashi was not the kind of difficult boss. In addition, his daughter Utada Hikaru was instigated by her and said that "a visit to Iwahashi's recording studio" was just a joke, and Utada Naomi was also shaken.

When I planned to form a family group in March, I received an invitation from Shinichi Iwahashi. After hesitating for two or three months, the deposits in my pocket were also traveling to Tokyo and New York, and the consumption process between the two of Fuji Keiko was less and less, and Utada Naomi felt relieved.

Shinichi Iwahashi and Terushi Utada signed a producer contract, and signed a record contract with the family of three.

There is no additional constraint, only GENZO is responsible for the release of the record. At the same time, there is no contract period. When will the group decide to stop the activity, and when will the contract be added to GENZO for a contract end.

After signing with the producer Utada Sawami, Shinichi Iwahashi's first task was to produce a male SOLO singer who was scheduled to debut in July, a young man named "Sankan Ken".

He has a natural curly short hair, 22 years old, not a handsome guy, but he is pretty when he cleans up. When he sent GENZO his own self-singing test belt, he was kept by Shinichi Iwahashi. After training, he arranged to debut.

...

If a newcomer debuts, as long as he starts to make a debut plan, it will no longer be a secret in the art world.

After all, in addition to holding a debut press conference or posting a public announcement, an agent must also lead to various TV stations and broadcasting bureaus to worship the mountain. After running two trips like this, you will know whose newcomer is, if you care a little more about it.

However, the singers in the recording industry who have to launch hundreds of groups a year, in addition to those who have made great publicity, have obtained various resources on the eve of their debut. The newcomers who have been highly praised still release a single silently, and have disappeared silently.

A Sanshangjian, who has not made his debut, will not let the industry look at him more before he becomes famous.

If you really want to say it, for the industry, what you care more about is actually "GENZO's Shinichi Iwahashi has started to produce male SOLO singers again."

First, she was a female SOLO singer, followed by another male SOLO singer. Not only that, not long ago, this person was photographed dancing with Toyoto Ozaki and Yasuyuki Okamura, a number of male SOLO singers.

This Iwahashi producer has planned to get involved in the SOLO market, so he is so close to the SOLO singer?

Shinichi Iwahashi was filmed with Toyoto Ozaki by "F-Day" and not long after Okamura Yasuyuki went to dance, when Ken Mikami was led around to worship the mountain, a short essay appeared in the tabloid magazine, "The producer of Iwahashi and two talented male SOLO singers are approaching quickly, and behind them are his ambition to attack the SOLO market."

If you dance with a talented male SOLO singer, you are ambitious about the male SOLO market. Then, if you are dating a Taopu Star idol, aren’t you planning to unify the idol world in Japan?

This kind of short composition is just a pastime. Compared to "the reason behind dancing with a talented male SOLO singer", what is really about to convey to the audience is actually "Shiichi Iwahashi intends to explore the SOLO singer market".

Why is Shinichi Iwahashi so sure?

Because this short essay is a press release bought by GENZO for money...

Not surprisingly, they are all on track record companies, and they have several popular bands under their command, and they are all going to expand their scale. It is impossible not to deal with the media, and it is even more impossible not to develop several newspapers and magazines with good relationships and win over several royal journalists.

Establishing good relationships with the media is a necessary part of the development of record companies. For the media, if a record company is established and has a little fame, if it does not take the initiative to make friends with them, it is a feud.

The company's annual hospitality funding accounted for a considerable part of the media.

Since he was filmed by "F Day", Shinichi Iwahashi simply took advantage of the topic and took advantage of his personal popularity to post a short essay to the public.

Although I can’t save money on buying a press release, I have the previous popularity and the attention of the press release is also higher.

The reason for communicating to the outside world is that GENZO intends to dabble in the SOLO singer market is to tell ordinary people who are interested in becoming singers. This company not only produces bands, but now welcomes newcomers who are interested in SOLO debut to join.

Such a discerning person can guess what is a press release as soon as he guesses, and the industry will intentionally allow its artists and singers to debut, including GENZO, a record company that originally focused on producing bands, as part of the consideration of its partners.

If you perform well, you sing, and if you sing well, you sing well, you sing well. This kind of thing has always been an old tradition in the art world.

In addition to discovering new people by himself, leaving them to Watanabe Manyumi, and sending them to other firms for replacement resources, Shinichi Iwahashi also wants to accept the record contract commission from other firms.

There is no reason why I always rush to give benefits and exchange resources. At present, although I still need to do this to establish good relationships with other firms and exchange more resources, I also have to make efforts to send signals to the firms in the industry:

GENZO has the intention to undertake the production of SOLO singers.
Chapter completed!
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